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Fannie Kauffman est une Actrice Mexicaine née le 11 avril 1924 à Toronto (Canada)

Fannie Kauffman

Fannie Kauffman
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Nom de naissance Fannie Kauffman
Nationalité Mexique
Naissance 11 avril 1924 à Toronto (Canada)
Mort 21 février 2009 (à 84 ans) à Mexico (Mexique)

Fannie Kauffman (April 11, 1924 – February 21, 2009), who was often known by the stage name Vitola, was a Canadian-born Mexican actress and comedian.

Biographie

Early life
Kauffman was born on April 11, 1924, in Toronto, Ontario, Canada. She moved with her parents to Cuba and was raised in Havana, where she resided until she was 22 years old. She began her entertainment career in Cuba as a child singer at the age of 8, when she thought of becoming an opera singer.

Kauffman's parents entered her in a radio contest when she was eleven and a half years old. The contest was looking for a girl to appear on the daily children's radio show, La Escuelita. Kauffman won the contest and began appearing on the radio with the Cuban comic team, Agapito y Timoteo. Kauffman earned her lifelong nickname, Vitola, while working in Cuban radio. Her nickname is based on the vitola of Cuban cigars.


Career
Kauffman transitioned to comedy and moved to Mexico in 1943, shortly before she turned 23 years old. In 2007, Kauffman told the newspaper, El Universal, that though she was raised in Canada and Cuba, she emphasized that, "Soy mexicana" (I am Mexican), after more than 60 years of residing in the country.

She made her Mexican debut at the Teatro Arbeu in Mexico City in 1943. Kauffman met Germán Valdés, who was better known as Tin-Tan, while working at the Teatro Arbeu. Kauffman and Tin-Tan developed a close professional relationship which spanned both of their careers. The two often appearing opposite one another on screen and stage.

In 1946, Kauffman launched her film career in the 1946 movie, Se acabaron las mujeres, directed by Ramón Peón. She co-starred in the 1949 Mexican film, El Rey del Barrio, opposite Silvia Pinal and Tin-Tan. Kauffman also starred or appeared in films throughout the Golden Age of Mexican cinema, including the 1950 film, También de Dolor se Canta, starring Pedro Infante and films opposite Adalberto Martínez.

Kauffman married three times, with each marriage ending in divorce. She had four sons and a daughter during her three marriages. Her eldest sons, actor Humberto Elizondo and David, were born during her first marriage to Mexican diplomat, Humberto Elizondo Alardine. Her two other sons from her second marriage, Moisés and Abraham, died in separate accidents during the 1980s.


Kauffman retired from acting and comedy when she was 72 years old. She explained that she realized she was tired while waiting to go on stage for a performance in New York City. She claimed that she decided to retire on the same day of that particular New York performance. Kauffman also came to believe that audiences no longer laughed at her jokes as they once did earlier in her career.

Fannie Kauffman died in the early morning of February 21, 2009, of natural causes at a hospital in Mexico City at the age of 84. Kauffman had been named a recipient of the 2008 Golden Ariel, the highest award in the Mexican film industry, shortly before her death. She was awarded the Ariel Award posthumously. She was survived by three of her five children, including Mexican actor, Humberto Elizondo.

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Source : Wikidata

Filmographie de Fannie Kauffman (4 films)

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Actrice

La cigüeña distraída, 1h28
Genres Comédie
Acteurs Marco Antonio Campos, Emily Cranz, Alma Delia Fuentes, Fannie Kauffman, María Duval, Rosa María Vázquez
Rôle Mrs. Palacios
Note60% 3.038493.038493.038493.038493.03849
Two different women give birth to twin brothers in a hospital, and when they are discussing outside the hospital, the fathers (Viruta and Capulina), confuse their babies when they say goodbye one another. Some years after, one of the couples is a pair of rich and well educated brothers that are meant to be married to a couple of rich sisters, Alma and Maria Castillo, while the other couple of brothers, a poor but friendly unemployed guys, fall in love with Emilia and Rosita, the maids of the rich twin brothers. When the two couples meet, confusion is ensued in all sides. After several situations that almost break the compromise of all four couples, the girls realize about the problem and make amends with the boys.