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Dupatta est un film avec Joy Mukherjee

Dupatta (1970)

Dupatta
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Durée 2h

Dupatta (Punjabi: ਦੁਪੱਟਾ) is 1970 Punjabi film directed by Mohinder Wahi, starring Ravinder Kapoor, Indira Billi, Joy Mukherjee, Sunder, and Sonia Sahni.

Acteurs

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Source : Wikidata

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Suggestions de films similaires à Dupatta

Il y a 29 films ayant les mêmes acteurs, pour avoir au final 29 suggestions de films similaires.

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After the untimely death of her father and step-mother, Sonia is orphaned and lives with her aunt and paternal uncle (Mrs. and General Rajpal Singh). Sonia is plain-looking as her real mother, and often invites unappreciative, taunts, and critical remarks from her aunt and cousin-sister, Sheela. Sheela has a boyfriend, Dev Kumar Mehra, and she plans to marry him. Fed-up of hearing frequent taunts and adverse remarks about her plain-looks, Sonia challenges Sheela that she will make Dev fall in love with her.
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Ajay Mehra (Joy Mukherjee) is on a secret mission to Kashmir to counter Kashmir rebels right after Independence. While on mission he is injured due to a bomb blast. A young girl Asha (Sadhana) from a poor family is forced to flee for her own safety following an attack on her house by Kashmir rebels. She comes across Ajay who is injured. She nurses him back to health over a period of time and they start falling in love with each other. But after the bomb blast, Ajay has lost his memory. Hence they both decide to go to Srinagar to get treatment for him at a hospital. But Ajay gets some clue from his things and decides to go to Bombay to find the truth about himself.
Mama Ji
Mama Ji (1964)

Acteurs Indira

Mama Ji is a drama with comedy and romance. Bansi Lal is an idle and not very intelligent man living in his (married) sister's home. His maternal grandfather is a businessman in Africa. His sister, Lajwanti, and her husband, Kirpa Ram, are very unhappy with him as he does not use his brain at work. They want him to leave. One day, he buy a magic stick from a magician thinking that the stick really has magic. This makes his sister and her husband very angry again. As he realized that the stick does not actually have any magic, he feels robbed and one day, he snatches money from the magician and runs and hides himself in a Tonga. A beautiful girl, Laali, is searching for his father, lost in the Visakhi mela (English: fair). A Tonga driver takes her with him, in the same Tonga in which Bansi is hiding, saying that he will find her father. After they leave the city, the driver tries to rape her, but Bansi rescues her and takes her home. The police locate Laali as her father reported and come to Kirpa Ram's home to get her back. Laali's father takes her back with thanks, but Kirpa Ram gets angry as the police came to his home because of Bansi and throws him out. Wandering, Bansi reaches Laali's village where he saves her from Phumman, a proud son of Khema - a patwari (English: local land record officer). Bansi stays at Laali's home.
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On the lookout for employment, Ashok (Joy Mukherjee) sees the photographs of beautiful Asha (Asha Parekh), and decides to accept employment as the estate's Manager. His expectations are short-lived as Asha turns out to be a rich, spoiled, conceited bratty young lady. To complicate matters further, Seema (Nazima), Asha's sister is attracted to Ashok. Ashok and Asha do like and eventually end up in love with each other, but Ashok's dad (Ulhas) does not approve to their marriage as he knows of Asha's parentage, a father who is an escaped convict, in jail for murder, and a mother whose profession was: prostitution. Ashok himself sees Asha in her true colors when she sings and dances at a party, overly intoxicated.
Shagird
Shagird (1967)

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Professor Brij Mohan Agnihotri (I. S. Johar) is a confirmed bachelor, and he firmly refuses to get married. He has a student named Ramesh (Joy Mukherjee), who considers him his mentor. On a visit to his friend out of town, Brij meets his friend's beautiful daughter, Punam (Saira Banu), and falls in love with her. Throwing all caution to the winds, he changes his appearance, and attempts to conquer Punam, but he later finds that Punam is attracted to his student, Ramesh. Now the professor has to decide whether to get rid of Ramesh, or to reverse their roles and make him his mentor.