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House on Greenapple Road est un film de genre Drame réalisé par Robert Day avec Christopher George

House on Greenapple Road (1970)

House on Greenapple Road
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Durée 2h
Réalisé par
Genres Drame,    Policier
Note68% 3.432973.432973.432973.432973.43297

House on Greenapple Road est un téléfilm américain réalisé par Robert Day et diffusé en 1970.

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Streaming / VOD

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Suggestions de films similaires à House on Greenapple Road

Il y a 256 films ayant les mêmes acteurs, 29 films avec le même réalisateur, 57941 ayant les mêmes genres cinématographiques (dont 6920 ayant exactement les mêmes 2 genres que House on Greenapple Road), pour avoir au final 70 suggestions de films similaires.

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Trapeze artist Harry is wrongly convicted of murder after his partner falls to her death. He escapes from jail and hides out in a country pub, on a mission to uncover the identity of the real killer.
Corridors of Blood, 1h26
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An 1840s British surgeon, Dr. Thomas Bolton (Boris Karloff) experiments with anesthetic gases in an effort to make surgery pain-free. While doing so, his demonstration before a panel of his peers ends in a horrific mishap with his patient awakening under the knife; he is forced to leave his position in disgrace. To complicate matters, he becomes addicted to the gases and gets involved with a gang of criminals, led by Black Ben and his henchman Resurrection Joe (Christopher Lee). Unfortunately, this shady partnership leads Bolton to further ruin, culminating in his unwitting participation in murder — for which he becomes the first victim of a blackmail scheme.
The Quick and the Dead, 1h30
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Duncan McKaskel (Tom Conti) and his wife, Susanna (Kate Capshaw), a married couple who, along with their 12 year old son, Tom (Kenny Morrison), are travelling West hoping to start a new life. They have left a cholera-stricken wagon train and, alone, arrive in a small delapidated town. Here, they meet no-good Doc Shabbitt and ask for directions. He suggests they stay in a deserted local building, but McKaskel senses danger and they leave. Shabbit decides to steal two of their horses.
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Dirigeant le programme anglais de conquête spatiale, le militaire Charles Prescott envoie son frère, le lieutenant Dan Prescott, dans l'espace à bord du premier avion supersonique jamais construit. Mais Dan souhaite beaucoup plus que de devenir le premier homme dans l'espace. Indiscipliné et cabochard, lorsqu'il traverse l'ionosphère, il repousse les limites en refusant de faire demi-tour comme l'a demandé son frère, s'éloignant un peu plus de la Terre. Le pilote pousse son avion expérimental aux limites jusqu'à atteindre une hauteur de 600.000 pieds. Il utilise même les propulseurs d'urgence pour aller encore plus loin. Mais, ayant perdu le contact radio avec sa hiérarchie, et seul dans l'immensité du cosmos, son avion est traversé par des rayons cosmiques mortels avant de s'écraser sur Terre. Dan est porté disparu, présumé mort.
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A successful mentalist, Arthur Sinclair (Hal Holbrook), preys upon wealthy socialites such as Helen Carrington (Eve McVeagh) for their money. The film opens as Sinclair is talking on the phone with his much younger wife Allison (Katharine Ross). She wishes him luck as he departs to give an interview. But she is in fact in bed with another man Gil (Barry Bostwick). Gil is a trying actor in love with Allison and we soon learn that she is planning to have Gil kill Arthur by scaring him to death (as he has a heart problem). Their plan is to have Gil storm the house pretending to be a burglar and then point a gun at Arthur who would die from the shock. The night comes and Gil storms the house but Arthur sees him before he can reach the gun. Gil presents himself as a journalist there to make an interview with Arthur. He and Gil have a hearty conversation and it turns out that both men have something on each other. Gil knows that Arthur is a fake and that he somehow knew the information about a killer in a different town and Arthur knows that Gil is not a journalist. Gil is not panicked by that and he uses Arthur's competitive behavior to make him do 50 push-ups which tires Arthur's heart. Soon Gil draws the gun, the two men struggle, and Arthur apparently shoots Gil. When Allison comes home, he is distraught by the incident; then Gil (who loaded a blank bullet into the gun) comes behind him, and Arthur stumbles across the house and screams in pain ... then laughs and applauds as the two lovers look on. He knew about Gil and Allison for a long time and now he is out to get them, but suddenly Arthur's lawyer and best friend George (Richard Anderson) comes in the house and it turns out that he is Allison's real lover and Gil was just there to do the dirty work. George shoots Arthur, then he and Allison depart. Some time afterwords Allison returns to the house and finds Arthur's body gone. It turns out that Arthur knew about George too. Arthur points the gun at Allison and she asks him what is he going to do to which he replies: "Why don't you read my mind".
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Love, Mary
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In Victorian London, Edward Styles is accused of being the notorious Haymarket Strangler, the brutal killer of five women. Twenty years after he is tried and executed for these crimes James Rankin (Karloff), a novelist and social reformer, launches an investigation to prove that Styles is innocent. His search for clues leads him first to the sleazy Judas Hole music hall, where the Strangler picked his victims from the resident can-can dancers and loose women, and then to the prison cemetery of Newgate where Styles was buried - in order to exhume his body. When the killings start again, Rankin's theory seems to be vindicated. However his growing obsession with the case signals a most unwelcome revelation as to the true identity of the murderer.