The Komediant is an Israeli documentary film of 2000 directed by Arnon Goldfinger which recalls the life, and careers of the Burstein family of Yiddish theatre: Pesach Burstein, his wife Lillian Lux, his son Mike Burstyn and daughter Susan Burstein-Roth. It received the prestigious Israeli Academy's Best Documentary Award, and chronicles one of the most visible families of the Yiddish theater in America. The film was made in honor of the 100th birth anniversary of Pesach Burstein in 1996. It contains rare footage of Yiddish theater from the 1930s onwards (especially of the productions of Megilla of Itzik Manger, and A Khasene in Shtetl) and has several guest narrators, including Lillian Lux, Mike Burstyn, and Fyvush Finkel.
Il y a 5 films ayant les mêmes acteurs, 1 films avec le même réalisateur, 8870 ayant les mêmes genres cinématographiques, 5529 films qui ont les mêmes thèmes (dont 156 films qui ont les mêmes 4 thèmes que The Komediant), pour avoir au final 70 suggestions de films similaires.
Si vous avez aimé The Komediant, vous aimerez sûrement les films similaires suivants :
, 1h37 Réalisé parArnon Goldfinger GenresDocumentaire ThèmesReligion, Documentaire sur la religion, Religion juive ActeursAxel Milberg Note68% The film opens as the director and members of his family are gathered in the apartment of his mother's mother, Gerda Tuchler, a short while after her death, to clear out the contents. His grandmother lived in the same apartment for 70 years, ever since she and her husband, Kurt, left Nazi Germany in the 1930s and immigrated to Palestine.
, 45minutes Réalisé parMohamed Malas GenresDocumentaire ThèmesAfrique post-coloniale, L'immigration, Religion, Documentaire sur le droit, Documentaire sur la guerre, Documentaire historique, Documentaire sur une personnalité, Documentaire sur la religion, Politique, Religion juive Note62% The film was composed of several interviews with different Palestinian refugees including children, women, old people, and militants from the refugee camps in Lebanon. In the interviews Malas questions his subjects about their dreams at night. Through their answers, the film attempts to reveal the underlying subconsciousness of the Palestinian refugee. The dreams always converge on Palestine; a woman recounts her dreams about winning the war; a fedai of bombardment and martyrdom; and one man tells of a dream where he meets and is ignored by Gulf emirs. According to Rebecca Porteous, the film constructs "the psychology of dispossession; the daily reality behind those slogans of nationhood, freedom, land and resistance, for people who have lost all of these things, except their recourse to the last.