In Search of Guru Dutt is a 1989 three-part documentary on the life and work of Indian actor, writer, director and producer of Hindi films Guru Dutt to mark his 25th death anniversary.
This documentary is a three-part tribute to director Guru Dutt, who died in 1964 at the age of 39. The work traces Guru Dutt's personal story through many interviews with his family members and colleagues and observes his work through the use of extensive film excerpts. The documentary was produced by the British television network Channel 4 producer Nasreen Munni Kabir.
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, 1h26 OrigineEtats-Unis GenresDocumentaire ThèmesLa télévision, Documentaire sur le monde des affaires, Documentaire sur le cinéma, Documentaire sur une personnalité ActeursJaved Akhtar, Shyam Benegal, Nouri Bouzid, Fruit Chan (陳果), Stanley Kwan, Sudhir Mishra Note74% The film follows real-time stories of actors, directors and cinema viewers in four different countries. In Tunisia, a documentary film director struggles to have his frank film about human sexuality be seen in their conservative culture. In India, a young actress struggles with the challenges of making a name for herself while dealing with racist barriers. And in Scotland, actress Tilda Swinton and filmmaker Mark Cousins, create a film festival that travels to audiences rather than having the audiences come to the festival. These stories jump back and forth as the narratives develop, interspersed with scenes from video stores, projection booths and homes of all kinds. Toward the end of film there are brief commentaries by Indian film director Sudhir Mishra and Chinese director Fruit Chan.
At his dying father's bedside Rachid B. recalls his strongest memories from his childhood in Morocco to recollections of his homosexuality and rejection of Christianity, right up to his recent conversion to Islam.
Pierre Schoendoerffer, la sentinelle de la mémoire retrace le parcours de Pierre Schoendoerffer depuis sa participation à la guerre d’Indochine en tant que cinéaste de l’armée française (présent notamment lors de la bataille de Diên Biên Phù et l'impact que cette expérience personnelle de la guerre a eu sur l'ensemble de son œuvre de cinéaste et d’écrivain. L’accent est tout particulièrement mis sur l’unité qui existe au cœur de l’œuvre schoendoerfférienne entre un film de fiction comme La 317e Section sur la guerre d’Indochine menée par les Français, et un film documentaire comme La Section Anderson sur la guerre du Viêt Nam menée par les Américains. L’intérêt humaniste que Pierre Schoendoerffer porte à la condition humaine telle qu’elle peut apparaître dans des situations aussi extrêmes que les conflits armés est mis en avant.