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Bikas Mishra est un Réalisateur, Scénariste et Script Indien

Bikas Mishra

Bikas Mishra
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Nom de naissance Bikas Ranjan Mishra
Nationalité Inde

Bikas Ranjan Mishra is an Indian screenwriter, director and film critic. He is the editor and founder of DearCinema.com; he has been a member of programming and selection committees of MAMI. Bikas was part of the International Federation of Film Critics jury of the 15th International Film Festival of Kerala. He was nominated for the for Tata NEN hottest startup award for DearCinema.com. His writings regularly appear on Mint Lounge, and DearCinema.com.

His short film "Dance of Ganesha" had its world premiere at the 16th Busan International Film Festival, and its European premiere at the 41st International Film Festival Rotterdam. He is working on his first feature film project Chauranga.

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Source : Wikidata

Filmographie de Bikas Mishra (2 films)

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Réalisateur

चौरंगा
Réalisé par Bikas Mishra
Genres Drame
Acteurs Sanjay Suri, Riddhi Sen, Ena Saha, Radhika Apte, Tannishtha Chatterjee, Dhritiman Chatterjee
Note63% 3.192493.192493.192493.192493.19249
A fourteen-year-old Dalit boy (Soham Maitra) is growing up in an unnamed corner of India. His dream is to go to a town school like his elder brother (Riddhi Sen) and his reality is to look after the pig that his family owns. His only escape is to sit atop a Jamun tree and adore his beloved (Ena Saha) passing by on her scooter. His unspoken love is as true as his mother’s helplessness who cleans the cowsheds of the local strongman’s mansion, with whom she also has a secret liaison. When the boy’s elder brother comes on a vacation to the village, he soon finds out about his younger brother’s infatuation. The learned elder brother makes him realize the need to express his love and helps him write a love letter.
नाच गणेश
Réalisé par Bikas Mishra

A tribal dancer is caught in his daily struggle of survival in an automobile factory. The burden to earn a living for his family and preserve his family tradition of ritual Ganesha dancing is humongous. His two roles, as a bread winner for his two kids, a wife and an ailing father and as the magnificent elephant god Ganesha, is so diverse that his journey from factory to village looks almost like time travel and his existence schizophrenic! Ganesha, the dancer lives in the perpetual fear of the day when he will have to make a choice between livelihood and art/tradition.

Scénariste

चौरंगा
Réalisé par Bikas Mishra
Genres Drame
Acteurs Sanjay Suri, Riddhi Sen, Ena Saha, Radhika Apte, Tannishtha Chatterjee, Dhritiman Chatterjee
Note63% 3.192493.192493.192493.192493.19249
A fourteen-year-old Dalit boy (Soham Maitra) is growing up in an unnamed corner of India. His dream is to go to a town school like his elder brother (Riddhi Sen) and his reality is to look after the pig that his family owns. His only escape is to sit atop a Jamun tree and adore his beloved (Ena Saha) passing by on her scooter. His unspoken love is as true as his mother’s helplessness who cleans the cowsheds of the local strongman’s mansion, with whom she also has a secret liaison. When the boy’s elder brother comes on a vacation to the village, he soon finds out about his younger brother’s infatuation. The learned elder brother makes him realize the need to express his love and helps him write a love letter.
नाच गणेश
Réalisé par Bikas Mishra

A tribal dancer is caught in his daily struggle of survival in an automobile factory. The burden to earn a living for his family and preserve his family tradition of ritual Ganesha dancing is humongous. His two roles, as a bread winner for his two kids, a wife and an ailing father and as the magnificent elephant god Ganesha, is so diverse that his journey from factory to village looks almost like time travel and his existence schizophrenic! Ganesha, the dancer lives in the perpetual fear of the day when he will have to make a choice between livelihood and art/tradition.

Equipe

नाच गणेश
Réalisé par Bikas Mishra
Rôle Script

A tribal dancer is caught in his daily struggle of survival in an automobile factory. The burden to earn a living for his family and preserve his family tradition of ritual Ganesha dancing is humongous. His two roles, as a bread winner for his two kids, a wife and an ailing father and as the magnificent elephant god Ganesha, is so diverse that his journey from factory to village looks almost like time travel and his existence schizophrenic! Ganesha, the dancer lives in the perpetual fear of the day when he will have to make a choice between livelihood and art/tradition.