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Irma Serrano est une Actrice, Réalisatrice et Ecrivain Mexicaine née le 9 décembre 1933

Irma Serrano

Irma Serrano
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Nom de naissance Irma Consuelo Cielo Serrano Castro
Nationalité Mexique
Naissance 9 décembre 1933 (90 ans)

Irma Consuelo Cielo Serrano Castro ([ˈiɾma konˈswelo ˈθjelo seˈrano ˈkastɾo]; born 9 December 1933) is a Mexican singer, songwriter, actress, and politician. Famous for her "tantalizing," "untamed spitfire" voice, she is one of the most noted performers of the ranchera and corrido genres; she was nicknamed La Tigresa de la Canción Ranchera and later known simply as "La Tigresa" ([la ti´ɣɾesa]). Four of her greatest hits reached the Audiomusica list of top songs in Mexico: "Miel amarga" peaked at number 5 in 1966, "Tierra mala" peaked at number 4 in 1966, "El puente roto" peaked at 4 in 1966, and "La Martina" peaked at number 5 in 1967.

In her later years, she was the center of multiple scandals and controversies. She has appeared in celebrity gossip magazines and television shows because of her political career as senator of her home state of Chiapas from 1994 to 1997.

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Source : Wikidata

Filmographie de Irma Serrano (11 films)

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Actrice

Los amantes del señor de la noche, 1h30
Réalisé par Isela Vega
Genres Thriller, Horreur
Thèmes Religion
Acteurs Isela Vega, Irma Serrano, Emilio Fernández, Lilia Prado, Andrés García, Adela Noriega
Rôle Saurina
Note64% 3.2453453.2453453.2453453.2453453.245345
Venusita (Elena de Haro) falls in love with the son of a wealthy family whose mother sends her son off to the United States in order to keep the two apart. Not to be rejected so easily, Venusita visits Saurina (Irma Serrano) the sorceress who comes up with a spell that kills off the merchant and zaps the son back home, but Venusita's problems are far from over.
Naná
Naná (1985)

