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Tony Ianzelo est un Réalisateur, Directeur de la Photographie et Cinématographie Canadien né le 13 juin 1935 à Toronto (Canada)

Tony Ianzelo

Tony Ianzelo
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Nationalité Canada
Naissance 13 juin 1935 (88 ans) à Toronto (Canada)

Tony Ianzelo, CM, RCA (born June 13, 1935) is a Canadian documentary director and cinematographer.

He was born in Toronto, Ontario, Canada and attended Toronto’s Ryerson Polytechnical School (now Ryerson University). His career at the National Film Board of Canada was characterized by an empathic portrayal of his subjects, and he gained a reputation for compassion and honesty through sensitive films and unobtrusive cinematography.

He joined the NFB in 1960 as a camera assistant and in 1966 made his first film, Antonio. This short piece, which uses his own father as a subject to explore the themes of family, immigration and alienation, was shown in schools and institutions for three decades after its release. A prolific and innovative artist, he retired in the late 1990s with over one hundred film credits.

Best known for his quiet empathy and unobtrusive camera-work, he worked with the NFB program Challenge for Change, where he used his skills on such films as Cree Hunters of Mistassini with Boyce Richardson, and other projects in Canada's Far North. One of the first cinematographers nominated to the Royal Canadian Academy of Arts, he received numerous awards and commendations, including two Academy Award nominations (both for Best Documentary Short, for Blackwood in 1976 and High Grass Circus in 1977), as well as the Order of Canada in 2003 for his lifetime contribution to world documentary cinema.

In 1986, with Colin Low, he co-directed Transitions, the first 3D IMAX film, which was shown at the Expo 86 in Vancouver.

He is currently retired and living in Montreal.

Le plus souvent avec

Colin Low
Colin Low
(5 films)
Tom Daly
Tom Daly
(1 films)
Chris Wiggins
Chris Wiggins
(1 films)
Source : Wikidata

Filmographie de Tony Ianzelo (8 films)

Afficher la filmographie sous forme de liste

Réalisateur

Momentum
Momentum (1992)
, 20minutes
Réalisé par Colin Low, Tony Ianzelo
Origine Canada
Genres Documentaire
Note60% 3.045773.045773.045773.045773.04577

Caméraman

Blackwood
Blackwood (1976)
, 28minutes
Réalisé par Tony Ianzelo
Origine Canada
Genres Documentaire
Thèmes Documentaire sur l'art, Documentaire sur une personnalité
Acteurs Gordon Pinsent
Rôle Directeur de la Photographie
Note61% 3.083133.083133.083133.083133.08313
The Best Damn Fiddler from Calabogie to Kaladar, 49minutes
Réalisé par Peter Pearson
Origine Canada
Genres Drame
Acteurs Chris Wiggins, Kate Reid, Margot Kidder
Rôle Directeur de la Photographie
Note75% 3.750533.750533.750533.750533.75053
Cosmic Zoom, 8minutes
Origine Canada
Genres Documentaire, Animation
Rôle Opérateur caméra
Note70% 3.538693.538693.538693.538693.53869
The film starts with an aerial image of a boy rowing a boat on the Ottawa River. The movement then freezes and the view slowly zooms out, revealing more of the landscape all the time. The continuous zoom-out takes the viewer on a journey from Earth, past the Moon, the planets of the Solar System, the Milky Way and out into the far reaches of the known universe. The process is then reversed, and the view zooms back through space to Earth, returning to the boy on the boat. It then zooms in to the back of the boy's hand, where a mosquito is resting. It zooms into the insect's proboscis and on into the microscopic world, concluding at the level of an atomic nucleus. It then zooms back out to the original view of the boy on the boat.

Equipe

Cosmic Zoom, 8minutes
Origine Canada
Genres Documentaire, Animation
Rôle Cinématographie
Note70% 3.538693.538693.538693.538693.53869
The film starts with an aerial image of a boy rowing a boat on the Ottawa River. The movement then freezes and the view slowly zooms out, revealing more of the landscape all the time. The continuous zoom-out takes the viewer on a journey from Earth, past the Moon, the planets of the Solar System, the Milky Way and out into the far reaches of the known universe. The process is then reversed, and the view zooms back through space to Earth, returning to the boy on the boat. It then zooms in to the back of the boy's hand, where a mosquito is resting. It zooms into the insect's proboscis and on into the microscopic world, concluding at the level of an atomic nucleus. It then zooms back out to the original view of the boy on the boat.