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Jayne Marie Mansfield est une Actrice Américaine née le 8 novembre 1950 à Bryn Mawr (Etats-Unis)
Jayne Marie Mansfield (born November 8, 1950) is the first child and eldest daughter of 1950s Hollywood sex symbol and Playboy Playmate Jayne Mansfield and her ex-husband Paul and older half-sister of actress Mariska Hargitay. In July 1976, she became the first daughter of a Playmate to be a featured model. To date, only one other daughter of a Playmate has been featured in the magazine. Additionally, she is the only model who was featured as 100 Beautiful Women along with her mother in the magazine's 1988 special issue. She has acted in the film Olly, Olly, Oxen Free (1978) and TV production Blond in Hollywood (2003).
Two weeks before her mother's death on June 29, 1967, Mansfield, then 16, accused her mother's then boyfriend, Sam Brody, of beating her. Her statement to the Los Angeles Police Department the following morning implicated her mother in encouraging the abuse, and days later, a juvenile-court judge awarded temporary custody of Jayne Marie to a great-uncle, W.W. Pigue. Out of Jayne's five children, only Jayne Marie attended her mother's funeral on July 3, 1967 due to the fact the other children were all under the age of 10. In 1968, wrongful death lawsuits were filed on behalf of Jayne Marie and Matt Cimber, Jayne's husband from September 24, 1964 to July 11, 1965 and producer-director of her last film Single Room Furnished, the former for $4.8 million and the latter for $2.7 million.
In 1970, she married Barry Lang in Las Vegas, Nevada and the couple had one son but were later divorced. As of 2008, Mansfield is in a long-term relationship and frequently visits her grandchildren. In March 1979, she declared her plan to write a biography of her mother.
Source : Wikidata
Jayne Marie Mansfield
Biographie
Mansfield graduated from Fort Hunt High School in Alexandria, Virginia.Two weeks before her mother's death on June 29, 1967, Mansfield, then 16, accused her mother's then boyfriend, Sam Brody, of beating her. Her statement to the Los Angeles Police Department the following morning implicated her mother in encouraging the abuse, and days later, a juvenile-court judge awarded temporary custody of Jayne Marie to a great-uncle, W.W. Pigue. Out of Jayne's five children, only Jayne Marie attended her mother's funeral on July 3, 1967 due to the fact the other children were all under the age of 10. In 1968, wrongful death lawsuits were filed on behalf of Jayne Marie and Matt Cimber, Jayne's husband from September 24, 1964 to July 11, 1965 and producer-director of her last film Single Room Furnished, the former for $4.8 million and the latter for $2.7 million.
In 1970, she married Barry Lang in Las Vegas, Nevada and the couple had one son but were later divorced. As of 2008, Mansfield is in a long-term relationship and frequently visits her grandchildren. In March 1979, she declared her plan to write a biography of her mother.
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Filmographie de Jayne Marie Mansfield (1 films)
Actrice
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Olly, Olly, Oxen Free (1978)
, 1h24Réalisé par Richard Colla
Origine Etats-Unis
Genres Comédie dramatique, Aventure
Thèmes Transport, Aviation
Acteurs Katharine Hepburn, Dennis Dimster, Jayne Marie Mansfield, Denise Alexander
Note53%
Eccentric Miss Pudd (Hepburn) is the owner of a store she considers an antique museum, a sort of Noah's Ark of the past, but most would call a junkyard. She frequently refuses to part with her merchandise because of its sentimental or historical value, but she does agree to loan some items to two boys, Alby (Kevin McKenzie) and Chris (Dennis Dimster), who befriend her, and who explain that they are repairing an antique hot air balloon that belonged to the older boy, Kevin's grandfather, an adventurous stunt man named The Great Sandusky. In honor and memory of Kevin's grandfather, who died one year earlier and is sorely missed by Kevin who apparently has no father, they plan to take the balloon aloft to celebrate the man's birthday. A curious element of the film is that the boys' mothers are talked about, and one is heard from the kitchen, but never seen. Other than the postman, Kate Hepburn's Miss Pudd is the primary adult in the film, a sort of wobbly Auntie Mame. By today's standards, it would be preposterous to imagine that this much shenanigans could take place, including the noisy demolition of a backyard greenhouse, tower, and workshop, with no other adult, let alone Kevin's mother, noticing or caring. But then, perhaps, even in the 70s', this seemingly benign film may have carried that ironic undercurrent of social commentary.