Dans les bars de Tel Aviv, la nuit, la réalisatrice demande à des jeunes Juifs s'ils auraient des relations sexuelles avec des Arabes, et à des jeunes Arabes s'ils feraient l'amour avec des Juifs. Chacun donne son avis, avec plus ou moins d'explications, sur le symbole que cela peut représenter pour eux (beaucoup l'ont déjà fait) ou au contraire leur refus. Des jeunes issus de familles mixtes (un parent juif, l'autre arabe) sont également interviewés. Le film recueille aussi les témoignages du journaliste Gideon Levy et de l'acteur Juliano Mer-Khamis, de mère juive et de père arabe, assassiné en 2011 par des Palestiniens à Jénine.
This World War II movie brilliantly opens with Sally Maitland (Anna Neagle) appearing to signal Nazi planes to bomb England after murdering an innocent citizen in his home. The next morning Sally boards a ship bound from Britain for Canada crossing an Atlantic with German predators afoul. Two of the passengers, Jim Garrick (Richard Greene) and Polish officer Jan Orlock (Albert Lieven), seek her acquaintance despite her long-time, and well-known admiration for Nazi Germany. It soon becomes common knowledge that Jim is in British intelligence. Sally rebuffs his advances, but welcomes Jan's attention. Much later in the film to keep us guessing, we learn that Sally is in fact a deep cover British agent on a secret mission shadowing her quarry Jan. She chases Jan across the globe thwarting sabotage against the allies. Unbeknownst to Sally, Jim is assigned to help and protect her on the same mission.
In the fictional country of Moronika, three munitions manufacturers—Messrs. Ixnay (Richard Fiske), Onay (Dick Curtis) and Amscray (Don Beddoe)—decide their country is in need of a change. They decide to implement a dictatorship, oust the king, and go about finding someone stupid enough to be a figurehead leader. Ixnay volunteers the three wallpaper hangers simultaneously working in his dining room—the Stooges.
The film begins with a father and worker (Cagney) working at an armaments factory, until he finally gets off and goes home. When he is at home, he is interrupted from listening to his daughter's recitation of Abraham Lincoln's Gettysburg Address to go out for the Civil Defense on an air-raid patrol. When he is out at his post he feels a little silly being there, as no air raids have hit America, though they have hit America's allies.
Il avait été conçu pour préparer les troupes américaines entrées en Allemagne après le débarquement à la mise en place de la dénazification. Le commentaire du film, volontiers schématique et virulent, était tout entier préoccupé par le danger que pouvaient courir les jeunes soldats au contact d’un pays dont toute l’histoire prouvait le bellicisme et l’immaturité politique : en chaque Allemand ordinaire sommeillait un ancien ou futur nazi, d’où la nécessité d’être constamment sur ses gardes et de ne pas entretenir avec la population des liens de trop grande proximité. Repris au cours de l’année 1945 par les frères Warner sous le titre Hitler Lives ?, le film remporta l’Oscar du meilleur documentaire de court métrage.
The film reports on controversies concerning and within the animal rights movement. These include external conflicts between animal rights advocates and medical researchers and restaurant operators, and internal disagreements within the animal rights movement between the animal shelter operators and the confrontationalists who demonstrate outside homes of corporate opponents. The film also discusses the comparison between animal liberation activists and political terrorists, including the FBI's ranking of animal-rights activists as the nation's No. 1 domestic terrorism threat.
Le titre Zeitgeist est une expression allemande qui veut dire « esprit du temps », en faisant allusion à l'expérience du climat culturel dominant. Le site web officiel déclare que Zeitgeist, The Movie et sa suite Zeitgeist : Addendum ont été créés sans but lucratif pour communiquer les conclusions des auteurs. Peter Joseph utilise des appuis historiques et modernes afin de montrer que ces conclusions sont censurées par les institutions sociales actuelles dominantes.
Le film se veut une déconstruction méthodique de trois grands événements ou mythes qui présideraient au fonctionnement des sociétés occidentales
Paths of lives are crossed in one village in the West Bank. Along the broken water pipelines, villagers walk on their courses towards an indefinite future. Israel that controls the water, supplies only a small amount of water, and when the water streams are not certain nothing can evolve. The control over the water pressure not only dominates every aspect of life but also dominates the spirit. Bil-in, without spring water, is one of the first villages of the West Bank where a modern water infrastructure was set up. Many villagers took it as a sign of progress, others as a source of bitterness. The pipe-water was used to influence the people so they would co-operate with Israel’s intelligence. The rip tore down the village. Returning to the ancient technique of collecting rainwater-using pits could be the villagers’ way to express independence but the relations between people will doubtfully be healed.
The film was composed of several interviews with different Palestinian refugees including children, women, old people, and militants from the refugee camps in Lebanon. In the interviews Malas questions his subjects about their dreams at night. Through their answers, the film attempts to reveal the underlying subconsciousness of the Palestinian refugee. The dreams always converge on Palestine; a woman recounts her dreams about winning the war; a fedai of bombardment and martyrdom; and one man tells of a dream where he meets and is ignored by Gulf emirs. According to Rebecca Porteous, the film constructs "the psychology of dispossession; the daily reality behind those slogans of nationhood, freedom, land and resistance, for people who have lost all of these things, except their recourse to the last.
Strawberry Fields points out that strawberries grown in Gaza are the only agricultural product marketed internationally as being of Palestinian origin. One of the major Gaza strawberry farms in located at Beit Lahiya. More than 1,500 tons of strawberries are exported from Gaza to Europe through the Israeli company Agrexco. In order to get overseas, however, the fruits need to pass through the checkpoint that separates Israel and Gaza. The 2005–2006 growing season coincided with the Israel's disengagement from Gaza and the rise of Hamas as the ruling political entity. The armed conflict between Israel and Hamas resulted in the closing of the border checkpoint. The strawberries grown at Beit Lahiya cannot leave Gaza, resulting in significant losses for the farmers and their Agrexco partners. Unable to transport their produce, the farmers have no choice but to dispose of their crop and prepare for the following year’s growing season.