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Štefan Uher est un Réalisateur et Ecrivain Slovaque né le 4 juillet 1930 à Prievidza
Štefan Uher (4 June 1930 – 29 March 1993) was a Slovak film director, one of the founders of the "Czechoslovak New Wave".
He graduated from the FAMU (Film and TV School of the Academy of Performing Arts) in Prague in 1955. Among his fellow students were future directors Martin Hollý Jr. and Peter Solan who also began to work at the Koliba film studios (then called the Feature Film Studio and the Short Film Studio) in Bratislava after graduation.
Uher first worked in the short film division. The Sun in a Net was his second feature film. His first one was We from Study Group 9-A (My z deviatej A, 1962) about the life of a group of 15-year-old students and their school.
Uher followed The Sun in a Net by two more films with the same author-screenwriter Alfonz Bednár and cameraman − Stanislav Szomolányi, later professor of cinematography at the University of Performing Arts, Bratislava: The Organ (Organ, 1964), and Three Daughters (Tri dcéry, 1967).
The original music score in The Sun in a Net is by Ilja Zeljenka, an avant-garde composer of musique concrète, who also worked with Uher on We from Study Group 9-A, and went on to work with him on six more films.
Uher's and Szomolányi's last film She Grazed Horses on Concrete (Pásla kone na betóne, 1982) has remained one of Slovakia's most popular domestic productions through the 2000s. The film was entered into the 13th Moscow International Film Festival where it won the Silver Prize.
Source : Wikidata
Štefan Uher
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Nationalité Slovaquie
Naissance 4 juillet 1930 à Prievidza
Mort 29 mars 1993 (à 62 ans) à Bratislava (Slovaquie)
Récompenses Artiste national
Naissance 4 juillet 1930 à Prievidza
Mort 29 mars 1993 (à 62 ans) à Bratislava (Slovaquie)
Récompenses Artiste national
He graduated from the FAMU (Film and TV School of the Academy of Performing Arts) in Prague in 1955. Among his fellow students were future directors Martin Hollý Jr. and Peter Solan who also began to work at the Koliba film studios (then called the Feature Film Studio and the Short Film Studio) in Bratislava after graduation.
Uher first worked in the short film division. The Sun in a Net was his second feature film. His first one was We from Study Group 9-A (My z deviatej A, 1962) about the life of a group of 15-year-old students and their school.
Uher followed The Sun in a Net by two more films with the same author-screenwriter Alfonz Bednár and cameraman − Stanislav Szomolányi, later professor of cinematography at the University of Performing Arts, Bratislava: The Organ (Organ, 1964), and Three Daughters (Tri dcéry, 1967).
The original music score in The Sun in a Net is by Ilja Zeljenka, an avant-garde composer of musique concrète, who also worked with Uher on We from Study Group 9-A, and went on to work with him on six more films.
Uher's and Szomolányi's last film She Grazed Horses on Concrete (Pásla kone na betóne, 1982) has remained one of Slovakia's most popular domestic productions through the 2000s. The film was entered into the 13th Moscow International Film Festival where it won the Silver Prize.
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Filmographie de Štefan Uher (4 films)
Réalisateur
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Pásla kone na betóne (1983)
, 1h18Réalisé par Štefan Uher
Genres Drame, Comédie, Romance
Note68%
Johanka (Milka Zimková) had a fling with a well-digger (Peter Vonš) she had not met before and who, she was most likely certain, would never be around again. About 18 years later, she is a single woman respected and recognized at the local co-op farm where she works − except that it does not translate to the same compensation for her as for the male workers − who keeps turning down her lifelong suitor, friend and neighbor Berty (Peter Staník). Her 18-year-old daughter Paulína (Veronika Jeníková) commutes by bus to work in the nearby city, which gives the village gossips the occasional opportunity to remind her of her unknown father. A resultant conflict with her mother makes Paulína take up residence in the city.
Penelopa (1978)
, 1h28Réalisé par Štefan Uher
Genres Drame
Acteurs Božidara Turzonovová
Restorer Eva Kamenická (Božidara Turzonovová) arrives to the village to repair frescoes of the heroines of ancient myths for the local castle. In daily life of the village inhabitants Eva soon finds some elements of ancient tragedy, especially in fate of a lonely old lady named Malovcová (Eva Kristínová). The woman, commonly referred to by locals as "Waitress of Change", awaits the return of her husband and son, who had gone to work in America twenty years ago. Eva sees in her a picture of the devoted and patient "Penelope", whose courage and faith impress young restorer. Experience gained while staying in the country turns into her own life decision. Not long after she becomes close with the Secretary of the Municipal Committee, Viktor (Michal Dočolomanský), she decides to leave her daughter Mima (Jana Čeligová) with selfish husband and start a new life.
L'Orgue (1965)
, 1h32Réalisé par Jūzō Itami, Štefan Uher
Genres Drame
Note68%
Au cours de la Seconde Guerre mondiale, un jeune homme étranger se cache dans une église. Doué pour l'orgue, il se sert de l'instrument et les passions que font naitre sa virtuosité vont faire voler en éclat le calme de cette petite ville qui s'accommodait tant bien que mal de la gouvernance fasciste imposée par l'époque.
Le Soleil dans le Filet (1963)
, 1h30Réalisé par Štefan Uher
Genres Drame
Note73%
Fajolo est étudiant à Bratislava. Il ne pense qu'à son transistor et à la photo. Avec sa petite amie Bela, il adore bronzer, sur le toit de sa maison. Bela vit dans une ambiance familiale détestable, entre une mère aveugle et un père qui est une véritable épave. Fajolo ne comprend pas ses problèmes et ne lui est d'aucune aide. Un jour, en colère, elle casse son transistor. Fajolo, furieux, cesse alors de la voir. Mais il s'aperçoit très vite qu'il tient à elle...
Scénariste
Pásla kone na betóne (1983)
, 1h18Réalisé par Štefan Uher
Genres Drame, Comédie, Romance
Rôle Ecrivain
Note68%
Johanka (Milka Zimková) had a fling with a well-digger (Peter Vonš) she had not met before and who, she was most likely certain, would never be around again. About 18 years later, she is a single woman respected and recognized at the local co-op farm where she works − except that it does not translate to the same compensation for her as for the male workers − who keeps turning down her lifelong suitor, friend and neighbor Berty (Peter Staník). Her 18-year-old daughter Paulína (Veronika Jeníková) commutes by bus to work in the nearby city, which gives the village gossips the occasional opportunity to remind her of her unknown father. A resultant conflict with her mother makes Paulína take up residence in the city.