Réalisé par Irma Serrano
Genres Drame, Musical, Romance
Thèmes Sexualité, Erotique, Sexploitation
Acteurs Irma Serrano, Isela Vega, Verónica Castro, Manuel Ojeda
Rôle Naná
Note62% 3.142173.142173.142173.142173.14217
In the Paris of the 19th century, a prostitute causes uproar. The name of the prostitute is Teresa, but everyone knows her as Naná (Irma Serrano). Naná and her best friend Satan (Veronica Castro) work as prostitutes, first on the streets of Paris, and after in a small room. In her youth, Naná was sexually abused by her stepfather and thrown from her home by her mother. As the result of this violation, she gave birth to a son. Naná prostitutes herself to raise her son, whom she stays away from her, under the care of her aunt. Nana occasionally works in a theater, which is really an underground brothel. One night, Naná is presented in the theater as "The Venus of Fire," and caused a sensation by showing her naked body. Immediately the most powerful men come to her offering jewelry and luxuries for her favors. Naná accepts the attentions of a banker, who presents her with a house in the French countryside. In this house, Naná holds an affair with a young aristocrat who she called Coquito (Jaime Garza). This same night, she is pressed by the banker to fulfill her sexual favors, while the owner of the theater-brothel where she worked, forced herto return to fulfill a contract. Naná repudiate both men and seeks solace in the Count Muffat (Manuel Ojeda), a distinguished and respectable aristocrat dedicated to the charity. However, Muffat confesses that he has also succumbed to her charms and desires her. Disappointed, Naná decides to leave her life as a courtesan and returns to work on the streets. However, one night that she is chased by the police, Naná is rescued by Satin (Isela Vega), a courtesan and friend. After spending the night together, Satin convinces her to return to her life as a courtesan. Naná then accepted becoming mistress of Count Muffat and returns to the theater to present her nude shows. With support from Muffat Nana tries to become a serious actress, snatching the characters to the actress and courtesan Rosa Mignon, but is ridiculed, because they say that she only serves to show her naked body. Disappointment causes that Naná falling into the lowest degradation. Her home becomes in the center of the vice of Paris, where people go to get drunk, performed orgies and all sorts of sexual debauchery. One night, the Count Muffat, who has been ruined by the debauchery of Naná, decides to face her in the middle of a party hosted by her for the triumphs of a mare (called Naná in her honor) in a horse show. In comparison, Naná reveals to the Count Muffat the adultery of his wife in this same house. The Count decides to leave her. That night, her young lover Coquito, commits suicide after he to discover that Naná had sexual relations with his brother, a soldier. After tonight, Naná decided to retire from life as a courtesan. Her friend Satan dies victim from tuberculosis.
El monasterio de los buitres, 1h42
Réalisé par Francisco del Villar
Genres Drame
Acteurs Enrique Álvarez Félix, Irma Serrano, Enrique Rocha, Héctor Bonilla, Eduardo Noriega, Macaria
Rôle Amalia
Note61% 3.052523.052523.052523.052523.05252
In an old monastery in Mexico, the faith of all the young aspiring priests is tested by the Father Prior using psychoanalysis. During the process, the young men manifested indecision, sexual problems (as incest or homosexuality) and lack of faith.
Pêcheurs de requins, 1h40
Réalisé par Luis Alcoriza
Origine Mexique
Genres Drame
Thèmes La mer, Transport
Acteurs Amanda del Llano, Noé Murayama, Eric del Castillo, Aurora Clavel, Irma Serrano
Rôle Rosa
Note72% 3.640973.640973.640973.640973.64097
Aurelio, un homme blanc originaire de Mexico, partage la vie rude des Indiens de la côte de Tabasco. Il se consacre à la pêche au requin. Manela, une jeune métisse amoureuse de lui, devient sa maîtresse, à la suite d'un accord contracté par sa famille. Mais, Aurelio a également une épouse et quatre enfants établis dans la capitale. Pressé par sa famille, Aurelio vend son bateau et rentre à Mexico, avec comme perspective la codirection d'une entreprise de transport. Mais, cette nouvelle existence, confortable et conventionnelle, ne le satisfait point. Il renoue alors avec son métier de pêcheur et avec Manela.
Santo contra los zombis, 1h25
Réalisé par Benito Alazraki
Origine Mexique
Genres Science-fiction, Action, Aventure, Horreur
Thèmes Maladie, Sport, Super-héros, Zombie, Épidémie, Film catastrophe
Acteurs El Santo, Armando Silvestre, Lorena Velázquez, Dagoberto Rodríguez, Irma Serrano, Carlos Agostí
Rôle Det. Isabel
Note53% 2.666442.666442.666442.666442.66644
After the police are unstable to stop a crime wave by zombies, they turn to Santo for help.

Réalisatrice

Naná
Naná (1985)

