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Puttanna Kanagal est un Réalisateur, Scénariste et Producteur Indien né le 12 janvier 1933

Puttanna Kanagal

Puttanna Kanagal
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Nationalité Inde
Naissance 12 janvier 1933
Mort 6 mai 1985 (à 52 ans) à Bangalore (Inde)
Récompenses Filmfare Awards South

Puttanna Kanagal (1 December 1933–5 June 1985) was one of the prominent Kannada film directors of the 1960s and the 1970s. Although the majority of his films were on offbeat or taboo subjects, he endeared himself to both the critics and ordinary film goers alike. He also directed a handful of films in Malayalam, Tamil, Telugu and Hindi. He received three National Film Awards, three Southern Filmfare Awards and numerous Karnataka State Film Awards.

Le plus souvent avec

Vijaya Bhaskar
Vijaya Bhaskar
(15 films)
Aarathi
Aarathi
(10 films)
K. S. Ashwath
K. S. Ashwath
(7 films)
Shivaram
Shivaram
(7 films)
Leelavathi
Leelavathi
(6 films)
Source : Wikidata

Filmographie de Puttanna Kanagal (31 films)

Afficher la filmographie sous forme de liste

Réalisateur

Amrutha Ghalige, 2h19
Réalisé par Puttanna Kanagal
Acteurs Ramakrishna, Shridhar, Umashree
Note79% 3.978173.978173.978173.978173.97817
This movie deals with the cause and consequences of teenage pregnancy. The heroine (Padmavasanthi), hailing from a poor background, falls in love with an affluent young man (Ramakrishna). The young man impregnates her and leaves her in the lurch. The heroine's classmate (Sridhar) comes forward to marry her and give an identity to the child. Unfortunately, the classmate dies due to illness soon after. The young man comes back and unexpectedly meets his son. The classmate writes a letter that he had considered the heroine as his sister, and she was as pure as river Ganges. Finally the young man accepts the heroine. This movie has very good songs and great lyrics.
Maanasa Sarovara, 2h20
Réalisé par Puttanna Kanagal
Acteurs Srinath, Ramakrishna
Note83% 4.1668854.1668854.1668854.1668854.166885
A middle aged psychiatrist finds a young insane woman wandering aimlessly along the streets. He takes her to his abode for treatment. Slowly the woman recovers from her trauma. The doctor promptly falls in love with her and decides to marry her. In the meantime, the doctor's nephew arrives and falls head over heels for her. The doctor cannot tolerate this intimacy and goes insane.
Ranganayaki
Réalisé par Puttanna Kanagal
Genres Drame
Acteurs Aarathi, Ramakrishna, Ashok, Sudha Rani
Note80% 4.0336654.0336654.0336654.0336654.033665
The movie explores the nuance of Oedipus Complex. The heroine, a popular theatre artist, falls in love with a rich, young man. They eventually get married and beget a child. But the heroine is bored of married life and wants to dabble in acting. The husband refuses and leaves the town with his child. The heroine gets a lucky break in cinema and becomes a household name. Years later, as fate had it, a young man falls in love with the heroine and she reciprocates his love, but as a mother. She always gives him affection and loves like a mother. She encounters her ex-husband and pleads him to show her son just for once. But as fate has it doesn’t happen, and she goes in deep depression and commits suicide, too late for the young lover who realizes that he had fallen in love with his own mother.
Dharmasere
Dharmasere (1979)
, 2h8
Réalisé par Puttanna Kanagal
Acteurs Aarathi, Srinath, Sathyapriya, Jai Jagadish, Musuri Krishnamurthy, Shivaram
Note65% 3.2762953.2762953.2762953.2762953.276295
This movie explores the plight of a dumb young woman (Aarathi). Srinath the hero falls in love with Aarathi's younger sister. But the father of the girls is in the Dharmasere (the religious bind) that he can't get his younger daughter married even as the elder daughter is unmarried. So he requests Srinath to marry both of them even if it is a symbolic marriage to the elder dumb girl. As fate would have it, the younger one fails to beget offspring. Desperate for an offspring, Srinath turns to Aarathi and she promptly begets a child. This movie is a poignant portrayal of young dumb women of that era, the scorn, humiliation and neglect they faced from the society.
Bili Hendthi
Réalisé par Puttanna Kanagal
Acteurs Aarathi, Leelavathi, Loknath
Note65% 3.253973.253973.253973.253973.25397
Arathi is affianced to a guy who is visiting the United States. Being thus a de facto daughter-in-law, she assumes the role and practically lives with her in-laws. However when her fiance returns, she finds out that he has married Alicia, a "white woman", and is no longer interested in her. The rest of the story mostly revolves around how Alicia wins over all and sundry with her agreeable character and willingness to meld and melt into Indian society. Arathi assumes a larger-than-life good samaritan character, which is presumably the very antithesis of a jilted lover.
Shubhamangala, 2h41
Réalisé par Puttanna Kanagal
Acteurs Srinath, Aarathi, Shivaram, Loknath, B.V. Radha, K. S. Ashwath
Note83% 4.1591454.1591454.1591454.1591454.159145
Hema is a pampered girl brought up in a small town by her father. Timma and Mooga are her servants, but she treats them just like her friends. Hema is playful and acts like a kid in all matters even though she has reached marriageable age. She meets Prabhakara, her cousin who is visiting her village after many years. Hema's father doesn't like Hema mingling with Prabhakar and tells her about a family fight he had with Prabhakara's father years ago. Hema begins to hate Prabhakara from then on. After her father passes away, Hema & her servants are forced to live with Prabhakara. The story is about the growth of Hema from a pampered girl into a self-reliant woman who earns a living, not wanting to depend on others.
Edakallu Guddada Mele
Réalisé par Puttanna Kanagal
Acteurs Jayanthi, Aarathi, Shivaram
Note78% 3.904733.904733.904733.904733.90473
The movie begins with Sanskrit saying, 'Kaamaaturaanam nabhayam nalajja (A lustful person knows neither fear nor shame),' and the rest of the movie attempts to illustrate the same. Kama is one of the six moral weaknesses: kama (passion/lust), krodha (anger), lobha (greed), moha (attachment), madha (pride) and matsara (envy).