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Majhli Didi est un film de genre Drame réalisé par Hrishikesh Mukherjee avec Meena Kumari
Majhli Didi (1967)
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Ajouter à une liste de filmsMajhli Didi is a 1967 Bollywood film directed by Hrishikesh Mukherjee, based on Bengali language story, Mejdidi (Middle Sister) by Sarat Chandra Chattopadhyay,which was earlier filmed in Bengali. Majhli Didi stars Dharmendra and Meena Kumari.
Though the film didn't perform well at the Indian Box Office, it remains one of Hrishikesh Mukherjee's highly rated films. At the 16th Filmfare Awards, it won Best Screenplay Awards for Nabendu Ghosh and Best Art Direction, B&W for Ajit Banerjee. and was India's entry to the 41st Academy Awards for Best Foreign Language Film.
^ Majhli Didi at Upperstall.com
^ "Meena Kumar: The Queen of Sorrow". Rediff.com.
^ "Remembering The Master". The Times of India. Jul 11, 2009.
^ "Best Screenplay Award". Filmfare Award Official Listings, Indiatimes. Retrieved April 28, 2014.
^ Filmfare Award: Awards for 1969 IMDB
Acteurs
Meena Kumari
(Hema)
Dharmendra
(Bipinchandra 'Bipin')
Lalita Pawar
(Kadambini)
Leela Chitnis
(Kishan's Mother)
Leela Mishra
(Kishan's neighbor)
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Suggestions de films similaires à Majhli Didi
Il y a 454 films ayant les mêmes acteurs, 39 films avec le même réalisateur, 60657 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Majhli Didi, vous aimerez sûrement les films similaires suivants :
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Note75%
Raj Kumar is an honest, handsome and intelligent young man. He works as a sole trader and being a painter trade, he is unable to earn a living and unable to pay rent to his kind-hearted but talkative landlady Mrs. D'sa. One day Raj finds a wallet containing money and returns it to the owner Mr Ramnath. Ramnath admires Raj and pleased with his honesty, employs him to work in his office as a clerk. Raj meets with Ramnath's maidservant Asha and soon both fall in love. This all ends when Raj finds out that Asha is really Aarti, the niece of his employer. Unfortunately, his landlady dies consuming medicine manufactured by his employer Mr Ramnath and she passes away suddenly leaving Raj Kumar alone. The police conducts a post-mortem and as a result find out that Mrs. D'sa was poisoned. Raj became the prime suspect and is subsequently taken for questioning and is arrested and held in a cell. In the trial that he faces, however, Ramnath reveals the truth and thus Raj is saved.
Guddi (1971)
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Note71%
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Note73%
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Satyakam (1969)
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Note82%
The story begins in 1946, just a year before India’s independence. People's minds are filled with a genuine anticipation of positive change. For some like Satyapriya Acharya (Dharmendra)India’s forthcoming independence spells a paradigm shift towards a sympathetic-rationalism that would take India’s populace from rags to riches. Satyapriya's conviction is guided by his ascetic grandfather 'Daddaji' Satyasharan Acharya (Ashok Kumar)'s world views, whose pursuit of truth has led to him living in isolation in a Gurukula studying religious philosophy and observing a variety of rigid rituals.
Chupke Chupke (1975)
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Note82%
Professor Parimal Tripathi (Dharmendra) is a botany professor who falls in love with Sulekha Chaturvedi (Sharmila Tagore) during a women's college botany excursion. Prof. Parimal Tripathi helps the bungalow watchman to get to his village downhill to enable him to see his grandson who's fallen ill. Meanwhile he disguises himself as the bungalow watchman to protect the old man's job. Sulekha finds out one day about the cover-up and is charmed on seeing Parimal's real personality. They both get married. Parimal loves playing pranks and is the antithesis of regular professors. Sulekha, on the other hand is in awe of her jijaji (brother-in-law) Raghavendra (Om Prakash). She considers her jijaji to be highly intellectual and looks upon him as her idol. Parimal develops an inferiority complex thanks to Sulekha's excessive praise of her jijaji and decides to prove that he is in no way a lesser mortal. Jijaji, meanwhile, has written a letter to Haripad bhaiyya (David Abraham Cheulkar) asking him to send a driver who can speak good Hindi because his present driver James D'costa (Keshto Mukherjee) uses improper grammar. This provides the perfect opportunity for Parimal to get to see and interact with jijaji. Parimal becomes Pyaremohan Ilahabadi, a motor-mouth driver who pretends to hate the English language and so speaks only Hindi. So begins the comedy of errors, as Parimal and Sulekha play prank after prank on the unsuspecting jijaji.
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Note61%
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Note67%
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Mem-didi (1961)
Réalisé par Hrishikesh Mukherjee
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Bemisal (1982)
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Note68%
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