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Talat Mahmood est un Acteur et Playback Singer Indien né le 24 février 1924
Talat Mahmood (Hindi: तलत महमूद, Urdu: طلعت محمود) (February 1924 – 9 May 1998) is considered one of the greatest male non-classical and semi-classical singers of Indian sub-continent who conquered innumerable hearts and stirred countless souls with his beautifully soft silken voice and profoundly artistic subtle method of singing. He was a born singer with an intuitive sense of beauty, charm and grace. He was truly a legendary Indian playback singer. Although he tried his luck as a film actor, he couldn't succeed a great deal in acting. He had a good sense of acting, but the public of his day was more interested in listening to him than seeing him on the silver screen alongside the likes of, the infinitely sublime, Dilip Kumar, the elegant, Ashok Kumar, the charming, Raj Kapoor, and the stylish, Dev Anand.
Talat received Padma Bhushan in 1992, in recognition of his profound artistic contributions in the spheres of cinematic and ghazal music. he had a unique, elegant and profoundly artistic style of singing. Talat was a very gifted singer in every sense. He was particularly famous for singing soft and sombre semi-classical and non-classical ghazals, but the film songs sung by him are also considered critically flawless and outstanding. Although Talat's typical genre was Ghazal, but he was an astoundingly brilliant film singer who sung innumerable fantastic film songs.
Romantic and tragic were the moods, he liked most and it was him who helped a great deal in shaping the style and method of modern ghazal singing. He can honestly be described as the real founder of modern semi-classical and non-classical ghazal. During the 1950s and 60s, Talat used to be the first choice of the high-brow literary and artistic community of Indian sub-continent, especially Urdu-speaking community. Even, his cancelled songs were immensely popular among them. No other singer had such intellectually high-class and learned audience at the time. Talat's voice has often been described as the softest male voice of Indian sub-continent, not only this, but his voice is also considered among the most soulful male voices ever heard in the Indian sub-continent.
It is often said that Talat Mehmood is the name of a very valuable acquired taste, once one developed it, he would never seize to love and cherish it, and would grow fonder and fonder of it for the rest of his life. Talat's lovably artistic singing keeps evoking in him a better and better aesthetic sense and the faculty of recognizing beauty, even in its subtlest forms, it makes him capable of extracting aesthetic pleasure, even in its most unfamiliar disguises, as he listens to him over a period of time.
Source : Wikidata
Talat Mahmood
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Talat received Padma Bhushan in 1992, in recognition of his profound artistic contributions in the spheres of cinematic and ghazal music. he had a unique, elegant and profoundly artistic style of singing. Talat was a very gifted singer in every sense. He was particularly famous for singing soft and sombre semi-classical and non-classical ghazals, but the film songs sung by him are also considered critically flawless and outstanding. Although Talat's typical genre was Ghazal, but he was an astoundingly brilliant film singer who sung innumerable fantastic film songs.
Romantic and tragic were the moods, he liked most and it was him who helped a great deal in shaping the style and method of modern ghazal singing. He can honestly be described as the real founder of modern semi-classical and non-classical ghazal. During the 1950s and 60s, Talat used to be the first choice of the high-brow literary and artistic community of Indian sub-continent, especially Urdu-speaking community. Even, his cancelled songs were immensely popular among them. No other singer had such intellectually high-class and learned audience at the time. Talat's voice has often been described as the softest male voice of Indian sub-continent, not only this, but his voice is also considered among the most soulful male voices ever heard in the Indian sub-continent.
It is often said that Talat Mehmood is the name of a very valuable acquired taste, once one developed it, he would never seize to love and cherish it, and would grow fonder and fonder of it for the rest of his life. Talat's lovably artistic singing keeps evoking in him a better and better aesthetic sense and the faculty of recognizing beauty, even in its subtlest forms, it makes him capable of extracting aesthetic pleasure, even in its most unfamiliar disguises, as he listens to him over a period of time.
