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Autograph est un film de genre Drame réalisé par Srijit Mukherji avec Prosenjit Chatterjee

Autograph (2010)

Autograph
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Durée 2h
Réalisé par
Genres Drame
Note73% 3.6966753.6966753.6966753.6966753.696675

Autograph is a 2010 Bengali drama film by debutant director Srijit Mukherji.

The movie is a humble tribute to Satyajit Ray's 1966 film Nayak and yesteryear Bengali superstar Uttam Kumar, who portrayed the title role in the film .

Synopsis

The film starts with a proposal of remaking Satyajit Ray's famous Nayak by a debutant director and storywriter Shuvobrata (Indraneil Sengupta) to famous Bengali actor Arun Chatterjee (Prosenjit). Arun approves Shuvobrata's proposal and agrees to finance the project. Shuvobrata requests his live-in girlfriend Srinandita or Shrin (Nandana Sen) to act opposite Arun. In the meantime, Arun and Shrin become close friends and Arun tells her about various incident from his past in an emotionally triggered condition. The exchange is videotaped accidentally and Shuvobrata on discovering it leaks it to the press, without Srinandita's consent, as a publicity stunt for the film. Srinandita leaves Shuvobrata on learning of this indiscretion. Arun, furious about the leak, bars the film from being released. Arun later learns that Shrin had no role in the leak and apologizes to her. The movie ends with Shrin leaving a note and a phone number for Arun at a roadside dhaba where they had met earlier.

Acteurs

Bande annonce de Autograph

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Suggestions de films similaires à Autograph

