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Sandhya Shantaram est une Actrice Indienne née le 27 septembre 1938
Sandhya is an Indian film actress. She is best known for her appearances in various Hindi and Marathi films directed by her husband V. Shantaram, in 1950s-1960s, most notably Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1958) and Navrang (1959).
Source : Wikidata
Sandhya Shantaram
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Filmographie de Sandhya Shantaram (18 films)
Actrice
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Kareeb (1998)
Réalisé par Vidhu Vinod Chopra
Genres Drame, Romance
Acteurs Bobby Deol, Neha, Moushumi Chatterjee, Johnny Lever, Sushma Seth, Saurabh Shukla
Note64%
Birju (Bobby Deol) is a young man from an upper-middle-class family in Himachal Pradesh. His father insists on him being responsible, while Birju is interested in petty theft, lies, and romancing a beautiful young woman named Neha. Neha is a simple, beautiful, and responsible girl from a poor family. Birju sees Neha for the first time and falls in love with Neha that very moment. Neha also starts liking Birju but hides her feelings. Birju tries everything to impress Neha and Neha accepts that she loves Birju and can't live without him.
Pinjra (1972)
, 2h55Réalisé par V. Shantaram
Genres Drame, Musical
Thèmes Le thème de l'éducation, La musique, Musique
Acteurs Dr. Shriram Lagoo, Sandhya Shantaram, Nilu Phule, Ganpat Patil
Note84%
The film is a loose adaptation of the first major German sound film "Der Blaue Engel".
Réalisé par V. Shantaram
Genres Musical, Romance
Acteurs Sandhya Shantaram, Abhijeet Bhattacharya, Iftekhar, Raja Paranjape, Dina Pathak, Siddharth Ray
Rôle Alaknanda 'Alka' Verma
Note72%
Alaknanda lives a wealthy lifestyle with her widowed dad, Dr. Verma. She is fond of dancing and singing to such an extent that she refuses to marry the groom her dad has chosen for, runs away to Laitpur, enlists in the song and dance troupe that Rajkumar Kailash runs in his palatial house called 'Lalit Mahal'. Both Kailash and Alaknanda meet and fall in love, but Kailash's mom wants him to get married to Rajkumari Rupmati. Then when Alaknanda is performing, she meets with an accident, is hospitalized with a fractured leg that may never heal. Afraid to show her face to Kailash, who still insists on marrying her, she uses her crutches to escape from the hospital, ends up with a gang of bandits, is rescued by Kailash and brought home - where circumstances will again put her on the stage to perform a dance.
Ladki Sahyadri Ki (1966)
, 2h31Réalisé par V. Shantaram
Genres Drame, Thriller
Acteurs Sandhya Shantaram
Rôle Rani
Note54%
Rani (Sandhya) and her family are poor but she is not allowed to work when offered a job in a theatrical company, as it is against the custom of her family to have girls working. However she takes on the job when the village temple needs money for repairs. The stage-owner starts drinking and makes inappropriate advances to Rani. When she snubs him he stops the work on the temple restoration. Rani is separated from her family but finally reunites with them and has the temple completed.
Sehra (1963)
, 2h31Réalisé par V. Shantaram
Genres Drame, Romance
Acteurs Sandhya Shantaram, Lalita Pawar, Manmohan Krishna Chadha, Mumtaz, Jeetendra
Rôle Angara
Note62%
Sherpal (Ulhas) and Tailab (Manmohan Krishan) are chiefs of two opposing clans who regularly meet at an annual competition that highlights their combative strengths in fields of weaponry. Sherpal's daughter Angara (Sandhya) is a tomboy who has been taught all that is required for the competition. She defeats Vikram (Prashant) who is from the clan of Taibal. The two fall in love, but cannot marry due to the old feud. Angara’s mother (Lalita Pawar) is after her to behave like a girl and dress accordingly. She finally gives in to her mother's demands. When her father dies, Mangal (M. Rajan) appears claiming to be her bethrothed, chosen by her father. When things start taking a violent turn she agrees to marry him. Mangal then treats her badly after marriage. Angara suffers the humiliation and even carries a heavy weight across the desert, a punishment meted out to her by Mangal. As she trudges through the desert she comes across a dying Vikram, who asks for water. She attempts to give him water against her husband's wishes, and is shot by Mangal. Angara and Vikram die together.
Chitti Tammudu (1962)
Réalisé par K. B. Tilak
Thèmes L'enfance
Acteurs Tadepalli Lakshmi Kanta Rao, Rajasulochana, Kongara Jaggaiah, Devika, Suryakantam, Ramana Reddy
Stree (1961)
Réalisé par V. Shantaram
Genres Fantasy
Acteurs V. Shantaram, Sandhya Shantaram, Rajshree, Bhagwan Dada, Indira, Mumtaz
Note70%
Velugu Needalu (1961)
Réalisé par Adurthi Subba Rao
Genres Drame
Acteurs Akkineni Nageswara Rao, Kommareddy Savitri, Kongara Jaggaiah, Relangi Venkata Ramaiah, Samarla Venkata Ranga Rao, Gummadi Venkateswara Rao
Note73%
Venkat Ramaiah (SV Rangarao) and Kanaka Durga (Suryakantham) adopted Suguna (Savithri). When they have their own child Varalakshmi, Kanaka Durga's affection towards Suguna diminishes. Vengalappa (Relangi) adopts suguna. She becomes a doctor and loves Chandram (ANR). Chandram develops Tuberculosis and forces Suguna to marry doctor Raghunath (Jaggayya). Dr. Raghunath expires in an accident. Chandram is cured of TB and returns. Suguna decides to dedicate her life to social work. She convinces Chandram to marry Varalakshmi. Kanaka Durga creates problems in the relations. Suguna corrects them.
