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Ugkat est un film américain réalisé par Eduardo Montes-Bradley

Ugkat (2013)

Ugkat
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Unearthed and Understood is a documentary produced by the President’s Commission on Slavery and the University at the University of Virginia. The film, produced and directed by Eduardo Montes-Bradley, premiered at the "Universities Confronting the Legacy of Slavery” symposium in Charlottesville on October 16, 2014. HD | 18 min.
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Suggestions de films similaires à Ugkat

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Origine Etats-Unis
Genres Biographie, Documentaire
Thèmes Le racisme, Documentaire sur la discrimination, Documentaire sur le droit, Documentaire historique, Documentaire sur la politique, Politique

The film is built around an in-depth interview with Julian Bond, by Eduardo Montes-Bradley at the Sixth & I Synagogue in Washington, D.C., along with the last few lectures that he delivered, as a member of faculty, at the University of Virginia in May 2012. The interviews are bolstered by a barrage of photographs and archival footage taken from different sources. These images help define and illustrate the different historical eras beginning with the American Civil War and running up to the 2008 US presidential election.
Che Guevara - L'ascension et la chute, 1h
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Origine Etats-Unis
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De sa maissance jusqu’à sa mort, de ses années de médecine en Amérique Latine jusqu’à son adhésion au mouvement du 26 juiillet, du tribunal révolutionnaire cubain jusqu’aux jungles du Congo et de la Bolivie : ce documentaire extraordinaire retrace la vie d’Ernesto Guevara, plus connu sous le nom de Che Guevara ou Le Che. Le Dr Alberto Granados, compagnon de moto du Che, ainsi que trois survivants de la guardia de Hierro du Che nous livrent leurs souvenirs et leurs témoignages sur celui qui est devenu une icone pour les mouvements révolutionnaires marxistes du monde entier.
500 Years Later, 1h48
Réalisé par Owen 'Alik Shahadah
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Thèmes Afrique post-coloniale, Esclavagisme, Le racisme, Documentaire sur la discrimination, Documentaire sur le droit, Documentaire historique, Documentaire sur une personnalité, Documentaire sur la politique, Politique
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The film visits five continents, and over twenty countries while charting the legacy of slavery and identifies a direct, or indirect link to crime, drugs, HIV/AIDS, poor education, inferiority complex, low expectations, poverty, corruption, poor health, and underdevelopment to African people globally.
Traces of the Trade: A Story from the Deep North, 1h26
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The film focuses on the descendants of the DeWolf family, a prominent slave trading family from Rhode Island from 1769 to 1820, and the legacy of the slave trade in the North of the United States. The film follows ten family members as they retrace the triangle trade starting at Linden Place in Bristol, Rhode Island, the hometown of the DeWolfs. The family has been prominent in local businesses and banking, as academics, in the local Episcopal and other institutions, and organizing the Bristol Fourth of July Parade. The film goes with the family to Ghana, where the slaves were purchased and where they meet with current residents, and to Cuba, where James DeWolf owned three sugar and coffee plantations in the 19th century.
Harto the Borges, 1h20
Réalisé par Eduardo Montes-Bradley
Genres Documentaire
Thèmes Film sur un écrivain, Documentaire sur une personnalité
Acteurs Jorge Luis Borges, Osvaldo Bayer
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Montes-Bradley approaches Jorge Luis Borges on film. The portrait of Borges emerges as a counterpoint to the interviewees, some of which evoke scandal and most of which cut through stereotypes and presuppositions surrounding this key figure. The title of the film is a reference to a quote from the poem “Borges and I”, slightly modify to pay a tribute to the writer´s billings. The strategy employed by Montes-Bradley when it comes to Borges, a writer of whom almost everything has been said, consists on giving the word to the writer himself and to a select group of intellectuals who dwell on the margins of the Argentine cultural aparatik. Montes-Bradley, however, does not exhibit Borges like a painting to be admired but rather as counterpoint to the observations of others. We are neither the hapless witnesses of another saccharine celebration of Jorge Luis Borges, nor are we forced to endure another fashionable defrocking of an idol. The Borges that emerges from the interaction of the testimonies in this documentary surges from the heat of the debate, from the strong opinions, some certainly scandalous, most politically incorrect.