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Lamberto Caimi est un Directeur de la Photographie et Cinématographie Italien né le 30 octobre 1930 à Milan (Italie)
Lamberto Caimi (born 30 October 1930) is an Italian cinematographer.
Born in Milan, Caimi began his career in the field of documentary filmmaking industry; in 1955 he joined the film department of the company Edison, where he met Ermanno Olmi, for which he was the cinematographer in some dozens of short documentary films shot between the second half of the fifties and the early sixties. In 1961 he signed the cinematography of the first real feature film of Olmi, Il Posto, for which he realized "a rough and essential black and white", which was paired by critics to the Nouvelle Vague style.
During his career Laimi worked to films of different genres, often united from having Milan as set, including Eriprando Visconti's film debut A Milanese Story, Duccio Tessari's noir film La morte risale a ieri sera, Umberto Lenzi's poliziottesco Gang War in Milan, Carlo Lizzani's Storie di vita e malavita and Renato Pozzetto's directorial debut Saxofone. He also collaborated several times with Alberto Lattuada.
Source : Wikidata
Lamberto Caimi
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Lamberto Caimi (born 30 October 1930) is an Italian cinematographer.
Born in Milan, Caimi began his career in the field of documentary filmmaking industry; in 1955 he joined the film department of the company Edison, where he met Ermanno Olmi, for which he was the cinematographer in some dozens of short documentary films shot between the second half of the fifties and the early sixties. In 1961 he signed the cinematography of the first real feature film of Olmi, Il Posto, for which he realized "a rough and essential black and white", which was paired by critics to the Nouvelle Vague style.
During his career Laimi worked to films of different genres, often united from having Milan as set, including Eriprando Visconti's film debut A Milanese Story, Duccio Tessari's noir film La morte risale a ieri sera, Umberto Lenzi's poliziottesco Gang War in Milan, Carlo Lizzani's Storie di vita e malavita and Renato Pozzetto's directorial debut Saxofone. He also collaborated several times with Alberto Lattuada.
Le plus souvent avec
Filmographie de Lamberto Caimi (13 films)
| Année | Nom | Métier | Rôle |
|---|---|---|---|
| 1983 | Mani di fata | Directeur de la Photographie | |
| 1976 | Cœur de chien | Directeur de la Photographie, Cinématographie | |
| 1974 | La Bambina | Directeur de la Photographie | |
| 1973 | La guerre des gangs | Directeur de la Photographie | |
| 1970 | Venez donc prendre le café chez nous | Directeur de la Photographie | |
| 1970 | La mort remonte à hier soir | Directeur de la Photographie, Cinématographie | |
| 1968 | Un certain jour | Directeur de la Photographie | |
| 1963 | Le terroriste | Cinématographie | |
| 1963 | Les Fiancés | Directeur de la Photographie | |
| 1963 | Le terroriste | Cinématographie | |
| 1962 | Une histoire milanaise | Directeur de la Photographie | |
| 1961 | L'Emploi | Directeur de la Photographie | |
| 1960 | Le temps s'est arrêté | Opérateur caméra |