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V. Shantaram est un Acteur, Réalisateur, Scénariste, Producteur et Monteur Indien né le 19 novembre 1901
Shantaram Rajaram Vankudre (18 November 1901 – 30 October 1990), referred to as V. Shantaram, was an Indian filmmaker, film producer and actor. He is most known for his films like Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959), Duniya Na Mane (1937), Pinjra (1972), Chani, Iye Marathiche Nagari and Zunj.
He directed his first film, Netaji Palkar in 1927. In 1929, he founded the Prabhat Film Company along with Vishnupant Damle, K.R. Dhaiber, S. Fatelal and S.B. Kulkarni, which made Ayodhyecha Raja, the first Marathi language film in 1932 under his direction. He left Prabhat in 1942 to form "Rajkamal Kalamandir" in Mumbai. In time, 'Rajkamal' became one of most sophisticated studios of the country.
He was praised by Chaplin for his Marathi film Manoos. Chaplin reportedly liked the film very much.
Shantaram then married actress Jayashree (née Kamulkar), with whom he had three children- Marathi film producer Kiran, actress Rajshree and Tejashree.
His third wife, actress Sandhya(née Vijaya Deshmukh), was his co-star in Do Aankhen Barah Haath as well as the heroine of his films like Jhanak Jhanak Payal Baaje, Navrang, Jal Bin Machhli Nritya Bin Bijli, and Sehra. Their daughter, Madhura is married to Pandit Jasraj and mother of Shaarangdev Pandit and Durga Jasraj.
He introduced Rajshree and Jeetendra in the 1964 film Geet Gaya Patharon Ne. He also introduced his niece Ranjana Deshmukh into the marathi film industry through Chandanachi Choli Ang Ang Jaali, directed by Kiran Shantaram in 1975. Ranjana dominated the Marathi silver screen in 70s and 80s. He used to live at Panhala. His daughter, Saroj has maintained his house and converted it into a hotel, Valley View.
Source : Wikidata
V. Shantaram
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Nom de naissance Shantaram Rajaram Vankudre
Nationalité Inde
Naissance 19 novembre 1901
Mort 30 octobre 1990 (à 88 ans) à Bombay (Inde)
Fondateur de Prabhat Film Company
Récompenses Prix Dadasaheb Phalke, Filmfare Awards, Padma Vibhushan
Nationalité Inde
Naissance 19 novembre 1901
Mort 30 octobre 1990 (à 88 ans) à Bombay (Inde)
Fondateur de Prabhat Film Company
Récompenses Prix Dadasaheb Phalke, Filmfare Awards, Padma Vibhushan
He directed his first film, Netaji Palkar in 1927. In 1929, he founded the Prabhat Film Company along with Vishnupant Damle, K.R. Dhaiber, S. Fatelal and S.B. Kulkarni, which made Ayodhyecha Raja, the first Marathi language film in 1932 under his direction. He left Prabhat in 1942 to form "Rajkamal Kalamandir" in Mumbai. In time, 'Rajkamal' became one of most sophisticated studios of the country.
He was praised by Chaplin for his Marathi film Manoos. Chaplin reportedly liked the film very much.
Biographie
Shantaram was born in Kohlapur to a Marathi Jain family and he married thrice. His first marriage was to Vimla, with whom he has three children, son Prabhat Kumar,daughters Saroj and Charusheela, mother of actor Sushant Ray a.k.a Siddharth Ray.Shantaram then married actress Jayashree (née Kamulkar), with whom he had three children- Marathi film producer Kiran, actress Rajshree and Tejashree.
His third wife, actress Sandhya(née Vijaya Deshmukh), was his co-star in Do Aankhen Barah Haath as well as the heroine of his films like Jhanak Jhanak Payal Baaje, Navrang, Jal Bin Machhli Nritya Bin Bijli, and Sehra. Their daughter, Madhura is married to Pandit Jasraj and mother of Shaarangdev Pandit and Durga Jasraj.
