The movie starts with Justin (Justin Timberlake) and Seann (Seann William Scott) taking two girls into their apartment. As they are about to go in, the key doesn't fit. And suddenly the Keymaker (Randall Duk Kim) shows up and realises they are the ones. He opens the door with the key around his neck. He opens the door and when Justin and Seann enter the door, they are transported to Zion, where (as in the film) a party is held at the temple. They learn from an extremely flamboyant dancer (Andy Dick) that Zion is the last human city and the robots are coming to kill them. They also learn that Morpheus is having a huge orgy at his place with machines. Justin refuses, but when Seann tries to stay he's pulled by his ear out. They come through a door and they see that Seann has a really kinky suit made of leather. Seann runs through a door marked 'Men' and Justin goes through another door into a park. He sees Neo talking to the Oracle (Wanda Sykes). After a discussion about N'Sync and the robot, Stiffler comes. He sticks his hand into and transforms her into a clone of him. And just then an army of Stiffler clones comes out and fights Justin as a parody of the "Burly Brawl" scene.
The documentary follows the experience of Faraz Anwar, founder, lead guitarist and vocalist of the first Pakistani progressive rock band Mizraab, in the music industry. Faraz Anwar is interviewed by director and producer, Haroon Sheikh, about his musical journey in the music industry and experiences with his band, Mizraab. Faraz also discusses his compositions in music and song writing skills.
The film is centred on the lives of traditional Chinese musicians, dizi player Luo Shoucheng, pipa player Tu Weigang, sheng player Weng Zhenfa (翁鎮發) and composer Chen Dawei, all based in Shanghai. Following their retirement from local state-backed orchestras, the musicians – all friends – decide to reband and record new material over which they will have complete control. After the first recording sessions, the film follows the men's personal stories: Luo Shoucheng returns to the neighbourhood he lived in as a child; Tu Weigang reminisces about their lives during the Cultural Revolution; Chen Dawei enjoys time with his young son; and Weng Zhenfa continues his reinvention of his instrument (the sheng) with master craftsmen at a local workshop.