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L'amour a-t-il un maître ? est un film américain de genre Drame réalisé par Cecil B. DeMille avec Elliott Dexter

L'amour a-t-il un maître ? (1920)

Something to Think About

L'amour a-t-il un maître ?
Si vous aimez ce film, faites-le savoir !
Durée 1h18
Réalisé par
OrigineEtats-Unis
Genres Drame,    Mélodrame
Note80% 4.032984.032984.032984.032984.03298

L'amour a-t-il un maître ? (Something to Think About) est un drame américain muet de Cecil B. DeMille, sorti en 1920.

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Suggestions de films similaires à L'amour a-t-il un maître ?

Il y a 355 films ayant les mêmes acteurs, 83 films avec le même réalisateur, 47843 ayant les mêmes genres cinématographiques (dont 194 ayant exactement les mêmes 2 genres que L'amour a-t-il un maître ?), pour avoir au final 70 suggestions de films similaires.

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Pour le meilleur et pour le pire, 1h10
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As described in a film magazine, Dr. Edward Meade (Dexter) and his close friend Richard Burton (Forman) are rivals for the hand of Sylvia Norcross (Swanson), but both men have volunteered to fight in the war. Although Sylvia favors Dr. Meade, she is proud of both of them. As Edward is putting on his uniform, the head of the children's hospital where he works comes to him and convinces him that his true duty lies there, where his surgeon's skill is most needed. Edward resigns his commission, and Sylvia, disgusted as what she perceives as cowardice, marries Richard the day he is leaving with his regiment for Europe. Richard conceals his hurt and devotes himself to the hospital. Betty Hoyt (Hawley), a friend of Sylvia, also hides her disappointment as she had feelings for Richard. Sylvia uses her time to aid poor families on New York's Lower East Side, and coming home one night runs down a little girl (Giraci) with her car, who turns out to be an orphan as her father had died at the front in Europe. Sylvia takes the child to recuperate in her home, and learns the child may never walk again. Seeking out the best surgeon, Sylvia finds the only one who has not gone to fight is Dr. Meade. Edward consents and does his best for the child. Meanwhile, Richard at the front line calmly faces possible death. He is wounded in battle, and finds that he has lost his right hand and severely injured the left side of his face. He then asks a friend to tell his wife that he had been killed in battle. Back in New York, Sylvia has come to better understand Edward's character as he cares for the orphan. When news of Richard's death comes, she turns to Edward, the man she has always loved. Betty accuses her of loving Edward, and she cannot deny it. After waiting a suitable amount of time, Edward asks Sylvia to marry him, and she consents. On the day the engagement is to be announced, Richard returns home, having received a new prosthetic hand and some work to his face. The guests hail Richard as a hero while Edward, facing the situation, quietly leaves. Sylvia tries to take up her life with Richard again, and when they are alone, Richard is beaming with joy but she cannot hide her aversion to his wounds. Quick to understand, Richard bitterly reproaches her and leaves. Meeting Betty in the hall, he tells her what happened, and she happily says that she can take Sylvia's place. Richard accepts this as he embraces her. Sylvia goes to see Edward at his home and finds him in his chair with the orphan on his lap. She says that she tried to stay with Richard, but her love for Edward was too strong. Richard, who followed Sylvia, arrives, and there ensues a conversation that results in peace and contentment for the four parties instead of ruined lives.
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The film centers on the relationship between Lady Mary Loam (Swanson), a British aristocrat, and her butler, Crichton (Meighan). Crichton fancies a romance with Mary, but she disdains him because of his lower social class. When the two and some others are shipwrecked on a desert island, they are left to fend for themselves in a state of nature.
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