Connexion
Madu Tiga est un film de genre Comédie réalisé par P. Ramlee avec P. Ramlee
Madu Tiga (1964)
Si vous aimez ce film, faites-le savoir !
Ajouter à une liste de filmsMadu Tiga (Three Wives) is a 1964 black-and-white Malaysian romantic comedy film directed by and starring Malaysian artiste P. Ramlee.
In October 2014, The Straits Times ranked Madu Tiga as one of the top five Malay films made in Singapore, calling it a "classic".
Synopsis
Jamil (P. Ramlee) has been married for twelve years with Latifah (Zaharah Agus). They have no children because Latifah is barren, and Jamil feels that she is neglecting him. He decides to marry another woman, Hasnah (Jah Hj. Mahadi), without Latifah's knowledge. Latifah's father, Haji Latiff (Ahmad Nisfu), secretly blesses the second marriage.Acteurs
Commentaires
Postez un commentaire :
Suggestions de films similaires à Madu Tiga
Il y a 25 films ayant les mêmes acteurs, 16 films avec le même réalisateur, 40071 ayant les mêmes genres cinématographiques (dont 2783 ayant exactement les mêmes 2 genres que Madu Tiga), 6250 films qui ont les mêmes thèmes, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Madu Tiga, vous aimerez sûrement les films similaires suivants :
Tiga Abdul (1964)
Réalisé par P. Ramlee
Genres Comédie, Musical
Thèmes Musique
Acteurs P. Ramlee, Sarimah, S. Shamsuddin, Saloma
Note71%
Ismet Ulam Raja is a wealthy businessman with three sons, Abdul Wahab, Abdul Wahib and Abdul Wahub. Abdul Wahab and Abdul Wahib are selfish and money-minded, running their individual businesses to success. Abdul Wahub, on the other hand, enjoys a simple life and owns a small music shop. When Ismet Ulam Raja has a heart attack on his birthday, Abdul Wahab and Abdul Wahib start plotting out how much wealth they are set to gain when their father dies. Abdul Wahub is appalled at their behaviour and tries to get their father to go to the hospital, although Ismet Ulam Raja is strongly against hospitals. Their father dies at home, and the two elder brothers immediately distribute their late father's vast wealth among the two of them while Abdul Wahub only inherits their father's house. Although Abdul Wahub is upset at this injustice, he accepts it as he is the youngest brother, and returns to his simple music business.
Labu dan Labi (1962)
Réalisé par P. Ramlee
Genres Comédie, Musical, Romance
Thèmes Musique, Buddy movie
Acteurs P. Ramlee, Saloma, Datuk Aziz Sattar, Sarimah
Note82%
Labu (Mohd. Zain) and Labi (P. Ramlee) are servants in the household of Haji Bakhil, a miserly old man with a loyal wife and a beautiful daughter (Mariani). Both Labu and Labi are constantly scolded, insulted and forced to do the traditional school punishment ketok-ketampi by the grouchy Haji Bakhil. The two bear the ill-treatment and continue working there without complaint because they are both secretly in love with his daughter, Manisah.
Ali Baba bujang lapok (1961)
Réalisé par P. Ramlee
Origine Singapour
Genres Comédie, Musical
Thèmes Musique
Acteurs Datuk Aziz Sattar, P. Ramlee, S. Shamsuddin, Sarimah
Note78%
Ali Baba (Aziz Sattar) is a poor man who cannot succeed in life. He constantly sends his wife to his brother Kassim Baba's house to borrow flour so they can eat, but the stingy Kassim Baba (S. Shamsuddin) is frustrated at his brother and constantly reminds his wife, Aloyah, of Ali Baba's uselessness. When Aloyah comes to ask for flour for the umpteenth time, Kassim Baba loses his temper and lashes out at her sending her home in tears. She blames Ali Baba for putting her in the situation and blames him for not making an effort to seek a job. Ali Baba finally relents and goes out into the woods to gather firewood where he chances upon a group of 40 thieves marching through the woods carrying loot and treasures. He hides in a tree and watches their leader (P. Ramlee) stand in front of a cave and sings a verse of seemingly nonsensical words (niat ingsun matek aji semar ngising, actually a Javanese language poem) which causes an entrance to the cave to open. Ali Baba waits until the thieves have all left the cave before coming out of the tree and using the magic words to open the cave. Inside, he discovers a variety of riches and wealth, but only takes a box of gold coins.
Antara Dua Darjat (1960)
Réalisé par P. Ramlee
Origine Singapour
Genres Drame, Musical, Romance
Thèmes La musique, Musique
Acteurs P. Ramlee, S. Shamsuddin, Sarimah
Note74%
Ghazali, un musicien local, et ses amis viennent à la rescousse de la Princesse Zaleha lorsque sa voiture se retrouve bloquée dans la boue lors d'un déluge. Elle les invite à se produire à la Villa Anggerik pour sa fête d’anniversaire. Alors qu'elle devient proche de Ghazali et qu'une romance se forme, son père et son demi-frère s'y oppose et lui impose de rester dans la villa. Elle demande alors à son père de pouvoir prendre des leçons de piano avec Ghazali, il accepte sans savoir qu'il est celui qu'elle convoite. Jours après jours, ils deviennent très liés, mais ils vont être très vite séparés quand son père s'en rend compte. Ghazail est battu jusqu'à l'évanouissement. Zaleha est ramenée à Singapour et est forcée d'épouser le Prince Mukri.
