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କିଏ କାହାର est un film de genre Drame réalisé par Nityananda Palit avec Sarat Pujari
କିଏ କାହାର (1968)
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Ajouter à une liste de filmsKie Kahara (1968) Odia: କିଏ କାହାର is an Odia film directed by Nitai Palit. The film reflects the socio-economic conflicts of the declining Zamindar families, which was struggling to keep up social status with great difficulties.
Synopsis
Prakash's father leaves him after his wife's death and gives Prakash's custodian to his sister Mamata. Mamata gives a good education to Prakash and he becomes an engineer. Prakash gets a job in town, In the town, he meets Rajendra Samantrai's family and stays in their home as tenant. Rajendra Samantrai's forefathers are Zamindar. Rajendra struggles enough to fulfill the demands of his wife and her status. in the meanwhile Rajendra's daughter Malati falls love with Prakash. Rajendra accepts their love ship but Subhadra prefers Nagen, who is the son of a wealthy contractor Nabin Mahapatra over Praksah. Subhadra believes Nagen's wealth can helps them to maintain their status. When Nagen comes with an offer for his marriage with Malati, Rajendra straightly denies this. The offended Nagen tries disrupt Rajendra's family. Also Nagen gets success to create a confusion Prakash and Malati. At last Prakash's father arrives the scene and ends all confusion. At last Prakash and Malati gets married.Acteurs
Sarat Pujari
(Prakash)
Bhanumati Devi
(Mamata )
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Réalisé par Nityananda Palit
Genres Drame
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Note66%
Sati,the female protagonist of the movie,is forced into a marriage by her poor parents with a rich ugly old man living with a concubine. She finds the other way to overcome the mishap in her life when a young neighbor Nath develops love interest in her. Both finally leave the village and escape to Cuttack town. The conservative neighbors question their relationship. Sati, unable to bear the scandal concerning her and Natha, finally commits suicide by jumping into the river.
ଧରିତ୍ରୀ (1973)
, 4h38Réalisé par Nityananda Palit
Genres Drame
Acteurs Sarat Pujari, Prashanta Nanda, Bhanumati Devi, Sriram Panda
Girish Choudhury is a pseudo social activist and politician. He has two sons, Subhendu and Sudhir. To get popularity in society he gets his daughter-in-law from a poor family for his son Subhendu. Subhendu doesn't like his wife Mamata and stays in town and engaged in contracting business with the help of his father. Grish's wife always tortures Mamata and ask for dowry. Mamata silently bears all the pain and torture caused by her mother-in-law. Sudhir, a revolutionist doesn't accept the things happens in his house and revolt back against his father, mother and brother. at last he gets success uniting Subhendu and Mamata.
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, 2h47Réalisé par Nityananda Palit
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Sashank Patnaik and Rudra Choudhury are close friends. Rudra's son Bhanu develops love relationship with Sashank's daughter Mala. After demise of Rudra, Sashank tries to acquire the properties of Rudra. In spite of knowing Mala is pregnant and Bhanu is her lover, Rudra tries to kill Bhanu by giving poison to be the owner of the whole property. But later on Sashank realizes his mistake helps unite Bhanu and Mala.
Bhai Bhai (1956)
, 2h31Réalisé par Nityananda Palit
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Note65%
In a village there are two sections of people leaving nearby. The upper cast people belongs to Pradhan's and the lower caste belongs to Bauri's. Pradhan community are influential and landlords. The Bauri community are cultivation labourers, they work in the lands of Pradhan's. Bauris are treated as untouchable. Suduria is head of the village and is of upper cast. He is board minded and do not believe in untouchability. He has a soft corner for one Nidhi, who belongs to Bauri caste. Nidhi calls Suduria affectionately as brother. Bana, who is from Pradhan community does not accept the daring of lower community to maintain relationship with the upper caste. He calls a meeting in the village asks for punishment to Nidhi for maintaining relationship with upper caste. The village people decides to punish Nidhi for his crime and bars him from working in the land and taking water from pond. Though Suduria is against the decision, but remain silent against the voice of Pradhan community. The lower caste Bauri community feel harassed against the decision and decide not to work in the field of Pradhan community. Without labourers the cultivation work has get stopped and the land become barren. At last Pradhan community realize their fault and accept the relationship of Suduria and Nidhi.
କେଦାର ଗୌରୀ (1954)
, 2h56Réalisé par Nityananda Palit
Genres Drame, Romance
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Bandhu Mohanty (1977)
, 2h52Réalisé par Nityananda Palit
Bandhu Mohanty is a devotee of God Jagganath. He lives with wife and children and maintain his lively hood by begging. When there is a famine in the village, to escape starvation, he comes to Puri, with his wife and children. But they can not find out food anywhere. When his wife asks prays the God to ends their starvation, Bundhu Mohanty prays the God to helps him. God Jagganath listen his devotee's pray and asks Goddess Lakshmi to meet their needs.
ଅରୁନ୍ଧତୀ (1967)
Genres Drame, Musical
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Note66%
Arundhati & Manoj are lovers and part of an Odishi dance troupe. Manoj desperately loves Arundhati. One day while the troup is performing in front of action packed audience, one Biswajeet claims Arundhati is to be his wife Madhumati. Actually Madhumati died in a train accident, but Biswajeet still believes that Madhumati is still alive. In suspicion, Manoj left Arundhati and disappear. Arundhati tries to convince Biswajeet that she is not Madhmati and she has deep love interest with Manoj. Later Biswajeet finds Madhumati & Arundhati are twin sisters and Madhumati actually dies in accident. Biswajeet left the troupe to search for Manoj. Biswajeet find Manoj in a small railway station and persuade Manoj to reunite with Arundhati.
ଦସ୍ୟୁ ରତ୍ନାକର (1961)
Genres Drame
Acteurs Prashanta Nanda, Sarat Pujari
Dasyu Ratnakar who kills the travelers for wealth for support and maintenance of his family. When suggested by Narad Muni to esquire his family members i.e. his father, mother, wife and children if they would receive some portions of his vice which he had done for their maintenance, Ratnakar is astonished by their replies. They all replied that it is his(Ratnakar's) duty to maintain his family. They are not responsible for the method by which Ratnakar earned money. At that reply Ratnakar was deeply shocked, promised to shun all his means of vices and achieved sage-hood through deep penance