He introduced Rajshree and Jeetendra in the 1964 film Geet Gaya Patharon Ne. He also introduced his niece Ranjana Deshmukh into the marathi film industry through Chandanachi Choli Ang Ang Jaali, directed by Kiran Shantaram in 1975. Ranjana dominated the Marathi silver screen in 70s and 80s. He used to live at Panhala. His daughter, Saroj has maintained his house and converted it into a hotel, Valley View.
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Filmographie de V. Shantaram (47 films)
Réalisateur
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Sairandhri (1932)
Réalisé par V. Shantaram
The story is about the twelfth of the thirteen years of the Pandavas exile. Draupadi in her identity as Sairandhari (female servant) is acting as the maid-in-waiting to Queen Sudeshna. They are in King Virata's palace in Matsya. Kichaka, King Virata's brother-in-law and Sudeshna's brother is an arrogant man who believes that King Virat rules his kingdom because of him. He sees Sairandhari and orders his sister to send Sairandhari to his palace. When she reaches Keechak's palace Bhima who is disguised as the palace cook, arrives to save her and slays Kichaka.
अग्निकंकण (1932)
, 2h9Réalisé par V. Shantaram
Genres Aventure
Note51%
Senapati Naagraya(Baburao Pendharkar) rebels against the Raja of Vaijayanti(Shankarrao Bhosale), overthrows his army and kills him, but is unable to stop Rani Veermati(Kamaladevi), who escapes along with her infant son, Sudhirchandra(Master Vinayak). For 19 years she remains in hiding, branding her arm with a burning iron every year. When her son is 20, she asks him to promise to take back Vaijayanti or else she will brand her arm for the 20th time. He promises to punish the tyrant and take charge of this region in 10 days, and accordingly travels there in the company of his friend, Bhairav(Budasaheb). Once there, they prepare to meet with the Minister(Nimbalkar ), who is secretly rebelling against Naagraya. What Sudhirchandra does not know is that Naagraya has decided to wed the Minister's nubile daughter(Leela Pendharkar ), and that she will be involved in snaring him in a deceptive plot to have him arrested, tortured and killed.
Scénariste
Geet Gaaya Pattharonne (1964)
Réalisé par V. Shantaram
Acteurs Jeetendra, Rajshree, Nana Palsikar, Bharathi Vishnuvardhan
Note65%
Vijay (Jeetendra), son of a poor temple sculptor and a toor guide, was a carefree young lad. One day while helping his father to guide a bunch of young women around the temple, he meets a beautiful young girl named Vidya (Rajshree). After some teasing, both fall in love. Vidya was a classical dancer and motivates the sculptor in Vijay, who makes many beautiful statues in a short time. Meanwhile Vidya comes to know that her mother wants to sell her to a rich man as a mistress. She succeeds in escaping from her mother's house and comes to Vijay. He wants to take his father's permission to marry her but rejected as his father thinks that Vidya is a prostitute. Moreover he thinks that Vidya couldn't stand poverty.
Sehra (1963)
, 2h31Réalisé par V. Shantaram
Genres Drame, Romance
Acteurs Sandhya Shantaram, Lalita Pawar, Manmohan Krishna Chadha, Mumtaz, Jeetendra
Note62%
Sherpal (Ulhas) and Tailab (Manmohan Krishan) are chiefs of two opposing clans who regularly meet at an annual competition that highlights their combative strengths in fields of weaponry. Sherpal's daughter Angara (Sandhya) is a tomboy who has been taught all that is required for the competition. She defeats Vikram (Prashant) who is from the clan of Taibal. The two fall in love, but cannot marry due to the old feud. Angara’s mother (Lalita Pawar) is after her to behave like a girl and dress accordingly. She finally gives in to her mother's demands. When her father dies, Mangal (M. Rajan) appears claiming to be her bethrothed, chosen by her father. When things start taking a violent turn she agrees to marry him. Mangal then treats her badly after marriage. Angara suffers the humiliation and even carries a heavy weight across the desert, a punishment meted out to her by Mangal. As she trudges through the desert she comes across a dying Vikram, who asks for water. She attempts to give him water against her husband's wishes, and is shot by Mangal. Angara and Vikram die together.
