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António Campos est un Réalisateur, Assistant Director et Eclaireur d'emplacement Portugais né le 29 mai 1922 à Leiria (Portugal)

António Campos

António Campos
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Nom de naissance António Campos
Nationalité Portugal
Naissance 29 mai 1922 à Leiria (Portugal)
Mort 8 mars 1999 (à 76 ans) à Figueira da Foz (Portugal)

António Campos (29 May 1922 – 8 March 1999) was one of the pioneer filmmakers of visual anthropology in Portugal. Mainly using pure documentary techniques, he shot ethnographic films and tried docufiction. As well as in fictional films, he used the methods of direct cinema to portrait the life of ancient human communities (ethnofiction) of his country.

He started making films at the beginning of the sixties, at the same time as John Marshall (EU) and Michel Brault (Canada). Without knowing much about Jean Rouch, he followed his steps in an original way.

Biographie

He integrated a troupe of theatre amateurs and worked at a state department office in Leiria. He got a subvention from the Calouste Gulbenkian Foundation in 1961, where he worked between 1970 and 1976, to study cinema in London. He took part in the 20th Century Film Festival, in Kracow, Poland.
He was the delegate in Portugal for the International Federation of Art Film and a member of the International Union of Independent Filmmakers (UNICI).

He started making films as an amateur. He shot ethnographic films with 16 mm light cameras and with no scientific purposes, like some of his Portuguese fellows, such as António Reis, Ricardo Costa or Pedro Costa, this one using small mini dv cameras, some years later. After the Carnation Revolution, he directed some theatrical fictional features in 35 mm, all with a strong anthropologic content. He was one of the representatives of the Portuguese Cinema Novo (or Novo Cinema), inspired by the French New Wave.

His film Gente da Praia da Vieira (People of Praia da Vieira), 1976, is, together with Trás-os-Montes, by António Reis and Margarida Cordeiro, and with Mau Tempo, Marés e Mudança (Changing Tides), by Ricardo Costa, one of the first docufictions of Portuguese cinema. Shot on the same year, these films, in the same genre, are preceded by Acto da Primavera (Act of Spring), 1962, by Manoel de Oliveira, and Ala-Arriba!, 1948, by José Leitão de Barros, a contemporary to Robert Flaherty. These films may also be classified as ethnofictions.

Le plus souvent avec

Brady Corbet
Brady Corbet
(1 films)
Mati Diop
Mati Diop
(1 films)
Paulo Rocha
Paulo Rocha
(1 films)
Source : Wikidata

Filmographie de António Campos (3 films)

Afficher la filmographie sous forme de liste

Réalisateur

Simon Killer, 1h46
Réalisé par Antonio Campos, António Campos
Origine Etats-Unis
Genres Drame, Thriller
Acteurs Brady Corbet, Mati Diop, Constance Rousseau, Michaël Abiteboul, Lila Salet, Oksana
Note62% 3.1458353.1458353.1458353.1458353.145835
À Paris, la rencontre amoureuse et fatale de Simon (Brady Corbet), un jeune étudiant américain, et de Victoria (Mati Diop), une prostituée roumaine...

Directeur

Changer de vie, 1h30
Réalisé par Paulo Rocha
Origine Portugal
Genres Drame
Acteurs Geraldo Del Rey, Isabel Ruth, Maria Barroso
Rôle Assistant Director
Note71% 3.579543.579543.579543.579543.57954
Un village de pêcheurs, au nord du Portugal. De retour de la Guerre d'Angola, Adelino découvre que sa fiancée a épousé son frère. Il tente de la reconquérir, puis entame une nouvelle liaison.

Art

Le voeu
Le voeu (1973)
, 1h42
Réalisé par António de Macedo
Origine Portugal
Genres Drame
Rôle Eclaireur d'emplacement
Note67% 3.399473.399473.399473.399473.39947
À Figueira da Foz, un couple de pêcheurs a fait vœu de chasteté. Un jour, ils recueillent un gitan blessé.