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The film starts with Kakababu (Prosenjit Chatterjee) and his nephew Shontu (Aryann Bhowmik) smiling after watching news informing of the imminent overthrow of the dictatorship in Egypt.The film rewinds into a flashback. It is 2010. Kakababu is contracted by Egyptian businessman Al Mamun (Rajit Kapur) to decipher the meanings of hieroglyphic symbols that his teacher, Mufti Muhammad (Barun Chanda), had drawn on a piece of paper supposedly during his sleep. Muhammad is terminally ill and is about to grant his last wish while he is being treated in Delhi. Mamun thinks that the symbols are the key for locating Mufti Muhammad's will which will describe where to find treasures Mufti Muhammad had acquired during his tenure as a political leader and revolutionary. However, Kakababu is convinced that the symbols have a different meaning and they are very unusual in their nature. Mufti Muhammad symbolically requests Kakababu to verify something, a very unusual last wish. Meanwhile, a war of rivalry ensues between Mamun and Hani Al Qadi (Indraneil Sengupta), another of Mufti Muhammad's disciples (Also a rival of Mamun) who accuses Mamun of stealing a secret that isn't rightfully his. While in Delhi, there was an attempt to murder Kakababu, in which Kakababu was injured. Kakababu took the challenge to uncover the truth for which he and his nephew Shontu head to Egypt where they are drawn into the very vortex of the mystery. Kakababu gets kidnapped by Al Qadi's men which sets off a chain of events, culminating in a climax underneath a pyramid. Inside the pyramid, Kakababu discovers the lost mummy of an Egyptian queen with the help of the hieroglyphics code written by Mufti Muhammad. The present day political turmoil in Egypt also subtly reverberates in the film. At the end, Kakababu gives Hani Al Qadi the coded message written inside the coffin of the mummy and wishes him good luck for his upcoming revolution to free Egypt from the corrupt dictator Jashni Mubarak (fictionalized Hosni Mubarak).
Rajkahini
Rajkahini (2015)
, 2h40
Réalisé par Srijit Mukherji
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In August 1947, the British passed a bill regarding the partition of Bengal. Delving into the grim history of the Partition, Mukherjee's movie Rajkahini is weaved around a border between the two nations that runs through a brothel housing 11 women.
হেমলক সোসাইটি
Réalisé par Srijit Mukherji
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The movie is a strong insight into psychological dilemma about the primal existence of life. It reiterates the fact that you can 'shock someone by letting her know that death is impending and inescapable.’ It is a dark comedy which successfully evokes an awareness of life. The comic element is used dexterously to bring out the fear of death. The protagonist Meghna (Koel Mallick), misses her mother, hums the songs of her favorite Sidhartha Roy numbers, blames the new lady in her father’s life, shaken by the dejection by her fiancé. Yet, as an escape route from the world of pain and suffering she goes to her father doctor to get prescribed sleeping pills. Ananda Kar (Parambrata) as the name suggests ‘make merry’ refrains her from ending her life. He comes with an unusual proposal of imparting her technical know how about committing suicide. He adds 'the training will save you from embarrassment if suicide becomes a vain attempt'. Ananda Kar is the founder of the Hemlock Society, that teaches aspirants how to successfully commit suicide. The names of the professors are also significant of the tricks they will teach to execute the end. The society is a film studio. Meghna assembles with all other suicide aspirants being addressed by the over-enthusiastic professors, trainlet, jhulan, dhamani, raktim, shikha, all specialists in different suicide methods. Meghna goes with him, leaving a goodbye message for her parents at her apartment door. Dr. Basu comes in search of his daughter, finds the note and shatters in grievance. Dr. Basu and Niharika start their search for Meghna and almost leave no stone unturned. Meanwhile at Hemlock Society, Meghna encounters with miscellaneous experiences related to humans lives and death. The three day workshop at the society makes her understand the importance of life and what difference her loss would mean to her near and dear ones. The metamorphosis of Meghna occurs when she realizes the miseries of other inmates and considers herself lucky. On the final day, Meghna confesses to Ananda that she wants to live and a vital reason which worked behind her changing of mind is that she had fallen in love with Ananda. Ananda informs her that he is suffering from 'Lymphocytopenia' a medical condition for which he would survive only for two more years. Meghna leaves Hemlock Society, sobbing and returns to her father. The very thought that someone near the cradle of death can ‘drink life to the lees’ in spite of complain and regret, surprises her. She learns from Ananda, that Hemlock society is an institute that refrains people from ending their life by making them aware of the importance of life. Six months later, Meghna reconciles with Ananda while he is on a nursing home bed, after having a blood-transfusion. The film ends with a witty note where Meghna’s fiancé (Saheb Chatterjee), now a dejected soul and undoubtedly suicide aspirant, being taken to 'Hemlock Society'.
Chotushkone, 2h28
Réalisé par Srijit Mukherji
Genres Drame, Thriller
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Note81% 4.0932954.0932954.0932954.0932954.093295
The film starts with a woman writing a letter, which reads 'Amar mrittur jonne keu dayi noy' which means that 'no one is responsible for my death'; but she strikes out 'keu dayi noy', hinting that there is someone, or some people responsible. A man is seen coming out of a taxi, coming up the stairs, and then opening a study room where the woman is seen hanging from the ceiling. A young boy, who was probably sleeping on a bed nearby, rushes to greet the man, but discovers the woman's hanging corpse. Here the camera rolls back to sometime past. A beautiful woman named 'Nilanjana' is seen talking with some people, and then visits another man in a corner named 'Ritwik', and together, they go to meet someone. The audience is brought to the present again, where a producer and a director is seen having a deal that the latter would convince three famous film-artists to feature in the film. The director leaves, and starts doing what he said. 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Now, again, in a black-and-white screen, Nilanjana and Ritwik are meeting a producer, and they have just one request before finalizing the contract-their mutual friend 'Amitava' who is a struggling, but talented director. In the shooting set, it is clearly implied that 'Amitava' is in love with Nilanjana, and is filled by rage, and becomes jealous when he discovers Ritwik and she kissing in a room during the shooting. Coming back to the present, while the four are together, all three except Joy comes up with a story which is unique in its own way, but connected to the other stories by a common theme. Their stories are autonomous. In between the stories, some scenes reveal that there is something in between Trina and Diptyo. However, in the middle of the night, as they were going towards their destination, the car breaks down, and they spend the night in a nearby bungalow that is said to be belonging to the same producer; his cell phone is switched off. 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'Amitava' had to live with unreciprocated love, but this did not affect the friendship among them. But then, when the film is about 70% complete, the relationship between Nilanjana and Ritwik breaks, and Amitava, no longer able to see the two brimming with romance, decides to leave the film. In between all this, the producer, who was up with a new idea in the world of Bengali Films, and had spent a lot of money, went bankrupt. Although this man could somehow manage to live, his wife, who noticed that her jewellery was one by one consumed to make up for lost money, hung herself due to a financial insecurity. The man was broken and devastated-he became mentally unstable, and turned mad. Joy stops here. The rest three, who remained a bit shocked at the recurrence of past events, that actually featured them, however, praised him for the plot. Diptyo asked him where was the connection of retribution, or nemesis with these events. In response, Joy says that this ways just the pre-title - the real story takes place 20 years later. In the real story, this producer's step-brother, whom they loved more than their own child was scarred for life when he saw all these happen. He was brilliant student, and even out of all financial crisis there was no bar put before his education-he went abroad with a scholarship, but came all the way back to Calcutta to direct films, because that was in his blood. He wanted to do that desperately. After filming some low-grade films, he draws up courage for his final act. He told the three of a fake producer, a fake deal, with a fake card and a fake cell-phone number. Right then, Diptyo tries to look into his mobile to check on something, when Joy shouts, calls in the driver of their car 'Sanjay', who was supposedly in the city with the faulty parts of the car. Sanjay, though reluctantly, points a revolver with 4 bullets, at them, and takes away their cell phones. Joy now continues; He says, "After successfully entrapping them in a desolate bungalow in the middle of a jungle...this guys, he decides to...kill them!...one by one." Now as the climax draws to an end, at first the revolver is aimed at Sakhyo, but the cabinet is empty when the trigger is pressed! With the next culprit Diptyo, the same thing happens. Next, when it is pointed at Trina, and there is no doubt that this time there will be a shot, Trina declares that she still loves Diptyo. Just when the trigger was about to be pressed, a quick thought from Diptyo made him pull Trina out of the bullet's way, which in turn hit Joy, fatally. The camera is seen drifting away from a scene of regret and sobs from the driver and another old servant in the house. This was his film, 'Nemesis.
Nirbaak
Nirbaak (2015)

