Tarnation est l'autoportrait de Jonathan Caouette, 31 ans, qui dès l'âge de 11 ans décide de filmer la vie chaotique qu'il mène dans une famille texane, à Houston.
Tarkovski et son ami le scénariste Tonino Guerra voyagent en Italie pour préparer Nostalghia. Les deux voyageurs sont en repérage d'endroits où tourner le film, tout en contemplant les beautés architecturales et en discutant du cinéma.
59-year-old Bill Friedman is a competitive bodybuilder - a former world champ in the age 50-60 category, determined to win his title back. Documentary director Bryan Friedman is 26. Bill - Bryan's dad - hasn't been around since Bryan was a baby. In The Bodybuilder and I, Bryan chronicles his father's attempt to make it back to the top. In the process of making the film, the two men get to know one another and maybe begin to understand each other.
Growing up in Columbia, Missouri, director Grace Lee felt that she had a unique name and identity, as there were not many other Asians in her community. When she moved to New York and Los Angeles, she found her name shared by many other people. Dissatisfied with the "nice" personality commonly ascribed to the Asian-American women with this name, she sets out to find people who break the mold, including Grace Lee Boggs, a Chinese-American philosopher and activist.
In the film, director Ross McElwee gets married, finally putting an end to his family's worrying; his grandmother dies; his wife Marilyn has a miscarriage; and his father, a medical doctor, dies suddenly within a week of McElwee's wife's miscarriage. His mother had died of cancer ten years earlier and so McElwee returns to his father's house, where his father's housekeeper ministers to him about Christianity and faith.
Chris Waitt vient de se faire plaquer. À trente ans passés, sa vie n'est qu'une suite de déboires sentimentaux et sexuels. Afin de comprendre pourquoi, il décide, caméra au poing, d'aller rendre visite à toutes ses ex pour leur demander ce qui n'a pas fonctionné dans leur relation.
L’actrice et réalisatrice Paule Baillargeon retourne au pays de son enfance : l'Abitibi. Sur la route de Montréal à Val-d'Or, des instants qui ont marqué son existence resurgissent dans sa mémoire. À travers cet autoportrait hybride, Baillargeon raconte le parcours d’une femme, d'une féministe, d'une mère, d'une artiste.