Navrang (1959)
Réalisé par V. Shantaram
Genres Drame, Musical, Romance
Thèmes Danse
Acteurs Mahipal Singh, Sandhya Shantaram, Kaadhal Sandhya, Agha, Jeetendra
Note67%
Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini.
Teen Batti Chaar Raasta (1953)
, 1h52Réalisé par V. Shantaram
Genres Drame, Comédie
Acteurs Sandhya Shantaram, Shashikala, Leela Mishra, Nirupa Roy, Sheila Ramani, Karan Dewan
Rôle Ecrivain
Note69%
Lala Gulabchand (Dewan Sharar), is a Punjabi and his wife is from Uttar Pradesh. They live at the corner of a crossroads with three lights and four roads. He is a firm believer in national unity and has had five of his six sons, each married to a girl from a different state; a Marathi, Sindhi, Bengali, Tamil and a Gujarati. His sixth son Ramesh (Karan Dewan), works in the press and is a writer and an artist. He is a bachelor but falls in love with a woman named Kokila whose singing he hears on the radio. He draws a portrait of Kokila from imagination just listening to her sing. Unbeknownst to him, Kokila, called Shyama (Sandhya), is the dark-complexioned maid who works in their home and is proficient in all the different languages that the wives of the brothers' speak and very efficient in her chores. However, he rejects her as she's dark and Shyama leaves the house despondent. The turmoil the household goes through with the absence of Shyama and a repentant Ramesh finally makes for a happy ending by everyone getting together again.
Amrit Manthan (1934)
, 2h35Réalisé par V. Shantaram
Acteurs Chandra Mohan, Chandra Mohan, Shanta Apte
Rôle Ecrivain
Note56%
Considered a classic Indian film, Amrut Manthan depicts Chandika cult followers who meet in a dungeon. King Krantivarma (Varde) had banned human and animal sacrifices from what he perceived as increasingly fanatical festivals dedicated to the goddess. As a reaction to this, the cult's high priest (Chandra Mohan) orders the unfortunate Vishwagupta (Kelkar) to kill the king. He obeys, but is then betrayed by the priest and caught. His son Madhavgupta (Mane) and his daughter Sumitra (Apte) join forces with the princess (Nalini Tarkhad), and the people finally overthrow the priest.
Amrit Manthan (1934)
, 2h35Réalisé par V. Shantaram
Acteurs Chandra Mohan, Chandra Mohan, Sureshbabu Mane, Shanta Apte
Rôle Ecrivain
Note56%
The story is about a reformist king Kantivarma (Varde) who bans the sacrifice of animals and humans. This angers the fanatical Rajguru (Chandra Mohan), head priest of the Chandika cult. The cult meets secretly and the head priest orders the killing of the king. Yashodharma is chosen and though he hesitates, the priest orders him to do so. Yashodharma writes a note for his son before leaving that night telling him of the deed planned by the Rajguru. After the King is killed, Yashodharma (Kulkarni) is betrayed by the Rajguru in court and ordered to be killed. Yashodharma’s two children, Madhavgupt (Mane) and Sumitra (Shanta Apte), are on the run but Madhav is caught and the letter found on him by one of Rajguru’s men. Sumitra is taken prisoner and Rani Mohini (Nalin Tarkhud) who succeeds to the throne after her father’s death is asked to have Madhav sacrificed in the temple by the Rajguru. There is a storm and Mohini and Madhav escape to the forest. Madhav later goes in search of his sister. Vishwasgupt (Kelkar), a trusted minister tells Mohini and the people of Avanti about Rajguru being the real killer. The temple is thronged by townspeople demanding justice and the Rajguru with his obsessive belief in sacrifices offers himself to the goddess and cuts off his own head as a final sacrifice.
Producteur
Pinjra (1972)
, 2h55Réalisé par V. Shantaram
Genres Drame, Musical
Thèmes Le thème de l'éducation, La musique, Musique
Acteurs Dr. Shriram Lagoo, Sandhya Shantaram, Nilu Phule, Ganpat Patil
Rôle Producteur
Note84%
The film is a loose adaptation of the first major German sound film "Der Blaue Engel".