Réalisé par Irma Serrano
Genres Drame, Musical, Romance
Thèmes Sexualité, Erotique, Sexploitation
Acteurs Irma Serrano, Isela Vega, Verónica Castro, Manuel Ojeda
Note62% 3.142173.142173.142173.142173.14217
In the Paris of the 19th century, a prostitute causes uproar. The name of the prostitute is Teresa, but everyone knows her as Naná (Irma Serrano). Naná and her best friend Satan (Veronica Castro) work as prostitutes, first on the streets of Paris, and after in a small room. In her youth, Naná was sexually abused by her stepfather and thrown from her home by her mother. As the result of this violation, she gave birth to a son. Naná prostitutes herself to raise her son, whom she stays away from her, under the care of her aunt. Nana occasionally works in a theater, which is really an underground brothel. One night, Naná is presented in the theater as "The Venus of Fire," and caused a sensation by showing her naked body. Immediately the most powerful men come to her offering jewelry and luxuries for her favors. Naná accepts the attentions of a banker, who presents her with a house in the French countryside. In this house, Naná holds an affair with a young aristocrat who she called Coquito (Jaime Garza). This same night, she is pressed by the banker to fulfill her sexual favors, while the owner of the theater-brothel where she worked, forced herto return to fulfill a contract. Naná repudiate both men and seeks solace in the Count Muffat (Manuel Ojeda), a distinguished and respectable aristocrat dedicated to the charity. However, Muffat confesses that he has also succumbed to her charms and desires her. Disappointed, Naná decides to leave her life as a courtesan and returns to work on the streets. However, one night that she is chased by the police, Naná is rescued by Satin (Isela Vega), a courtesan and friend. After spending the night together, Satin convinces her to return to her life as a courtesan. Naná then accepted becoming mistress of Count Muffat and returns to the theater to present her nude shows. With support from Muffat Nana tries to become a serious actress, snatching the characters to the actress and courtesan Rosa Mignon, but is ridiculed, because they say that she only serves to show her naked body. Disappointment causes that Naná falling into the lowest degradation. Her home becomes in the center of the vice of Paris, where people go to get drunk, performed orgies and all sorts of sexual debauchery. One night, the Count Muffat, who has been ruined by the debauchery of Naná, decides to face her in the middle of a party hosted by her for the triumphs of a mare (called Naná in her honor) in a horse show. In comparison, Naná reveals to the Count Muffat the adultery of his wife in this same house. The Count decides to leave her. That night, her young lover Coquito, commits suicide after he to discover that Naná had sexual relations with his brother, a soldier. After tonight, Naná decided to retire from life as a courtesan. Her friend Satan dies victim from tuberculosis.

Scénariste

Naná
Naná (1985)

Réalisé par Irma Serrano
Genres Drame, Musical, Romance
Thèmes Sexualité, Erotique, Sexploitation
Acteurs Irma Serrano, Isela Vega, Verónica Castro, Manuel Ojeda
Rôle Ecrivain
Note62% 3.142173.142173.142173.142173.14217
In the Paris of the 19th century, a prostitute causes uproar. The name of the prostitute is Teresa, but everyone knows her as Naná (Irma Serrano). Naná and her best friend Satan (Veronica Castro) work as prostitutes, first on the streets of Paris, and after in a small room. In her youth, Naná was sexually abused by her stepfather and thrown from her home by her mother. As the result of this violation, she gave birth to a son. Naná prostitutes herself to raise her son, whom she stays away from her, under the care of her aunt. Nana occasionally works in a theater, which is really an underground brothel. One night, Naná is presented in the theater as "The Venus of Fire," and caused a sensation by showing her naked body. Immediately the most powerful men come to her offering jewelry and luxuries for her favors. Naná accepts the attentions of a banker, who presents her with a house in the French countryside. In this house, Naná holds an affair with a young aristocrat who she called Coquito (Jaime Garza). This same night, she is pressed by the banker to fulfill her sexual favors, while the owner of the theater-brothel where she worked, forced herto return to fulfill a contract. Naná repudiate both men and seeks solace in the Count Muffat (Manuel Ojeda), a distinguished and respectable aristocrat dedicated to the charity. However, Muffat confesses that he has also succumbed to her charms and desires her. Disappointed, Naná decides to leave her life as a courtesan and returns to work on the streets. However, one night that she is chased by the police, Naná is rescued by Satin (Isela Vega), a courtesan and friend. After spending the night together, Satin convinces her to return to her life as a courtesan. Naná then accepted becoming mistress of Count Muffat and returns to the theater to present her nude shows. With support from Muffat Nana tries to become a serious actress, snatching the characters to the actress and courtesan Rosa Mignon, but is ridiculed, because they say that she only serves to show her naked body. Disappointment causes that Naná falling into the lowest degradation. Her home becomes in the center of the vice of Paris, where people go to get drunk, performed orgies and all sorts of sexual debauchery. One night, the Count Muffat, who has been ruined by the debauchery of Naná, decides to face her in the middle of a party hosted by her for the triumphs of a mare (called Naná in her honor) in a horse show. In comparison, Naná reveals to the Count Muffat the adultery of his wife in this same house. The Count decides to leave her. That night, her young lover Coquito, commits suicide after he to discover that Naná had sexual relations with his brother, a soldier. After tonight, Naná decided to retire from life as a courtesan. Her friend Satan dies victim from tuberculosis.