Ibu mertuaku (1962)
, 2hRéalisé par P. Ramlee
Origine Singapour
Genres Drame, Musical
Thèmes Musique
Acteurs P. Ramlee, Sarimah
Note74%
Set in 1960s Singapore, Sabariah Mansoor is a young woman who is fascinated with the music of Kassim Selamat, a small-time musician with great talent playing the saxophone. After one of his radio performances, Sabariah calls in to the studio to talk to him personally and express her admiration. They arrange to meet and it is love at first sight.
Laksemana Do Re Mi (1972)
Réalisé par P. Ramlee
Genres Comédie, Fantasy, Aventure, Musical
Thèmes Musique
Acteurs P. Ramlee
Note77%
The poor trio of best friends Do, Re and Mi live in a simple treehouse in the forest, where they work together collecting, cutting and selling firewood at the local marketplace.
Ahmad Albab (1968)
Réalisé par P. Ramlee
Genres Comédie, Musical
Thèmes Musique
Acteurs P. Ramlee, Saloma
Note81%
Mashood (AR Tompel) is a rich man who believes that happiness cannot exist without wealth, and that he has the power to control both. Mashood has three daughters: Zahara (Mariani) and Suhara (Mimi Loma) share his life philosophies, but Mastura (Saloma) does not and frequently clashes with their father. Mashood decides to prove his beliefs by marrying off Zahara and Suhara to two young men (Muharram and Safar) from wealthy families while Mastura is married off to a poor goat-herder named Syawal (P. Ramlee).
Nasib Si Labu Labi (1963)
Réalisé par P. Ramlee
Genres Comédie, Musical
Thèmes Musique, Buddy movie
Acteurs P. Ramlee, S. Shamsuddin, Datuk Aziz Sattar, Saloma
Note76%
Set sometime after the events of the previous film, Haji Bakhil's wife has died. Haji Bakhil is alone and depressed, but eventually meets a beautiful young woman named Murni, who is a teacher at a school for orphans. Haji Bakhil spends some time pursuing her, and his attention is apparently not unwelcome.
Masam-Masam Manis (1965)
Réalisé par P. Ramlee
Genres Comédie, Musical, Romance
Thèmes Musique
Acteurs P. Ramlee
Note75%
The story takes place in Kuala Lumpur in 1965. This story is about a teacher, Sha'ari who is also a musician at night. When caught sleeping in class, Sha'ari promised not to perform at night clubs again on weekday nights. Later, a young woman named Norkiah rents the room next to his. Norkiah works at a night club with her friend, played by Mariani, as a dancer. Sha'ari and Norkiah frequently quarrel and annoy each other. One day, while on a bus, Sha'ari helps Norkiah to retrieve her stolen purse. They fall in love with each other. Norkiah lies to Sha'ari, telling him that she works as a teacher at a cooking school at night.By that time, Norkiah has already started singing at the club where she was working. One day, Norkiah's mother and brother came to visit her. Sha'ari ignores the old woman and her young son.While Norkiah, unknown to Sha'ari as his own irritating neighbour, is forced to take her mother and brother out shopping, thus, unable to meet Sha'ari as promised. Later, when Norkiah gets home, she tries to dry her clothes by hanging them on a pole which crosses over to Sha'ari's room. Sha'ari gets fed up and pushes the pole down. Norkiah gets even by drenching him with a pail of water. Sha'ari climbs up the wall to give her a piece of his mind only to find out that Norkiah is the woman that he has fallen in love with. They get married. Sha'ari proposes that Norkiah quits her job, but she could not due to her contract. One night, Sha'ari receives an invitation to perform at the club where he used to work. There, somebody suggested that he sings with a female night club singer called Norkiah Hanum. Curious, Sha'ari goes to the other club only to find out that his wife is a singer and not a teacher as she had claimed. Sha'ari gets upset and starts to build a wall separating their rooms like they used to. Norkiah tries to apologise, but he insults her by calling her a cabaret singer of low class. Norkiah's friends try to trick Sha'ari into believing that Norkiah is now divorcing Sha'ari and having an affair with her colleague, Rashid, played by Mahmud June. Sha'ari kicks Norkiah's door open only to find that Norkiah is alone with a tape recorder. He apologises and they get back together again. The story ends with Sha'ari promoted as a headmaster of his school and has five pairs of twins with Norkiah.
Pendekar Bujang Lapok (1959)
Réalisé par P. Ramlee
Origine Singapour
Genres Art martial, Comédie, Musical, Wuxiapian
Thèmes Sport, Arts martiaux, Musique
Acteurs S. Shamsuddin, Datuk Aziz Sattar, P. Ramlee
Note78%
Ramli, Ajis and Sudin are a trio of bujang lapok (worn-out bachelors) waiting at a jetty for a boat to arrive and lead them across the river. The boat company is owned by a rich man named Ahmad Nisfu, who employs thugs to run the business and keep the passengers "in line". The thugs only allow certain people to take the boats early, while others have to wait a long time. An old man called Pendekar (meaning "master" or "warrior") Mustar wants to cross the river, but he is ill-treated by the thugs. When he continues to insist to be allowed to cross the river, he is dragged away to be beaten up, but he defeats all the thugs thereby scaring the rest into letting him ride the boat he wants. After bearing witness to the damage done by the pendekar, the trio decide to follow him and become his students. They proceed to create chaos at the jetty so that the thugs may get distracted and they then use the boats to sail their way to Kampung Pinang Sebatang.