Ramesan Nair (Mohanlal) is a Kerala government secretariat employee, cocooned in his own small and happy world. An honest and sincere man, Ramesan's family consists of his loving wife Lekha (Meera Vasudevan), son Manu (Arjun Lal) who is a plus-two student, and daughter Manju (Baby Niranjana), a primary school student. His biggest ambition is to see that his son gets into the IAS (Indian Administrative Service), something he himself had failed to achieve despite being a brilliant student. Manu is a very loving son and an intelligent student who shares a strong emotional bond with his father. All in all, they form the very picture of loving family, with a bright future.
The film tells the story of Joyce Fernandez, a 50-year-old woman caring for her mother, Celine Fernandez, who has had Alzheimer's Disease for 7 years. When Celine suffers a mild stroke and is hospitalized for over three months, Joyce attempts to keep herself together, especially after Celine loses all of what little speech and she originally had. The duo, staunch Catholics, keep their heads above the emotional turmoil through daily prayer.
An independent filmmaker travels the United States in search of meaningful conversations with world-renowned artists on the nature of creativity and how a person can realize his or her full creative potential. The movie is divided into three central themes: finding your voice, security versus risk, and the definition of success in the arts.
Shekar (Prabhu) becomes mentally ill after his girlfriend Anita (Lizy) dies because of an electric short circuiting accident during a rock concert. Shekar is admitted into an institution managed by Nagaraj (Senthamarai).
Through audio interviews and montage sequences, LSD 25 is the travelogue of a young Nova Scotian woman's trip to Montreal in 1995, and the psychotronic meltdown which she underwent there. Stephanie Preyde herself eloquently and unflinchingly narrates the film, describing the cumulative effects of the copious amounts of acid she took during that summer, the ongoing and Byzantine delusions which she suffered (Montreal as the lost City of Atlantis amongst others), the repudiation of her physical self, her eventual institutilization and journey to "normalcy." In this experimental documentary—set to a trippy acid jazz score—Preyde faces the ongoing repercussion of her trips: a possible misdiagnosis of bipolar disorder instead of temporary acid psychosis, and ironically, lifelong reliance on prescription meds.