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Fareeda Mehta est une Réalisatrice et Scénariste Indienne née le juillet 1959
Fareeda Mehta (born July 1959) is an Indian film director who makes short films, documentaries and feature films. Also she collaborates closely with the Press Trust of India and organizations such as UNICEF, NCERT, NORAD and NFDC.
Source : Wikidata
Fareeda Mehta
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Fareeda Mehta (born July 1959) is an Indian film director who makes short films, documentaries and feature films. Also she collaborates closely with the Press Trust of India and organizations such as UNICEF, NCERT, NORAD and NFDC.
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Filmographie de Fareeda Mehta (1 films)
Réalisatrice
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Kali Salwaar (2002)
, 1h52Réalisé par Fareeda Mehta
Genres Drame
Thèmes Sexualité, Erotique, Prostitution
Acteurs Sadiya Siddiqui, Irrfan Khan, Vrajesh Hirjee, Kay Kay Menon, Ashok Banthia, Rajat Kapoor
Note60%
Sultana (Sadiya Siddiqui), a small town prostitute and her pimp Khudabaksh migrate to the metropolis bringing with them their dreams and meagre belongings. Initially she is bewildered by the crowds and pace of the city. With the help of Anwari (a madam or perhaps a witch) she learns how to find her bearings. As she further encounters the city and its inhabitants new perspectives open up - sad, comical, ironical but always mysterious. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hands at many jobs but is unsuccessful. His faith in his camera is replaced by his belief in a holy man. Sultana finds herself bereft and turns pensive. Her loneliness and despair get objectified in her desire for the 'kali salwaar' (black lower garment) that she needs to complete her black ensemble for the observance of mourning in Moharram.
Scénariste
Kali Salwaar (2002)
, 1h52Réalisé par Fareeda Mehta
Genres Drame
Thèmes Sexualité, Erotique, Prostitution
Acteurs Sadiya Siddiqui, Irrfan Khan, Vrajesh Hirjee, Kay Kay Menon, Ashok Banthia, Rajat Kapoor
Note60%
Sultana (Sadiya Siddiqui), a small town prostitute and her pimp Khudabaksh migrate to the metropolis bringing with them their dreams and meagre belongings. Initially she is bewildered by the crowds and pace of the city. With the help of Anwari (a madam or perhaps a witch) she learns how to find her bearings. As she further encounters the city and its inhabitants new perspectives open up - sad, comical, ironical but always mysterious. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hands at many jobs but is unsuccessful. His faith in his camera is replaced by his belief in a holy man. Sultana finds herself bereft and turns pensive. Her loneliness and despair get objectified in her desire for the 'kali salwaar' (black lower garment) that she needs to complete her black ensemble for the observance of mourning in Moharram.