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S. Ramachandra est un Directeur de la Photographie et Cinématographie Indien
Shivaramaiah Ramachandra Aithal popularly known as S. Ramachandra, was an award winning, acclaimed Indian cinematographer. He won National Film Award for Best Cinematography in 1977 for the Kannada feature film Rishya Shringa. He had also won the Lifetime Achievement Award (at the State Film Awards) given by the Karnataka State Government in the year 2006.
Source : Wikidata
S. Ramachandra
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Filmographie de S. Ramachandra (17 films)
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Gulabi Talkies (2008)
, 2h3Réalisé par Girish Kasaravalli
Genres Drame
Acteurs Umashree, M. D. Pallavi Arun, Poornima Indrajith
Rôle Directeur de la Photographie
Note80%
The film is set in the late 1990s among the fishing communities around Kundapura, in the southwestern Indian state of Karnataka. The impulsive midwife Gulabi (Umashree) is the protagonist, whose one passion is the cinema. She leads a lonely life in an island inhabited by fisher folk. Her husband Musa (K.G. Krishna Murthy), a small-time fish-selling agent, has deserted her and is living happily with his second wife Kunjipathu and their child Adda.
Naayi Neralu (2006)
, 2h10Réalisé par Girish Kasaravalli
Genres Drame
Rôle Directeur de la Photographie
Note82%
Acchanniah lives with his wife Nagalakshmi and his widowed daughter-in-law Venkatalakshmi in a remote village in Karnataka. His granddaughter Rajalakshmi is in a distant city completing her studies. Acchanniah learns from a friend that a young man in a distant village claims that he was the son of Acchanniah in his previous birth. He dismisses the information as baseless. But his ailing wife believes or rather chooses to believe that her son who died twenty years ago has come back.
ಕ್ರೌರ್ಯ (1995)
, 1h58Réalisé par Girish Kasaravalli
Genres Drame
Acteurs H. G. Dattatreya
Rôle Directeur de la Photographie
Note26%
Kraurya is the story of Rangajji, a widow who loves to tell stories of fantasy to the children of her village. Rangajji's hardships start when her only son dies young mysteriously. Rangajji goes to live with a distant relative of hers, only to receive a cold welcome. Life goes on endlessly for Rangajji. She longs to tell stories to children, but her freedom is severely restricted. While she spends every day in boredom, Murty the youngest son of the family becomes close to Rangajji. Rangajji feels a new lease of life when the eldest son of the family Subbanna decides to go to Bangalore to start his own private business. Rangajji lends the money Subbanna needs, thinking that Subbanna might help her find her husband's close friend Mr.Padmanabiah in Bangalore. Subbanna leaves for Bangalore. After a few months Rangajji leaves for Bangalore along with Murty only to receive another cold welcome from Subbanna. She tries to find Mr.Padmanabiah with Murty's help. When her search ends, she comes to know that Mr.Padmanabiah is no more. Her last ray of hope dims out and leaves her in a state of mental shock, desperation and defeat. She loses her will to live. Murty decides to take her back to the village. But a spate of events during the journey back to the village leaves Rangajji physically wounded. Murty tries to take control of the situation, but a small boy that he is, he fails. The climax of the film shows Rangajji in an unconscious state lying in the police station, while Murty afraid the police might arrest him for murder makes a desperate getaway.
ಮನೆ (1991)
, 1h57Réalisé par Girish Kasaravalli
Genres Drame
Acteurs Naseeruddin Shah, Deepti Naval, Rohini Hattangadi
Rôle Directeur de la Photographie
Note63%
Mane is a Kafkaesque tale about a young couple (Naseeruddin Shah and Deepti Naval) that moves to the city from a village with the hope of finding privacy and freedom, which are unavailable in the joint family system. For all its narrative excursions, in a sense, Mane is merely about the breakup of a marriage in which the Rossellinian couple, unable to confront each other directly amidst the loneliness of the city, externalizes their troubles – his powerlessness, her desire for freedom and their childlessness – and shifts blame on situations beyond their control in order to act victims. Kasaravalli works wonder with film and sound here, using them to denote the impending break down. (One stunning shot uses the neon lights of the neighbourhood to literally break apart the frame). A critique on urban spaces that suffocate more than they promise privacy, Mane unfolds like a sociological update on Rear Window (1954), in which personal anxieties and fears are displaced onto the surroundings and, specifically, onto a lower social class. In that sense, Mane connects all the way to the director’s latest work in the manner in which it raises questions about the visibility of the class structure and the seeming imperceptibility of the consequences of acts of one class on the other. Mane is full of such encroachments of freedom by other competing notions of freedom – between classes, between houses and between spouses.
Ek Ghar (1991)
, 1h38Réalisé par Girish Kasaravalli
Genres Drame
Acteurs Rohini Hattangadi, Deepti Naval, Naseeruddin Shah
Rôle Directeur de la Photographie
Note71%
Arriving in the city with a hope to find a cosy little home, Rajanna and Geeta are happy when they find one such house. One day they find a workshop opening up next door. Rajanna is indignant at the noises coming from the workshop but he is helpless. Geeta, meanwhile, gets the shed vacated with the help of the police inspector. Rajanna seeks the help of the workmen who had earlier occupied the shed to take Geeta away from the environment. But discovers that their slum is being demolished to make way for a multinational.
