The first of the three women portrayed in this documentary is the innovative dancer/mime/choreographer Lotte Goslar (1907-1997), who worked with Mary Wigman in pioneering modern dance, and choreographed productions by Bertolt Brecht. She developed her own style of expressive dance. In 1933 she left Germany and toured in Europe. Disgusted with Germany's Nazism she exiled herself in the United States. In one of her most famous solos, Grandma Always Danced, she was seen, first, as a baby, then as a bride, a mother and as an old woman. Goslar became a popular teacher of mime and body movement for actors. In the late 1940s, she taught in Los Angeles, where one of her pupils was Marilyn Monroe.
In 1939, Canada joined the worldwide war effort with factories turning out war machines. At the Canadian Car and Foundry (nicknamed "Can-Car") in Fort William, Ontario, a large workforce was recruited to build the Hawker Hurricane fighter aircraft, including a preponderance of women. Many of them were young, and came from as far away as the Prairies.
Recalling the stories of his late grandfather, a young man deliberates over the sale of a homebuilt replica of a S.E.5 fighter aircraft they had built together. His grandfather's voice comes back to him, relating his experiences, beginning with his enlistment in 1914 as a soldier in Canada. After a time in the trenches on the Western Front as an officer in the infantry, he applies to become an aviator and is assigned to a balloon corps as an air observer.
The film documents the life and times of Lynden Pindling and explores the idea of Pindling as a black national liberator and the rumors that he was involved in the drug trade. The Black Moses utilizes the ancient Moses legend and mythology as a model to tell the story and also features commentary from people such as Jesse Jackson, Andrew Young, Thabo Mbeki, and Pras Michel.