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Griha Pravesh est un film de genre Drame réalisé par Basu Bhattacharya avec Sanjeev Kumar

Griha Pravesh (1979)

Griha Pravesh
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Réalisé par
Genres Drame,    Romance
Note75% 3.796623.796623.796623.796623.79662

Griha Pravesh is a 1979 Bollywood drama film directed by Basu Bhattacharya. The film stars Sanjeev Kumar, Sharmila Tagore and Sarika. The film was the last of Basu Battacharya's introspective trilogy on marital discord in an urban setting, which included Anubhav (1971), Avishkaar (1973).

Acteurs

Sanjeev Kumar

(Amar)
Sharmila Tagore

(Mansi)
Sarika

(Sapna)
Danny Denzongpa

(Danny)
Kanu Roy
Gulzar

(Guest Appearance in song)
Bande annonce de Griha Pravesh

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Suggestions de films similaires à Griha Pravesh

Il y a 337 films ayant les mêmes acteurs, 5 films avec le même réalisateur, 66768 ayant les mêmes genres cinématographiques (dont 13104 ayant exactement les mêmes 2 genres que Griha Pravesh), pour avoir au final 70 suggestions de films similaires.

Si vous avez aimé Griha Pravesh, vous aimerez sûrement les films similaires suivants :
Avishkaar
Avishkaar (1974)
, 1h48
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Amar and Mansi are in love, and decide to get married. They do so, and still continue to be in love. They get to their first wedding anniversary, and decide to hire a taxi-cab for a day, just to drive around and have fun. Thereafter, to their joy they are blessed with a child. But then their bliss is cut short, when Amar starts work with his advertising agency, which grooms beautiful young women, to further their careers as models, and both cannot stand each other anymore.
Anubhav
Anubhav (1971)
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Meeta Sen (Tanuja) and Amar Sen (Sanjeev Kumar) have been married for several years. Due to Amar's hectic work schedule, the couple did not have children, as there was no time for intimacy. Meeta decides to take matters into her own hands, gets rid of the servants, save for Hari (A. K. Hangal), and decides to run the household on her own. This gets the couple to be closer, and eventually they do get intimate. And then Meeta's old flame Shashi Bhushan (Dinesh Thakur) not only re-enters Meeta's life, but also gets employed in the same organization as Amar, throwing their marriage again in jeopardy. One day while at home Amar and Shashi discuss their work and Amar tells that he'll join the office from tomorrow because he's fine now from his flu. While Shashi leaves, Amar sees him talking with his wife. The next day he asks Meeta to call for Shashi in an intimidating and arrogant tone, after Shashi leaves, Amar confronts Meeta and she explains their past relationship to him. Amar leaves the house without saying anything and asks Shashi to resign, though Shashi already has written his resignation letter because he sees himself as a reason of upheaval in their lives. Knowing this Amar says that' The past comes between us only when we aren't able to live the present completely'. After reaching home Amar tries to tell Meeta but she's circumlocuting in an amusing manner and says that she has understood and tells him that she has understood that he has understood. The movie ends with them embracing each other.
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Hiraman (Raj Kapoor) is a rustic villager, a bullock cart driver, from a remote village in Bihar. Hiraman takes two vows based on difficult situations in his life. He then meets and befriends Hirabai, a nautanki dancer. In the end, Hiramen takes a third vow.
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Mansi (Rekha) and Amar (Om Puri) have been married for years, and have a daughter by this marriage. Amar is employed full-time, while Mansi looks after the household chores and their daughter. Amar earns a steady income, which enables the family to live comfortably, but they cannot afford to be extravagant at all. One day while buying shoes for her daughter, Mansi realizes that shoes are really expensive, and wants to leave the store without purchasing them. Another woman customer named Reena (Daisy Irani) offers to pay for the shoes, as she feels sorry for Mansi. Mansi reluctantly accepts Reena's offer to pay for the shoes, not realizing that Reena has paid for these shoes with a secret agenda that will open a new door in Mansi's life dragging her to prostitution to satisfy materialistic needs.
Satyakam
Satyakam (1969)

Réalisé par Hrishikesh Mukherjee
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The story begins in 1946, just a year before India’s independence. People's minds are filled with a genuine anticipation of positive change. For some like Satyapriya Acharya (Dharmendra)India’s forthcoming independence spells a paradigm shift towards a sympathetic-rationalism that would take India’s populace from rags to riches. Satyapriya's conviction is guided by his ascetic grandfather 'Daddaji' Satyasharan Acharya (Ashok Kumar)'s world views, whose pursuit of truth has led to him living in isolation in a Gurukula studying religious philosophy and observing a variety of rigid rituals.
Mausam
Mausam (1975)
, 2h36
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Origine Inde
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Thèmes Sexualité, Erotique, Prostitution
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Mausam is a dramatic love story of Dr. Amarnath Gill, who falls for Chanda, the daughter of a local healer, Harihar Thapa, when visiting Darjeeling for his medical exams. Amarnath is called back and promises Chanda to return, though he never keeps his promise. Twenty-five years later, he returns as a wealthy man and searches for Chanda and her father. He learns that Harihar has died and that Chanda was married to a crippled old man. She gave birth to a daughter, became insane and died. Finding Chanda's daughter, Kajli, he sees that she closely resembles her mother and later discovers that after having been molested by her mother's brother-in-law, she ended up at a brothel. Amarnath had no choice but to buy her from the brothel and he takes Kajli home and tries to change her into well refined woman to make up for what he did to Chanda. Unaware that Amarnath is indirectly responsible for her mother's death, Kajli begins to fall in love for him.
Abdullah
Abdullah (1980)

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In an unspecified Arab country, Khaleel (Danny Denzongpa) is a dangerous outlaw bringing terror to the land. Sheikh Mohammed Al-Kamal (Sanjay Khan) is a man of honour, who helps to protect people from harm and is asked by the government to help search for Khaleel. The quest to bring Khaleel to justice becomes a personal one for the Sheikh when his wife Zainab (Zeenat Aman) is injured during a bungled kidnap attempt by Khaleel.
Faraar
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The film is based around a middle-class man, Rajesh (Bachchan) living with his sister. He is in love with a young woman, and he intends to marry her once he has found a potential husband to take care of his sister. However, one day the sister is raped and murdered and the police are unable to find any clues and it is left to Rajesh to find the murderers and avenge her death. He traces the murderer and kills him, and is therefore now on the run from the police himself. Rajesh abducts a child as a hostage and seeks refuge in a house only to later learn that the child is the son of his former lover, who is now married to a Police Inspector. Rajesh is torn in two - whether to release the child, or to use him to make an escape.