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Baishe Srabon est un film de genre Thriller réalisé par Srijit Mukherji avec Prosenjit Chatterjee

Baishe Srabon (2011)

Baishe Srabon
Si vous aimez ce film, faites-le savoir !
Durée 2h20
Réalisé par
Genres Thriller,    Musical
Themes Musique
Note80% 4.0455454.0455454.0455454.0455454.045545

Baishe Srabon (English: 22 Srabon) is a 2011 Bengali psychological thriller directed by Srijit Mukherji. The cast consists of Prosenjit Chatterjee, Parambrata Chatterjee, Raima Sen, Abir Chatterjee and director Gautam Ghosh, making a comeback after a 29-year absence. The film centers on two journalists and two police officers (one suspended) chasing a vengeful Kolkata psychopath, who leaves behind couplets from Bengali poems. Baishe Srabon received positive reviews from critics, and was one of the highest-grossing Bengali films of 2011. The film received an A certificate from the Central Board of Film Certification for adult language.

Synopsis

Several murders have taken place throughout Kolkata, for which a serial killer is believed responsible. The murderer strikes in accordance with verses of Bengali poetry, which he leaves next to the victims. The police are baffled; chief detective Abhijit Pakrashi (Parambrata Chatterjee) struggles to solve the case, which takes a toll on his relationship with girlfriend Amrita Mukherjee (Raima Sen). Pakrashi's superior brings back an ex-cop, Prabir (Prosenjit Chatterjee), to help solve the case. Prabir, earlier suspended for his violent methods, is notoriously ill-tempered and foul-mouthed. Prabir and Pakrashi work together, while Amrita (a television journalist) and colleague Surya Sinha (Abir Chatterjee) research serial killers for a series whose thirteenth—and final—episode will be about a contemporary murderer. Meanwhile, eccentric poet Nibaron Chakraborty (Gautam Ghosh)—who considers himself part of the Hungry Generation—wanders Kolkata at night reciting poems.