Navrang (1959)
Réalisé par V. Shantaram
Genres Drame, Musical, Romance
Thèmes Danse
Acteurs Mahipal Singh, Sandhya Shantaram, Kaadhal Sandhya, Agha, Jeetendra
Rôle Jamuna / Mohini
Note67%
Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini.
Ranadheera Kanteerava (1959)
, 2h21Genres Biographie
Acteurs Rajkumar, Leelavathi, K. S. Ashwath, Sandhya Shantaram, Udaykumar, T. N. Balakrishna
Note77%
Maragatham (1959)
Genres Thriller, Policier
Acteurs Sivaji Ganesan, Padmini Ramachandran, Sandhya Shantaram, S. Balaiah, T. S. Durairaj, J. P. Chandrababu
Rôle Karpagavalli
Maragatham narrated the happenings of a rich zamindari family in which the maharaja is murdered and the crime foisted on his innocent brother (Balachandar) and his lovely wife (Sandhya, Jayalalitha's mother). The wife waits for her husband who had escaped from prison. She pines for her daughter (Padmini) who is believed dead. Not knowing Padmini is her daughter, Sandhya saves her life in a boat accident and the girl comes to live with her. Noted comedian of Tamil cinema of yesteryear T. S. Durairaj plays the interesting role of the villain planning the murder, but the real killer is Balaiah. The prince (Ganesan) falls in love with his sister's daughter without knowing who she is!). Ultimately as it always happens in movies, the truth is revealed, the killers are exposed, the parted couples and the young lovers are united, and all's well that ends well.
சம்பூர்ண ராமாயணம் (1958)
, 3h24Genres Drame, Guerre, Historique
Thèmes Mythologie, Religion
Acteurs Padmini Ramachandran, Sivaji Ganesan, Chittor V. Nagaiah, G. Varalakshmi, Samarla Venkata Ranga Rao, '''S. D. Subbulakshmi
Rôle Mandodari
Note69%
Do Ankhen Barah Haath (1957)
, 2h23Réalisé par V. Shantaram
Genres Drame, Thriller, Comédie, Policier
Thèmes La prison
Acteurs V. Shantaram, Sandhya Shantaram, Phaldut Sharma, Sunil Dutt
Rôle Champa
Note83%
The film portrays a young jail warden, Adinath, who rehabilitates six dangerous prisoners released on parole into persons of virtue.
Jhanak Jhanak Payal Baaje (1955)
, 2h23Réalisé par V. Shantaram
Genres Drame, Romance
Thèmes Danse
Acteurs Gopi Krishna, Sandhya Shantaram, Bhagwan Dada, Madan Puri, Manorama, Nana Palsikar
Rôle Neela
Note69%
Classical dance guru Mangal stumbles on a dance performance in a lavish haveli by Neela. He orders his talented son Girdhar to demonstrate to the audience the true method of classical dance. Entranced by Girdhar's skill, Neela begs Mangal to admit her as a pupil. He finally agrees on two conditions: she must devote her life to art and she must partner Girdhar in the Tandav portion of an upcoming dance competition. As the two practice together, she begins to fall in love with Girdhar. Manilal, a wealthy and jealous man who hopes to have Neera for himself, warns Mangal that the two are falling in love, but he ignores him. When Mangal goes away for some time to buy new costumes for the pair, they confess their love to each other and neglect their dancing in favor of idyllic walks and boat rides. Mangal returns and discovers that the two are in love. Enraged that Girdhar's dancing has suffered and believing that he will now never win the title of Bharat Natarajan, he renounces his son and resolves to leave him. Dismayed that she has endangered Girdhar's career, Neela pretends that she has betrayed him with Manilal and he returns to his father and his art. The devastated Neela tries to drown herself in the river, but is rescued by a kindly sadhu. She decides to follow the example of the minstrel Meerabai and devotes her life to Krishna, but is alarmed when Girdhar appears declaring that he can not forget her. She pretends not to know him and he is enraged; his father takes him away. She becomes ill and the sadhu and her servant Bindiya take her to the temple where the dance competition is being held. Hoping to sabotage his chances, Manilal has bribed Girdhar's new partner to drop out of the competition. Neela takes her place in the Tandav dance and Mangal realizes that she spurned Girdhar to help him win the competition. He then convinces his son to give her a second chance. With the help of Neela, Girdhar wins the competition and Mangal gives the couple his blessing to marry.
மலைக்கள்ளன் (1954)
, 3h6Genres Drame, Action
Acteurs M. G. Ramachandran, Bhanumati Ramakrishna, M. G. Chakrapani, T. S. Durairaj, Sandhya Shantaram
Note73%
Vijayapuram is a beautiful hillside hamlet appears serene and restful to a casual passerby. But the happenings there are far from tranquil. Dacoities, burglaries and even kidnappings seem to be commonplace occurrences. One established perpetuator of at least some of the crimes is Kaathavarayan, his secret accomplices being some well-known public figures like the rich young wastrel Veerarajan and the Kuttipatti Zamindar.