ಬ್ಯಾಂಕರ್ ಮಾರ್ಗಯ್ಯ (1983)
, 2h19Réalisé par T. S. Nagabharana
Genres Drame
Acteurs Lokesh, Jayanthi, Master Manjunath, Musuri Krishnamurthy
Rôle Directeur de la Photographie
Note78%
Bad culture drives out good culture. Bad money drives out good money. But here, quick money itself, acquired by a miser, though initially boosts his image in the society gradually makes him understand that human values are more important than money. flim
Parasangada Gende Thimma (1978)
, 2h19Genres Drame
Acteurs Lokesh, Ramakrishna
Rôle Directeur de la Photographie
Thimanna (Lokesh) is an innocent tribal young boy who is excited about his wedding. A salesman in village who help villagers by getting their needy items from distant city,
Ghatashraddha (1977)
, 1h48Réalisé par Girish Kasaravalli
Genres Drame
Acteurs Ajith Kumar, P. Santha Kumari, Suresh
Rôle Directeur de la Photographie
Note75%
A young Brahmin Vedic school student, who is from an aristocratic family, befriends his school master's daughter who is a pregnant widow. The boy tries but fails in concealing his friend's pregnancy. The widow has an abortion forced on her, has the eponymous ritual performed on her and is excommunicated. The student returns home as his school shuts down.
Chomana Dudi (1975)
, 2h21Genres Drame
Acteurs M. V. Vasudeva Rao
Rôle Directeur de la Photographie
Note79%
Choma is an untouchable bonded-labourer in a village who is working along with his family for a landlord, as he belongs to a backward class. Due to his social status, he is not allowed to till his own land, something that he desires most. Though he managed to rear a pair of bullocks that he found straying in the forest, he cannot use them to till the land. He comes in contact of Christian missionaries who try to convert him giving him the lure of the land, but Choma does not want to let go of his faith. He releases the fury that fate has beset on him, by beating his drum.
Parwana (1971)
, 1h33Genres Thriller, Romance
Acteurs Amitabh Bachchan, Navin Nischol, Yogeeta Bali Chakraborty, Om Prakash, Shatrughan Sinha, Lalita Pawar
Rôle Directeur de la Photographie
Note66%
Amitabh plays Kumar Sen, an artist by profession. He is in love with Asha (Yogeeta Bali). Asha wins a trip to Ooty in a dance competition, and falls in love with a wealthy tea plantation owner, Rajesh (Navin Nischol). When Kumar finds out, he goes to Asha's uncle, Ashok Verma (Om Prakash), and demands Asha's hand in marriage. When Ashok refuses, Kumar kills him. The manner in which Kumar plans and executes the murder is regarded as an immensely brilliant and engaging sequence. Kumar boards and exits, various modes of transportation to avoid any possibilities of suspicion and finally frames Rajesh in the case and tries to win Asha's love. Asha, still in love with Rajesh, promises Kumar to stay with him forever, if he can get Rajesh released from his death sentence. Unable to digest that, Kumar understands that Rajesh will always remain Asha's love. He writes down his confession, gives it to Rajesh, and commits suicide.
Saat Hindustani (1969)
, 2h24Réalisé par Khwaja Ahmad Abbas
Genres Guerre
Acteurs Utpal Dutt, Madhu, Amitabh Bachchan, Anwar Ali, Jalal Agha, A. K. Hangal
Rôle Directeur de la Photographie
Note63%
A Muslim poet Anwar Ali (Amitabh Bachchan) hails from Bihar and five other men, all belonging from different religions and different parts of India, join their seventh comrade Maria (Shehnaz), a native of Portuguese-occupied Goa, to raise nationalist sentiments in that state by hoisting Indian flag on Portuguese forts and buildings.
Shehar Aur Sapna (1961)
, 2hRéalisé par Khwaja Ahmad Abbas
Acteurs Nana Palsikar, David Abraham, Manmohan Krishna Chadha, Asit Sen, Asit Sen
Rôle Directeur de la Photographie
Note63%
Char Dil Char Rahen (1959)
, 2h40Réalisé par Khwaja Ahmad Abbas
Genres Drame
Acteurs Raj Kapoor, Ajit Khan, Shammi Kapoor, Meena Kumari, Nimmi, Kumkum
Rôle Directeur de la Photographie
Note72%
The story revolves around three love stories that run simultaneously among. The background of the movie is a construction of a crossroad with 4 roads and all people are related to the road that is being built and are involved. How the love stories unfold forms the crux of the movie.
Le voyage des trois mers (1957)
, 1h50Réalisé par Khwaja Ahmad Abbas
Genres Aventure, Historique
Acteurs Nargis, Padmini Ramachandran, Balraj Sahni, Bharat Bhushan, Prithviraj Kapoor, Paidi Jairaj
Rôle Directeur de la Photographie
Note67%
The film tells the story of Afanasy Nikitin (Oleg Strizhenov), a 15th-century, Russian trader who travelled to India (1466-1472), and falls in love with an Indian girl Champa (Nargis Dutt).
Rahi (1953)
, 2h19Réalisé par Khwaja Ahmad Abbas
Genres Drame
Acteurs Dev Anand, Nalini Jaywant, Habib Tanvir, Balraj Sahni, Manmohan Krishna Chadha, Achala Sachdev
Rôle Directeur de la Photographie
Note67%
Dev Anand is an ex-army officer who gets a job in a tea estate. He is hired as a an over-all manager by the English owners. Anand proves a loyal and diligent worker meting out punishment to the workers on the behest of his owners. He falls in love with one of the tea-picking girls (Nalini Jaywant). The workers rebel against the harsh and sometimes brutal management of the estate owners. Nalini Jaywant is shot by the owner in the rioting when the workers get out of control. A gradual change has also come over Anand, especially in his dealings with the tea workers, and losing interest, he leaves the place.