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മാറാട്ടം est un film réalisé par G. Aravindan avec Kalamandalam Kesavan

മാറാട്ടം (1987)

മാറാട്ടം
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Marattam is a 1988 Indian Malayalam film directed by G Aravindan.

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Streaming / VOD

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Suggestions de films similaires à മാറാട്ടം

Il y a 24 films ayant les mêmes acteurs, 11 films avec le même réalisateur, pour avoir au final 35 suggestions de films similaires.

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The film begins with the journey of Rama and Lakshmana to kill Shambuka – the shudra who performs penance – but Shambuka's wife pleads for his life, and he is spared. Rama and Lakshmana return to Ayodhya to face Urmila, the spirited wife of Lakshmana. Rama replies to her reproaches for abandoning Sita in the Dandakaranya forests, through which they have just journeyed, that the husband of Sita is only a servant of the people of Ayodhya.
The Circus Tent, 2h10
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A côté d'une longue rivière scintillante, des hommes élèvent un poteau. Une tente gonfle. Là où il y avait du sable large et le clapotis de l'eau, il y a maintenant un camion, des chaises, des cerceaux, des tabourets, des cordes, des chèvres, une lionne, une paire de grosses filles, des bicyclettes et un vieil homme avec une dignité de philosophe.
Kummatty
Kummatty (1979)

Réalisé par G. Aravindan
Genres Drame, Fantasy
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The film is a Pied Piper-like figment of Malabar’s folklore about a partly mythic and partly real magician called Kummatty (bogeyman). Kummatty materialises from nature one day to mingle with and weave a spell of carefree abandon around the children of the village. Kummatty travels from place to place and entertains children with dancing, singing and performing magic. At one such performance at a village, Kummatty starts to mingle with and weave a spell of carefree abandon around the children of the village. He turns a group of children into animals. But one boy, who was changed into a dog, is chased away and misses the moment Kummatty changed the children back to their human form. The dog-boy has to wait a year until Kummatty returns to the village to get back his human form. All ends well and Kummatty melts back into nature.
Daylight Saga
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Elisabeth et Johnny se rencontrent dans un bar et deviennent très rapidement inséparables. Mais Johnny est victime d'un très grave accident de voiture et reste entre la vie et la mort. Voyant Elisabeth dévastée par le chagrin, Seth, un aide soignant de l'hôpital, décide de sauver Johnny de la seule manière qu'il peut, en le transformant en vampire. Désormais, ils vont devoir tenter de construire un amour dangereux, liés par l?éternité...
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Pokkuyevil (1982)

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The protagonist of the film is a young artist (Balachandran Chullikkad) who lives with his father, a radical friend, a Sportsman and a music-loving young woman. His world collapses when his father dies, the radical friend leaves him, the sportsman friend gets injured in an accident and has to give up sports and her family takes the woman away to another city. The final shot shows him curled up in foetal position in his cell in a mental asylum.
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The time is the mid-fifties, when the Indian states were being reorganised. The place is a remote village in Kerala. There is a palpable hum of excitement as the village Panchayath, led by the Brahmin landlord, is determined to bring the benefits of electricity to this backward place.
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The film takes place in Calcutta, 1971. The story begins with rehabilitation official Venu (Mohanlal) coming to Calcutta in one of his regular visits to shift about 35 to 40 refugee families to the Andaman Islands. The current rehabilitation plan is that only those who fall under the category of schedule caste farmers. People in Andaman, too, are not happy about taking in refugees. All the refugees have been staying in Permanent Liability Camp in Rana ghat, West Bengal for the past two decades. Experiencing the shattered lives of poor displaced people deeply hurts Venu in his silent moments alone in his small lodge room frequently finds himself lost in the thoughts about the lives of the refuge seekers he meets during the day. Living an oppressed life, their only hope being the occasional promises of land, cattle, and other grants by the bureaucratic state.