A group of lazy, ignorant highschool students, in no rush to graduate, have settled into life at their private school, paid by aloof parents, where they have bonded as a family and are cared for by school attendant Hafize Ana who has accepted them as her real sons. Their kingdom over the school is challenged by a new principal who, despite his warm hearted nature, takes on the role of tough disciplinarian and becomes the butt of their tricks and jokes as he prepares them for life.
An autocratic bad tempered woman controls family members-her husband, two brothers and the servants which symbolizes the political dictatorship of Ayub Khan in then East Pakistan. Both stories run in parallel. Outside, the people of East Pakistan(now Bangladesh)rise in political protest, and inside, the family members raise their voices against the tyrannical woman. The two brothers get married and the situation gets more complicated when there are conspiracies for the control of the family between the sister-in-laws by having the keys of the house.
Subhadra (the sister of Balarama and Krishna) marries a Pandava named Arjuna, and their son Abhimanyu falls in love with Balarama's daughter, Sasirekha. The families decide to marry them when they reach adulthood. By the time Abhimanyu and Sasirekha grow up, the Pandavas have lost a dice game to the Kauravas due to Sakuni's manipulation. Krishna, furious at an action of Dussasana that has insulted Draupadi, saves Draupadi. Balarama teaches the Kauravas a lesson and later reaches Hastinapuram. Sakuni and Duryodhana respect Balarama; after manipulating him, they seek his favour by requesting that Sasirekha be married to Duryodhana's son Lakshmana Kumara. They intend to force Balarama and Krishna to support them if the Pandavas wage war after their fourteen-year exile. Unaware of this, Balarama accepts.
The film tells the story of an elite Bulgarian school where the sons and daughters of high-ranking Communist officials are educated. The main characters are Ivan, his best friend Rostislav, Dana (a newly arrived student), Marina and Kostov. All of them find themselves dealing with their own youthful intrigues against the backdrop of the absurd and oppressive Bulgarian Communist regime; and all too often each one of them finds his/her own individual means of escaping from it all, either through friendship, love, or the occasional derisive remark. The plot is loosely based on the English Language School in Lovech, Bulgaria, where the principal was an ardent Communist infamous for his absurdly strict rules and for setting an army-like atmosphere. At the same time that students are subjected to the bureaucratic babble of their despotic teachers, they are likewise exposed to the exquisite, thought-provoking language of Shakespeare, and the incendiary tunes of The Beatles, for which they are reproached on numerous occasions. The reality of authoritarian rule in Communist Bulgaria, the hollowness of its slogans, and the total disregard for the true values and qualities of the students—it is all beautifully interspersed with moments of genuine loyalty, love, nobility and devotion.
Ce premier volet commence lors de l'adoption d'Anne par Marilla et Matthew Cuthbert, frère et sœur habitant la "maison des pignons verts", et retrace son enfance jusqu'à son entrée dans le monde adulte.
The story takes place in an unnamed small Serbian town in 1935, and focuses on the Topalović family consisting of six generations of undertakers: gravely ill Pantelija, wheelchair-bound Maksimilijan who's also mute and nearly deaf, rheumatic Aksentije, sober-minded Milutin, impulsive and narcissistic Laki, and young and naive Mirko. Constantly bickering amongst each other, the latest family arguments arise from the youngest son, Mirko, not wanting to continue the family business of coffin-making. Deeply in love with a local girl Kristina, the daughter of a local hoodlum Bili Piton, he's looking to avoid the career path of his father, grandfather, great grandfather, etc.
Ottoman Empire, 1668. Köprülü Fazıl Ahmed Pasha concentrates his war efforts on the Cretan War, which inspires him to further subdue the Sultan's Christian subjects. One of the targets is Elindenya, a village located in a Rhodope valley where the Christians enjoy a de facto autonomy thanks to the local Muslim overlord Süleyman Agha's rule. A sipahi regiment is dispatched to the valley with the mission of converting the Christian population to Islam, by force if necessary. The extraordinary thing is that the regiment is led by Kara Ibrahim, a devshirme from Elindenya and although Süleyman Agha, feeling that his self-ordained rule is at stake, objects to forced conversions, Kara Ibrahim seems to be in favour of harsh measures against the locals, including his own family.
