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Putu Wijaya est un Acteur né le 11 avril 1944
I Gusti Ngurah Putu Wijaya (born April 11, 1944), better known simply as Putu Wijaya, was born in Tabanan, Bali. He is an Indonesian author, considered by many to be one of Indonesia's most prominent literary figures.
His output is impressive; his published works include more than thirty novels, forty dramas, a hundred short stories, and thousands of essays, articles, screenplays and television dramas, and he has been the recipient of a number of literary prizes.
Since 1971 he has led the Teater Mandiri, widely regarded as Indonesia's foremost theater collective, where his philosophy of creating a tontonan (spectacle) helps to establish a dialogue between author and audience. The first play staged by Teater Mandiri was Aduh, which was performed at the Taman Ismail Marzuki performing arts center in 1973. Written by Putu in 1972, the play tells the story of how a group of people react to the intrusion of a stranger into their lives. The stranger is dying but instead of helping him they keep questioning him and arguing among themselves until, finally, he dies. In 2011, as part of its 40th anniversary celebration, Aduh was included in a trilogy staged by the Teater Mandiri. Presented under the title Trik (Trick), the three plays are all well-known works by Putu Wijaya: Apakah kita sudah merdeka? (Are we free yet?), Aduh and Setan (Devil). In 2010, his works took center stage when 28 of his monologues and four of his drama pieces were presented at the second Indonesian Theater Forum in Solo (Surakarta), Central Java.
His short stories often appear in the columns of the daily newspapers Kompas and Sinar Harapan, and he has been called "The Father of Short Stories". His novels are also often published in the magazines Kartini, Femina and Horison. As a script writer, he has twice won the Citra Award at the Indonesian Film Festival, for the movies Perawan Desa (1980) and Kembang Kertas (1985). He has also received recognition outside Indonesia as well. This has included fellowships to study kabuki in Japan, a residency at the University of Iowa's International Writing Program, and a Fulbright Scholarship to teach Indonesian theater at universities in the United States. His writing has been translated into Japanese, Arabic and Thai as well as English.
Putu Wijaya continues to be a prominent figure in the promotion of Indonesian literature and culture. In 2011 he participated in the launch of the Lontar Foundation's Modern Library of Indonesia, a series of Indonesian novels translated into English. Putu Wijaya's novel Telegram was one of the first ten novels to be included in the series, and marks the first time this novel has been translated into English.
Source : Wikidata
Putu Wijaya
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Naissance 11 avril 1944 (80 ans)
His output is impressive; his published works include more than thirty novels, forty dramas, a hundred short stories, and thousands of essays, articles, screenplays and television dramas, and he has been the recipient of a number of literary prizes.
Since 1971 he has led the Teater Mandiri, widely regarded as Indonesia's foremost theater collective, where his philosophy of creating a tontonan (spectacle) helps to establish a dialogue between author and audience. The first play staged by Teater Mandiri was Aduh, which was performed at the Taman Ismail Marzuki performing arts center in 1973. Written by Putu in 1972, the play tells the story of how a group of people react to the intrusion of a stranger into their lives. The stranger is dying but instead of helping him they keep questioning him and arguing among themselves until, finally, he dies. In 2011, as part of its 40th anniversary celebration, Aduh was included in a trilogy staged by the Teater Mandiri. Presented under the title Trik (Trick), the three plays are all well-known works by Putu Wijaya: Apakah kita sudah merdeka? (Are we free yet?), Aduh and Setan (Devil). In 2010, his works took center stage when 28 of his monologues and four of his drama pieces were presented at the second Indonesian Theater Forum in Solo (Surakarta), Central Java.
His short stories often appear in the columns of the daily newspapers Kompas and Sinar Harapan, and he has been called "The Father of Short Stories". His novels are also often published in the magazines Kartini, Femina and Horison. As a script writer, he has twice won the Citra Award at the Indonesian Film Festival, for the movies Perawan Desa (1980) and Kembang Kertas (1985). He has also received recognition outside Indonesia as well. This has included fellowships to study kabuki in Japan, a residency at the University of Iowa's International Writing Program, and a Fulbright Scholarship to teach Indonesian theater at universities in the United States. His writing has been translated into Japanese, Arabic and Thai as well as English.
Putu Wijaya continues to be a prominent figure in the promotion of Indonesian literature and culture. In 2011 he participated in the launch of the Lontar Foundation's Modern Library of Indonesia, a series of Indonesian novels translated into English. Putu Wijaya's novel Telegram was one of the first ten novels to be included in the series, and marks the first time this novel has been translated into English.
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Filmographie de Putu Wijaya (1 films)
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Malin Kundang (1971)
, 1h48Réalisé par Djadoeg Djajakusuma
Thèmes Mythologie
Acteurs Putu Wijaya, Fifi Young, Rd Mochtar
Note2%
Malin (Rano Karno) is a young boy who lives in Sumatra with his mother (Fifi Young) and sister; his father had disappeared at sea several years earlier. When a group of pirates land at the village, Malin catches the eye of their leader, Nakoda Langkap, who takes the boy as his own. As they are leaving the village, they pass the ship of another pirate, the slaverunner Nakoda Hitam. Nakoda Langkap and his men take the ship, wounding (evil pirate captain) and freeing the slaves. One, a boy named Lalang, is orphaned when his mother is killed in the battle; Nakoda Langkap takes him in as a son too.