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Aditya Bhattacharya est un Acteur, Réalisateur, Ecrivain et Producteur exécutif Indien né le 1965

Aditya Bhattacharya

Aditya Bhattacharya
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Nationalité Inde
Naissance 1965 (59 ans)

Aditya Bhattacharya (born 1965) is an Indian film director and screenwriter, most known for his feature film, Raakh (1989) starring Aamir Khan, and which garnered three National Film Awards.

He is the son of film director Basu Bhattacharya.

Le plus souvent avec

Sudhir Mishra
Sudhir Mishra
(3 films)
Pankaj Kapur
Pankaj Kapur
(3 films)
Aamir Khan
Aamir Khan
(1 films)
Source : Wikidata

Filmographie de Aditya Bhattacharya (7 films)

Afficher la filmographie sous forme de liste

Acteur

Yeh Saali Zindagi, 2h14
Réalisé par Sudhir Mishra
Genres Drame, Thriller, Romance
Acteurs Irrfan Khan, Arunoday Singh, Chitrangada Singh, Aditi Rao Hydari, Saurabh Shukla, Sushant Singh
Note73% 3.695523.695523.695523.695523.69552
Arun (Irrfan Khan) is a Chartered Accountant who works for Mr. Mehta (Saurabh Shukla) and helps him run his illegal business. Arun is in love with Priti (Chitrangada Singh), but she falls for Shyam (Vipul Gupta) who was introduced to her by Arun.
Black Friday, 2h47
Réalisé par Anurag Kashyap
Genres Drame, Documentaire, Policier
Thèmes Religion, Le terrorisme, Gangsters
Acteurs Kay Kay Menon, Pavan Malhotra, Aditya Srivastava, Imtiaz Ali, Pratima Kazmi, Kishor Kadam
Note83% 4.1973154.1973154.1973154.1973154.197315
Ce docu-fiction qui s'inspire du livre éponyme retrace les conséquences d'un bombardement qui a eu lieu en 1993 à Bombay, à travers les yeux d'un journaliste.
Hazaaron Khwaishein Aisi
Réalisé par Sudhir Mishra
Genres Drame
Thèmes Politique
Acteurs Kay Kay Menon, Chitrangada Singh, Akhil Mishra, Shiney Ahuja, Saurabh Shukla, Aditya Bhattacharya
Note78% 3.9467053.9467053.9467053.9467053.946705
The film opens at Hindu College in Delhi with the story of three students, Siddharth Tyabji (Kay Kay Menon), Geeta Rao (Chitrangada Singh) and Vikram Malhotra (Shiney Ahuja). Siddharth is a driven revolutionary who dreams of bringing a revolution in the state of Bihar that will end the caste-based discrimination there; bring social justice, and, change the society for the better. Geeta is a London returned, South Indian girl in love with the firebrand Siddharth. She has led a very sheltered life thus far, and is yet to explore the terrain of the Indian socio-political landscape. While she finds Siddharth's Naxalite rhetoric attractive, she is not sure if she can whole-heartedly subscribe to it. And every time they come to point of choice, Siddharth chooses his ideology over his love for her thus breaking her heart time and again. Vikram is a middle-class boy who dreams of making it big, whatever the cost. He is particularly afflicted by his father's Gandhian ideas, but irritated and frustrated at the same time, seeing his father's way of life as ineffective in bringing about a change.
Rihaee
Rihaee (1988)

Genres Drame
Thèmes Féminisme, Sexualité, Politique
Acteurs Vinod Khanna, Hema Malini, Naseeruddin Shah, Neena Gupta, Reema Lagoo, Mohan Agashe
Rôle Special Appearance
Note69% 3.494713.494713.494713.494713.49471
The story is set in a remote village in Gujarat. Menfolk here, like in many other villages across India go to the cities to work, leaving behind their families.
Mandi
Mandi (1983)
, 2h47
Réalisé par Shyam Benegal
Genres Drame, Comédie, Romance
Thèmes Sexualité, Erotique, Prostitution
Acteurs Shabana Azmi, Naseeruddin Shah, Kulbhushan Kharbanda, Smita Patil, Neena Gupta, Amrish Puri
Rôle Sushil Agarwal
Note74% 3.739173.739173.739173.739173.73917
For years an aging Rukmini Bai (Shabana Azmi) has been the Madame of a brothel in Hyderabad, India. One day she gets the news that she now has a new landlord in Mr. Gupta (Kulbhushan Kharbanda), whose daughter is to marry the mayor's son Sushil, shortly. Led by City Councillor, Shantidevi, the people in this town demand that this brothel be moved elsewhere, preferably on the outskirts of the town, and they do succeed, compelling Rukmini to move with her women to their new location, which happens to be near the Dargah of Baba Karak Shah. Ironically, this attracts a lot of people, and the patronage to Rukmini's bordello increases. Then complications set in when Sushil refuses to marry his father's choice, childlike Malti, and wants to marry Zeenat (Smita Patil) - a prostitute, not entirely by choice and seeking for a better existence, who resides with Rukmini.

Réalisateur

Raakh
Raakh (1989)
, 2h33
Réalisé par Aditya Bhattacharya
Thèmes Sexualité, Le viol, Rape and revenge
Acteurs Aamir Khan, Pankaj Kapur, Supriya Pathak, Syed Ishtiaq Ahmed Jaffery
Note70% 3.544953.544953.544953.544953.54495
As declared in the subtitles of the opening scene, the events of the film takes place in a big city in India. After the police riots of 1990, the State Forces were disbanded and replaced by a central one. The police now had more powers. The crime rate continued to escalate. In the wealthier quarters of the city though, life went on… but it was an uneasy calm.

Scénariste

Raakh
Raakh (1989)
, 2h33
Réalisé par Aditya Bhattacharya
Thèmes Sexualité, Le viol, Rape and revenge
Acteurs Aamir Khan, Pankaj Kapur, Supriya Pathak, Syed Ishtiaq Ahmed Jaffery
Rôle Ecrivain
Note70% 3.544953.544953.544953.544953.54495
As declared in the subtitles of the opening scene, the events of the film takes place in a big city in India. After the police riots of 1990, the State Forces were disbanded and replaced by a central one. The police now had more powers. The crime rate continued to escalate. In the wealthier quarters of the city though, life went on… but it was an uneasy calm.

Producteur

Raakh
Raakh (1989)
, 2h33
Réalisé par Aditya Bhattacharya
Thèmes Sexualité, Le viol, Rape and revenge
Acteurs Aamir Khan, Pankaj Kapur, Supriya Pathak, Syed Ishtiaq Ahmed Jaffery
Rôle Producteur exécutif
Note70% 3.544953.544953.544953.544953.54495
As declared in the subtitles of the opening scene, the events of the film takes place in a big city in India. After the police riots of 1990, the State Forces were disbanded and replaced by a central one. The police now had more powers. The crime rate continued to escalate. In the wealthier quarters of the city though, life went on… but it was an uneasy calm.