After his retirement from Indian Railways, as station master, Raghavan Nair (Thilakan) is back at his home. His long cherished dream to spend his retired life along with his family consisting of wife (Kaviyoor Ponnamma), three sons and two daughters gets a blow after seeing his two sons brawling each other over their political differences. Prabhakaran (Sreenivasan), the elder one is a staunch leftist, and an active worker of the Revolutionary Democratic Party (RDP) which has just lost the Kerala state Assembly elections and relinquished office. Prakashan (Jayaram), popularly known as KRP, his younger brother is involved with the Indian National Secular Party (INSP) which has now come to power. Though they are both educated, neither has any plans to earn a living on their own and are fully immersed in petty politics, sponging off their parents for their needs. Raghavan Nair becomes deeply worried about their future, and tries to advise his sons, but of his admonitions fall on deaf ears. Anandan (Mala Aravindan), his son-in-law is a police sub-inspector but is now on suspension. When the RDP was in power, he arrested and beat up several of the opposition party workers on instruction from the ruling party officials. Now that the previous opposition is in power, they exact their revenge, first by transferring him repeatedly to stations as far away from civilisation as is possible, and then by suspending him. As part of his retired life, Raghavan Nair decides to focus his attention on his agricultural activities and meets the new young agricultural officer (Siddique) and, with his wife's approval, wants their younger daughter to get married to him, but his elder sons oppose it on flimsy and petty reasons. Prakashan, whose party is in power, pulls strings and get him transferred immediately to a remote location in order to prevent the marriage but Nair gets them married at the registrar's office. In the meantime, Anandan and his wife, Raghavan Nair's eldest daughter, demand partition of the property and their share, which Raghavan Nair objects to. The last straw is when their mother falls ill and is hospitalised for a day or so, and none of her children bother to show up at the hospital - in particular, the two older sons. Raghavan Nair, when he sees all of them milling around his house on returning from the hospital, loses his temper. He throws out all his children and orders them never to enter his house again. But to his surprise he finds both Prakasan and Prabhakaran at the gate, fully repented. He calls them in and they begin a new life. The film ends by showing Prabhakaran going to court as a lawyer and Prakashan for a job interview.
Aux États-Unis, douze hommes forment le jury d'un procès criminel. Ils doivent statuer, à l'unanimité, sur le sort d'un jeune homme accusé de parricide. S'il est déclaré coupable, la chaise électrique sera la sentence. S'il est déclaré innocent, il sera libre.
Ilija Čvorović (Bata Stojković), a former Stalinist who spent several years in a prison on Goli otok, is contacted by the police to routinely answer questions about his sub-tenant, Petar Markov Jakovljević (Bora Todorović), a businessman, who spent twenty years living in Paris, and now has returned to Belgrade to open a tailor shop. After only several minutes, Ilija is free to go, however, he is starting to suspect that his sub-tenant might be a spy. As time passes, he becomes convinced that Petar, a modern man from a capitalist country, represents a great threat to national security and the socialist system, and starts spying on Petar, to a great surprise of his wife Danica (Mira Banjac), who is more concerned for the future of their daughter Sonja (Sonja Savić), who, although holding a degree in dentistry, is unable to find a job. Ilija phones inspector Dražić (Milan Štrljić), claiming that Petar was meeting "suspicious people" (which are actually his intellectual friends, but Dražić does not take him seriously. Ilija decides to take matters into his own hands. He begins his own surveillance operation against the innocent man and his friends. Eventually, he bars his house, buys a guard dog, arms himself with munition, and even gets help from his brother Đura (Zvonko Lepetić), both of them becoming convinced that Petar is a foreign agent.
A la veille de l'invasion de la Yougoslavie, le 5 avril 1941, le voyage d'un autobus bringuebalant et de ses passagers dans la campagne. Le microcosme d'une population desabusee dans un pays au bord du desastre.
12 February 1945, Germany. Max Otto von Stierlitz, a respected SS-Standartenführer in the Ausland-SD, is in fact Soviet spy Maxim Isaev, who has infiltrated into the German establishment. Though Adolf Hitler is determined to continue the Second World War, Walter Schellenberg convinces Heinrich Himmler to conduct secret negotiations with the Americans, hoping to reach a separate peace deal which would allow the Germans to concentrate all their forces on the Eastern Front. In the meantime, Ernst Kaltenbrunner becomes suspicious of Stierlitz, and orders Heinrich Müller to launch a covert investigation on him.