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Filmographie de Talat Mahmood (9 films)
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Dil-E-Nadan (1953)
, 2h22Réalisé par Abdur Rashid Kardar
Genres Romance
Acteurs Talat Mahmood, Shyama, Shyama
Rôle Mohanbabu
Note62%
Kamini (Peace Kanwal) and Asha (Shyama) are two sisters living with their wealthy father, Seth Hirachand (Diwan Sharar). Mohan (Talat Mehmood), is striving to become a musician, but is hindered by his father who is a petition-writer. Mohan leaves home and meets up with Kamini and her father. Seth Hirachand helps Mohan to make a name for himself as a music director. Kamini and Mohan fall in love, but Asha lets Kamini know that she loves Mohan. Having spoilt Asha, as an older sister Kamini gets Asha and Mohan married. However things don't work out between the two. Asha is disturbed by Mohan's music and finds it boring. She finds out about Kamini and Mohan's affair and consumed with rage a pregnant Asha runs after Mohan but trips down the stairs. Badly injured, she gives birth and dies handing the baby to Kamini. After a few years, Kamini and Mohan are brought together by Mohan's son, who insists on calling Kamini, mother.
Aaram (1951)
Réalisé par D.D. Kashyap
Genres Drame, Romance
Acteurs Dev Anand, Madhubala, Talat Mahmood, Prem Nath, Durga Khote, Manmohan Krishna Chadha
Note60%
Son
Woh Din Yaad Karo (1971)
Genres Drame
Acteurs Sanjay Khan, Nanda, Shashikala, Mehmood Ali, Tun tun (Uma Devi Khatri), Madan Puri
Rôle Playback Singer
Le petit cireur (1954)
, 2h29Genres Drame, Comédie
Acteurs David Abraham, Prithviraj Kapoor, Raj Kapoor, Shailendra
Rôle Playback Singer
Note78%
Belu (Baby Naaz) and Bhola (Ratan Kumar) are left in the care of their wicked aunt Kamla (Chand Burque) after their mother dies. She forces them to beg in the streets and takes their money.
Teen Batti Chaar Raasta (1953)
, 1h52Réalisé par V. Shantaram
Genres Drame, Comédie
Acteurs Sandhya Shantaram, Shashikala, Leela Mishra, Nirupa Roy, Sheila Ramani, Karan Dewan
Rôle Playback Singer
Note69%
Lala Gulabchand (Dewan Sharar), is a Punjabi and his wife is from Uttar Pradesh. They live at the corner of a crossroads with three lights and four roads. He is a firm believer in national unity and has had five of his six sons, each married to a girl from a different state; a Marathi, Sindhi, Bengali, Tamil and a Gujarati. His sixth son Ramesh (Karan Dewan), works in the press and is a writer and an artist. He is a bachelor but falls in love with a woman named Kokila whose singing he hears on the radio. He draws a portrait of Kokila from imagination just listening to her sing. Unbeknownst to him, Kokila, called Shyama (Sandhya), is the dark-complexioned maid who works in their home and is proficient in all the different languages that the wives of the brothers' speak and very efficient in her chores. However, he rejects her as she's dark and Shyama leaves the house despondent. The turmoil the household goes through with the absence of Shyama and a repentant Ramesh finally makes for a happy ending by everyone getting together again.
anhonee (1952)
, 2h35Réalisé par Khwaja Ahmad Abbas
Genres Drame, Thriller, Romance
Acteurs Nargis, Raj Kapoor, Achala Sachdev, Om Prakash, Agha, David Abraham
Rôle Playback Singer
Note70%
The film deals with the story of two sisters—Mohini and Roop—both played by Nargis—the legal one raised by a courtesan and the illegal child. As time passes by, Roop falls in love with Rajkumar Saxena (played by Raj Kapoor), an advocate—who is a tenant—comes to pay the house rent to her father, but instead meets Roop. Soon they involve in a deeper romantic relationship, and Roop convinces her father for their marriage.
Parchhain (1952)
, 2h30Réalisé par V. Shantaram
Genres Drame
Acteurs Sandhya Shantaram, V. Shantaram, Lalita Pawar, Saroj Khan
Rôle Playback Singer
Note59%
Un homme pauvre et désespéré croise une partie de chasse, et reçoit une balle perdue à l’œil. La riche jeune fille qui a tiré, prise de remords, le ramène chez elle pour lui offrir les meilleurs soins. Mais lorsqu’il enlève son bandage, l’homme se rend compte qu’il est devenu aveugle…
Mr. Sampat (1952)
Réalisé par Subramaniam Srinivasan
Genres Comédie
Acteurs Motilal, Padmini Ramachandran, Agha
Rôle Playback Singer
Note73%