Acteurs

Prosenjit Chatterjee

(Probir Roy Chowdhury)
Parambrata Chatterjee

(Abhijit Pakrashi)
Raima Sen

(Amrita Mukherji)
Abir Chatterjee

(Shurjo Sinha)
Goutam Ghose

(Nibaron Chakraborty)
Bande annonce de Baishe Srabon

Bluray, DVD

Streaming / VOD

Source : Wikidata

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হেমলক সোসাইটি
Réalisé par Srijit Mukherji
Genres Drame, Musical
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Acteurs Parambrata Chatterjee, Koel Mallick, Soumitra Chatterjee, Deepankar De, Roopa Ganguly, Jeet
Note74% 3.74633.74633.74633.74633.7463
The movie is a strong insight into psychological dilemma about the primal existence of life. It reiterates the fact that you can 'shock someone by letting her know that death is impending and inescapable.’ It is a dark comedy which successfully evokes an awareness of life. The comic element is used dexterously to bring out the fear of death. The protagonist Meghna (Koel Mallick), misses her mother, hums the songs of her favorite Sidhartha Roy numbers, blames the new lady in her father’s life, shaken by the dejection by her fiancé. Yet, as an escape route from the world of pain and suffering she goes to her father doctor to get prescribed sleeping pills. Ananda Kar (Parambrata) as the name suggests ‘make merry’ refrains her from ending her life. He comes with an unusual proposal of imparting her technical know how about committing suicide. He adds 'the training will save you from embarrassment if suicide becomes a vain attempt'. Ananda Kar is the founder of the Hemlock Society, that teaches aspirants how to successfully commit suicide. The names of the professors are also significant of the tricks they will teach to execute the end. The society is a film studio. Meghna assembles with all other suicide aspirants being addressed by the over-enthusiastic professors, trainlet, jhulan, dhamani, raktim, shikha, all specialists in different suicide methods. Meghna goes with him, leaving a goodbye message for her parents at her apartment door. Dr. Basu comes in search of his daughter, finds the note and shatters in grievance. Dr. Basu and Niharika start their search for Meghna and almost leave no stone unturned. Meanwhile at Hemlock Society, Meghna encounters with miscellaneous experiences related to humans lives and death. The three day workshop at the society makes her understand the importance of life and what difference her loss would mean to her near and dear ones. The metamorphosis of Meghna occurs when she realizes the miseries of other inmates and considers herself lucky. On the final day, Meghna confesses to Ananda that she wants to live and a vital reason which worked behind her changing of mind is that she had fallen in love with Ananda. Ananda informs her that he is suffering from 'Lymphocytopenia' a medical condition for which he would survive only for two more years. Meghna leaves Hemlock Society, sobbing and returns to her father. The very thought that someone near the cradle of death can ‘drink life to the lees’ in spite of complain and regret, surprises her. She learns from Ananda, that Hemlock society is an institute that refrains people from ending their life by making them aware of the importance of life. Six months later, Meghna reconciles with Ananda while he is on a nursing home bed, after having a blood-transfusion. The film ends with a witty note where Meghna’s fiancé (Saheb Chatterjee), now a dejected soul and undoubtedly suicide aspirant, being taken to 'Hemlock Society'.
জাতিস্মর, 2h30
Réalisé par Srijit Mukherji
Genres Musical
Acteurs Prosenjit Chatterjee, Jisshu Sengupta, Swastika Mukherjee, Abir Chatterjee, Arunoday Banerjee - Rahul, Riya Sen
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The film starts with a woman writing a letter, which reads 'Amar mrittur jonne keu dayi noy' which means that 'no one is responsible for my death'; but she strikes out 'keu dayi noy', hinting that there is someone, or some people responsible. A man is seen coming out of a taxi, coming up the stairs, and then opening a study room where the woman is seen hanging from the ceiling. A young boy, who was probably sleeping on a bed nearby, rushes to greet the man, but discovers the woman's hanging corpse. Here the camera rolls back to sometime past. A beautiful woman named 'Nilanjana' is seen talking with some people, and then visits another man in a corner named 'Ritwik', and together, they go to meet someone. The audience is brought to the present again, where a producer and a director is seen having a deal that the latter would convince three famous film-artists to feature in the film. The director leaves, and starts doing what he said. There are various minor details as in introducing the three present characters. The director 'Joy', who seems close to one of those artists, Trina, meets her on a rooftop, and tries to convince her to take up this work against her wishes to work with another man who would feature in this collaboration. There is a slight hint that there is an old clash between them, possibly of love. Meanwhile, another such famous film-artist 'Sakhyo' tries to convince that very man named 'Diptyo' with whom Trina has a problem with to join this collaboration. The idea is that these people are to make a film, individually; thus, four directors get together and plan to make a film, consisting of four short stories one one theme-DEATH. They have an appointment with the producer on the outskirts of the city. Now, again, in a black-and-white screen, Nilanjana and Ritwik are meeting a producer, and they have just one request before finalizing the contract-their mutual friend 'Amitava' who is a struggling, but talented director. In the shooting set, it is clearly implied that 'Amitava' is in love with Nilanjana, and is filled by rage, and becomes jealous when he discovers Ritwik and she kissing in a room during the shooting. Coming back to the present, while the four are together, all three except Joy comes up with a story which is unique in its own way, but connected to the other stories by a common theme. Their stories are autonomous. In between the stories, some scenes reveal that there is something in between Trina and Diptyo. However, in the middle of the night, as they were going towards their destination, the car breaks down, and they spend the night in a nearby bungalow that is said to be belonging to the same producer; his cell phone is switched off. It is here that each of them revisits their past by the courtesy of Joy. In the beautifully crafted climax, Joy starts narrating his own story before meeting the producer. He says that his film named 'Nemesis' features three people-an actress, an actor and a director, of the '70s. The actress Nilanjana, is the leading superstar of that era. The actor Ritwik is a very good painter, and the director 'Amitava' is a struggling one, though talented. Diptyo interrupts and says that he shall send him his mail-id, here Joy can send his pay-cheque, implying that his characters are the very same people in that room. Joy, not quite interrupted, continues; he tells that 'these three were connected by a well known figure of geometry-Triangle'. Nilanjana fell in love with Ritwik after observing his acting skills; the couple were very compatible in the beginning, both had common likes and fancies. They started dating. 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The film starts with Kakababu (Prosenjit Chatterjee) and his nephew Shontu (Aryann Bhowmik) smiling after watching news informing of the imminent overthrow of the dictatorship in Egypt.The film rewinds into a flashback. It is 2010. Kakababu is contracted by Egyptian businessman Al Mamun (Rajit Kapur) to decipher the meanings of hieroglyphic symbols that his teacher, Mufti Muhammad (Barun Chanda), had drawn on a piece of paper supposedly during his sleep. Muhammad is terminally ill and is about to grant his last wish while he is being treated in Delhi. Mamun thinks that the symbols are the key for locating Mufti Muhammad's will which will describe where to find treasures Mufti Muhammad had acquired during his tenure as a political leader and revolutionary. However, Kakababu is convinced that the symbols have a different meaning and they are very unusual in their nature. Mufti Muhammad symbolically requests Kakababu to verify something, a very unusual last wish. Meanwhile, a war of rivalry ensues between Mamun and Hani Al Qadi (Indraneil Sengupta), another of Mufti Muhammad's disciples (Also a rival of Mamun) who accuses Mamun of stealing a secret that isn't rightfully his. While in Delhi, there was an attempt to murder Kakababu, in which Kakababu was injured. Kakababu took the challenge to uncover the truth for which he and his nephew Shontu head to Egypt where they are drawn into the very vortex of the mystery. Kakababu gets kidnapped by Al Qadi's men which sets off a chain of events, culminating in a climax underneath a pyramid. Inside the pyramid, Kakababu discovers the lost mummy of an Egyptian queen with the help of the hieroglyphics code written by Mufti Muhammad. The present day political turmoil in Egypt also subtly reverberates in the film. At the end, Kakababu gives Hani Al Qadi the coded message written inside the coffin of the mummy and wishes him good luck for his upcoming revolution to free Egypt from the corrupt dictator Jashni Mubarak (fictionalized Hosni Mubarak).
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