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Iti Mrinalini: An Unfinished Letter... est un film de genre Drame réalisé par Aparna Sen avec Konkona Sen Sharma

Iti Mrinalini: An Unfinished Letter... (2010)

Iti Mrinalini: An Unfinished Letter...
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Durée 2h8
Réalisé par
Genres Drame
Note67% 3.3903053.3903053.3903053.3903053.390305

Iti Mrinalini (Bengali: ইতি মৃণালিনী English: Yours Mrinalini; English: An Unfinished Letter) is a critically acclaimed 2011 Indian drama film directed by acclaimed Bengali filmmaker Aparna Sen. The director collaborates with debutant screenwriter Ranjan Ghosh to pen the story and the screenplay, a major first for her. The film has been produced by Shrikant Mohta and Mahendra Soni of Shree Venkatesh Films Pvt Ltd. It is also the first film by Sen to be nationally released in Hindi simultaneously with the Bengali version for her Bengal audience. Many critics consider it among her best work along with Mr. and Mrs. Iyer and 36 Chowringhee Lane.

Aparna Sen returns to make a Bengali film after more than a decade. Her last was Paromitar Ek Din, in 2000. Iti Mrinalini is supposedly the director's first mainstream venture in which she experiments with the popular genre. The much-touted film is on the life and times of a Bengali star-actress of mainstream cinema of yesteryear, who looks back at her life. Aparna Sen plays the older Mrinalini while her daughter Konkona Sen Sharma portrays the younger version.

Sen directs her daughter Konkona Sen Sharma and also acts with her in the same film, another first for the mother-daughter duo that plays the same character. Featuring Sen and her daughter in the lead role, the film also stars Rajat Kapoor, Priyanshu Chatterjee, Kaushik Sen, Locket Chatterjee and German actor Suzanne Bernert in supporting roles. The entire cast, except Konkona, work in an Aparna Sen film for the first time.

Synopsis

Mrinalini, an ageing actress, writes a suicide note. As a performer, the first lesson she had learnt was timing – the perfect moment for making an entrance or an exit on stage. On the stage of life, her entrance had been outside her control; but she wants to choose the moment of her exit at least.

Acteurs

Konkona Sen Sharma

(Young Mrinalini Mitra)
Aparna Sen

(Mrinalini Mitra)
Rajat Kapoor

(Siddhartha Sarkar)
Priyanshu Chatterjee

(Imtiaz Chowdhury)
Kaushik Sen

(Chintan Nair)
Bande annonce de Iti Mrinalini: An Unfinished Letter...

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Source : Wikidata

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Suggestions de films similaires à Iti Mrinalini: An Unfinished Letter...

Il y a 123 films ayant les mêmes acteurs, 10 films avec le même réalisateur, 60566 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.

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The movie is about a 40-year-old married woman, Paroma (Raakhee) whose identity lies in the words like 'bahu (the daughter-in-law)' 'kaki maa (paternal aunt)' 'bhabhi (brother's wife)'! Her well-settled, very normal and predictable life turns upside down when Rahul (Mukul Sharma), an expatriate photo-journalist working for a magazine chooses her to pose for an photo essay, 'An Indian Housewife'. It begins with a simple question, "What do you think, Paroma?".
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The film revolved around women of three generations and their lives and changing position in society. And this is shown in relation to a jewellery box. The lead character is the matriarch of a Bengali Hindu family (Moushumi Chatterjee) of landed gentry in East Bengal. She was married off in an arranged marriage at age 11, and widowed shortly thereafter. The story of the film revolves around her wedding jewels, which she keeps sequestered in a box. After becoming a victim of ethnic cleansing during the partition of India, her family moves to the Republic of India from East Pakistan, losing their ancestral lands in the process. She spends the remainder of her life, apparently as a chaste widow, hiding her wedding jewels from her greedy relatives in the joint family. In 1949, she befriends the new bride of the family, her niece-in-law (Konkona Sen Sharma) shortly before dying.
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Meenakshi Iyer (Konkona Sen Sharma), jeune mère de famille tamoule, part rejoindre son mari à Calcutta en compagnie de son fils âgé d'un an, à l'issue d'un séjour chez ses parents. Ceux-ci, inquiets à la perspective de ce long voyage en car et en train, demandent à Raja, un photographe animalier que leur a brièvement présenté un ami, de veiller sur elle. Bien qu'à contre cœur, Meenakshi demande à Raja de l'aider à s'occuper de son bébé et c'est ainsi qu'ils passent pour mari et femme aux yeux des autres passagers : un couple de musulmans âgés, des joueurs de cartes, des sikhs, deux jeunes gens très amoureux, une mère et son fils handicapé... et une bande de joyeux adolescents.
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This film is exploring the dual themes of friendship and loneliness. Sanaka (Aparna Sen) and Paromita (Rituparna Sengupta) are mother and daughter-in-law who, despite differences in age, backgrounds and temperaments, build a strong bond together. But when Paromita's marriage to Sanaka's son breaks down, social mores prevent the women from remaining close friends.
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30-something Mitali aka Meethi (Konkona Sen Sharma) suffers from Schizophrenia and is taken care of by her much older, divorced sister Anjali aka Anu (Shabana Azmi) and an ageing mother (Waheeda Rehman). Although she was never married in real life, Meethi has created her own alternate reality in her mind in which she got married to her ex-fiancé Joydeep (Rahul Bose) and has five children. While Anu has dedicated her life to taking care of Meethi and her mother, even putting her own relationship with a fellow professor (Kanwaljeet Singh) on hold, in Meethi's imaginary world both the older women are holding her in the house and away from her kids against her will. She imagines her family to be living at the non-existent 15 Park Avenue in Kolkata.
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Snehmoy Chatterjee (Rahul Bose) and Miyage (Chigusa Takaku) are pen friends who exchange wedding vows through letters. Seventeen years pass but they never meet. Yet the bond of marriage is strong between them. This unusual relationship comes under a cloud when a young widow, Sandhya (Raima Sen), comes to stay with Snehmoy along with her eight-year-old son Poltu. Snehmoy and the little boy bond and the arithmetic teacher discovers the joy of palpable bonds and fatherhood. There develops an inexplicable thread of understanding with Sandhya too.
Sati
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The young Brahmin girl (Shabana Azmi) in this story has a disastrous horoscope. In an Indian village in 1828, this can be a real handicap. The fact that she is mute only compounds her difficulties. Her horoscope predicts that she will become a widow at an early age. If this turns out as predicted, in addition to being bad luck for her prospective husbands, it is bad luck for her, as she will, according to the customs of the time, have to commit suttee, sati. That means she will have to be burned alive on her husband's funeral pyre. To avoid this fate, her family has hit upon the appealing strategem of having her marry a banyan tree.
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Deepak (Anjan Dutt) and Anasuya (Rupa Ganguly) are an estranged couple, now leading separate lives in Cuttack and Bombay. They meet again after 18 months of separation, at a small fishing village where they had once honeymooned. Though driven apart by their careers, Deepak and Anasuya realize that their feelings for each other have not changed, and slowly they struggle for reconciliation.