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Maria Alice Vergueiro est une Actrice Brésil née le 19 janvier 1935 à São Paulo (Bresil)

Maria Alice Vergueiro

Maria Alice Vergueiro
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Nom de naissance Maria Alice Monteiro de Campos Vergueiro
Nationalité Bresil
Naissance 19 janvier 1935 à São Paulo (Bresil)
Mort 3 juin 2020 (à 85 ans)

Maria Alice Monteiro de Campos Vergueiro (born January 19, 1935) is a Brazilian actress with an extensive career on stage, cinema, and television.

Born in São Paulo, her theatrical debut was in 1962 in the show The Mandrake ("A Mandrágora") under the direction of Augusto Boal. Later, she began working with the Teatro Oficina, where she appeared in the historical setting of O Rei da Vela (by Oswald de Andrade), under the direction of José Celso Martinez Corrêa, which was later made into a film. She worked with the Living Theatre. She was the founder, along with Luiz Roberto Galízia and Cacá Rosset, of the Teatro do Ornitorrinco where she has appeared in various shows.

Recently she gained fame for the short film Tapa na Pantera, directed by Esmir Filho, Mariana Bastos and Rafael Gomes, in which she plays a woman who has smoked marijuana for 30 years and talks about her experiences with the drug, a character based on the actress' own experiences. The short became a success in less than a week when it was posted on YouTube without the permission of the authors.

In the theater scene of São Paulo, she is known as "Dama do Underground" or "Velha Dama Indigna."

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Source : Wikidata

Filmographie de Maria Alice Vergueiro (1 films)

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Actrice

Perfume de Gardênia, 1h58
Origine Bresil
Genres Drame, Policier
Thèmes La télévision
Acteurs Christiane Torloni, José Mayer, Betty Faria, José Lewgoy, Matilde Mastrangi, Maria Alice Vergueiro
Rôle Passageira no táxi
Note68% 3.4153553.4153553.4153553.4153553.415355
Daniel is a taxi driver, he works the night to pay the car payments, is married to a housewife Adalgisa and have a son. By chance, she starts making pornochanchada films, abandons the family and is prohibited by Daniel to see Joaquim. For eleven years, Daniel nurtures a sense of revenge, which gains strength when Joaquim, as an adult, finds his mother in full decay professional.