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Julie Dash est une Actrice, Réalisatrice, Scénariste et Producteur Américaine née le 22 octobre 1952 à New York (Etats-Unis)

Julie Dash

Julie Dash
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Nationalité Etats-Unis
Naissance 22 octobre 1952 (66 ans) à New York (Etats-Unis)
Récompenses Bourse Guggenheim

Julie Dash (born October 22, 1952) is an American filmmaker, author and member of the L.A. Rebellion. Her Daughters of the Dust (1992) was the first full-length film by an African-American woman with general theatrical release in the United States. Dash is the film's producer, screenwriter and director. In 2004, Daughters of the Dust was included in the National Film Registry of the Library of Congress.

One of a generation of African and African-American filmmakers from the UCLA Film School who have created an alternative to Hollywood films, Dash has also made numerous music videos and television movies, the latter including Funny Valentines (1999), Incognito (1999), Love Song (2000), and The Rosa Parks Story (2002). Her Brothers of the Borderland (2004) was commissioned by the National Underground Railroad Freedom Center.

Dash's book Daughters of the Dust: A Novel (1997) is a sequel to the film, set 20 years later in Harlem and the Sea Islands.

Le plus souvent avec

Source : Wikidata

Filmographie de Julie Dash (5 films)

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Actrice

Réalisatrice

Love Song
Love Song (2000)
, 1h30
Réalisé par Julie Dash
Origine Etats-Unis
Genres Drame, Romance
Acteurs Monica, Christian Kane, Essence Atkins, Vanessa Bell Calloway, Rozonda "Chilli" Thomas, Tyrese Gibson
Note68% 3.4452153.4452153.4452153.4452153.445215
Camille Livingston is the reserved, sheltered only child and daughter of prosperous African American parents in New Orleans. She attends school, works with under privileged inner city children and lives with her two roommates. Camille has been dating Calvin, who looks up to Camille's father and appears to be following him into medicine. It is also understood that Camille will follow Calvin and work in some type of medical field. Her life is considered by her and people around her to be "normal" and what is expected.
SUBWAYStories: Tales from the Underground, 1h20
Réalisé par Bob Balaban, Jonathan Demme, Abel Ferrara, Ted Demme, Julie Dash, Seth Zvi Rosenfeld
Origine Etats-Unis
Genres Drame, Comédie
Thèmes Transport, Le train
Acteurs Bill Irwin, KRS-One, Bonnie Hunt, Kevin Corrigan, Taral Hicks, Paul Lazar
Note65% 3.298313.298313.298313.298313.29831
"Subway Stories," structured similarly to films such as "Paris, Je t'aime" and "New York, I Love You," is divided according to director into short films, each with their own title, but strung almost seamlessly together.
Daughters of the Dust
Réalisé par Julie Dash
Origine Etats-Unis
Genres Drame, Romance
Thèmes Féminisme, Politique
Note64% 3.2499053.2499053.2499053.2499053.249905
Daughters of the Dust is set in 1902 among the members of the Peazant family, Gullah who live at Ibo Landing on St. Simons Island, Georgia. Their ancestors were brought there as slaves centuries ago, and the islanders developed a language and culture that was creolized from West Africans, of Ibo, Yoruba, Kikongo, Mende, and Twi origin. Developed in their relative isolation of large plantations on the islands, the slaves' unique culture and language have endured in areas of the Low Country. The Peazant family, including a couple of contrasting daughters who have come back for a last dinner on the island, is meeting before most leave for the North. The film is narrated by the Unborn Child, and is influenced by accounts of ancestors, represented especially by Nana Peazant, the matriarch. She says, "We are two people in one body. The last of the old and the first of the new." Lyrical visual images convey much of the story. The dialogue is in Gullah creole.
Illusions, 34minutes
Réalisé par Julie Dash
Origine Etats-Unis
Acteurs Lonette McKee, Rosanne Katon, Ned Bellamy

According to film scholar and critic Clyde Taylor, “Dash's film plays inventively on themes of cultural, sexual and racial domination.” The film is set in Hollywood in 1942, a time when the role of the film industry was to create an illusion for the audience to believe in. This illusion was based on the creation of American history in films; what is seen on screen is usually what they want you to believe and not actually the truth. Made during a time of heavy war propaganda, Hollywood created its own version of America and its freedoms.

Scénariste

Daughters of the Dust
Réalisé par Julie Dash
Origine Etats-Unis
Genres Drame, Romance
Thèmes Féminisme, Politique
Note64% 3.2499053.2499053.2499053.2499053.249905
Daughters of the Dust is set in 1902 among the members of the Peazant family, Gullah who live at Ibo Landing on St. Simons Island, Georgia. Their ancestors were brought there as slaves centuries ago, and the islanders developed a language and culture that was creolized from West Africans, of Ibo, Yoruba, Kikongo, Mende, and Twi origin. Developed in their relative isolation of large plantations on the islands, the slaves' unique culture and language have endured in areas of the Low Country. The Peazant family, including a couple of contrasting daughters who have come back for a last dinner on the island, is meeting before most leave for the North. The film is narrated by the Unborn Child, and is influenced by accounts of ancestors, represented especially by Nana Peazant, the matriarch. She says, "We are two people in one body. The last of the old and the first of the new." Lyrical visual images convey much of the story. The dialogue is in Gullah creole.

Production

Daughters of the Dust
Réalisé par Julie Dash
Origine Etats-Unis
Genres Drame, Romance
Thèmes Féminisme, Politique
Rôle Producteur
Note64% 3.2499053.2499053.2499053.2499053.249905
Daughters of the Dust is set in 1902 among the members of the Peazant family, Gullah who live at Ibo Landing on St. Simons Island, Georgia. Their ancestors were brought there as slaves centuries ago, and the islanders developed a language and culture that was creolized from West Africans, of Ibo, Yoruba, Kikongo, Mende, and Twi origin. Developed in their relative isolation of large plantations on the islands, the slaves' unique culture and language have endured in areas of the Low Country. The Peazant family, including a couple of contrasting daughters who have come back for a last dinner on the island, is meeting before most leave for the North. The film is narrated by the Unborn Child, and is influenced by accounts of ancestors, represented especially by Nana Peazant, the matriarch. She says, "We are two people in one body. The last of the old and the first of the new." Lyrical visual images convey much of the story. The dialogue is in Gullah creole.