In a film bursting with lyrics, pictures, and music the director shows us a way into the peculiar universe of Tóroddur, and the otherwise not very talkative artist gives us a glimpse of his thoughts on art, God, life and death.
Søren Qvist, a village minister with a short-temper, is accused of murdering his unlikeable servant when the man disappears after an argument. Erik Sørensen, the local judge, reluctantly investigates but he is conflicted because he is happily betrothed to the minister's daughter, Mette. The judge becomes distraught as more and more witnesses offer evidence against the minister. The minister, although he doesn't remember any murder, believes the evidence is undeniable and decides to confess—condemning himself to death. The judge is forced to pass sentence—the pastor is beheaded—and Judge Sørensen's relationship with the woman he loves is destroyed. Twenty years later, the murder victim returns to the village. He reveals his alleged murder was a cruel hoax constructed by his brother as revenge for his rejection as a suitor for Mette.