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Mon Amour: Shesher Kobita Revisited est un film avec Rituparna Sengupta
Mon Amour: Shesher Kobita Revisited (2008)
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Ajouter à une liste de filmsDurée 2h15
Note62%
Mon Amour: Shesher Kobita Revisited (Bengali: মন আমুর : শেষের কবিতা রিভিসিটেড "Mon Amour: Shesher Kobita Revisited") is a 2008 Bengali film directed by Subhrajit Mitra. The story is by Kaberi Chatterjee. The title is in French, Bengali and English. The language is Bengali but the derived culture it presents is global.
Synopsis
Mon Amour: Shesher Kobita Revisited is an imaginary take-off of an ordinary love triangle with a touch of Shesher Kobita.Acteurs
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Mrs. Binodini Roy, a renowned industrialist, wants to marry off her elder daughter Rupa to her business partner’s son. Rupa is against the marriage and hence she escapes from her house with the help of her father. On the way to one of her uncle’s house, a cabbie tries to rob her belongings. But she is saved by a handsome motor-mechanic named Somu. Somu takes her to her uncle’s house where he turns out to be one of his acquaintances. Gradually, Rupa and Somu come close to each other. One day they have a heated argument; but it’s precisely after this that they realize their love for each other. They make up and even get married secretly without informing Rupa’s mother. Soon, on her father’s request, Rupa returns home. Her mother refuses to acknowledge her marriage; instead she decides to marry her off to her former match. On the day of her marriage, just when Rupa had given up all hope; Somu makes a dramatic entry to take charge of his ‘sasurbari’ (in-laws’ house).
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Note60%
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, 2h21Genres Drame
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Note84%
Biswanath Mazumdar (Soumitra Chatterjee) shocks his son and daughter-in-law (Shankar Chakraborty and Indrani Dutta), three daughters (Rituparna Sengupta, Aparajita Auddy and Monami Ghosh) and their husbands (Sujoy Prasad Chatterjee, Kharaj Mukherjee and Anindya Chatterjee) by announcing his decision to divorce his wife, Aarti (Swatilekha Sengupta) after 49 years of marriage. The rest of the story follows an emotional re-discovery of the institution of marriage.
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Note70%
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Note56%
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Note50%
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Note52%
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