Réalisé par Srijit Mukherji
Genres Drame
Acteurs Sushmita Sen, Anjan Dutt, Jisshu Sengupta, Ritwick Chakraborty, Biswajit Chakraborty
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'Nirbaak' (meaning speechless) depicts the stories of affection, lust, jealousy, love and separation of four entities (a human being, a tree, a dog and a dead body). In all these stories though there is one common bonding 'Sushmita Sen'.
Baishe Srabon, 2h20
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Thèmes Musique
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Several murders have taken place throughout Kolkata, for which a serial killer is believed responsible. The murderer strikes in accordance with verses of Bengali poetry, which he leaves next to the victims. The police are baffled; chief detective Abhijit Pakrashi (Parambrata Chatterjee) struggles to solve the case, which takes a toll on his relationship with girlfriend Amrita Mukherjee (Raima Sen). Pakrashi's superior brings back an ex-cop, Prabir (Prosenjit Chatterjee), to help solve the case. Prabir, earlier suspended for his violent methods, is notoriously ill-tempered and foul-mouthed. Prabir and Pakrashi work together, while Amrita (a television journalist) and colleague Surya Sinha (Abir Chatterjee) research serial killers for a series whose thirteenth—and final—episode will be about a contemporary murderer. Meanwhile, eccentric poet Nibaron Chakraborty (Gautam Ghosh)—who considers himself part of the Hungry Generation—wanders Kolkata at night reciting poems.
জাতিস্মর, 2h30
Réalisé par Srijit Mukherji
Genres Musical
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In the present timeline, Rohit Mehta (Jisshu Sengupta), a Gujarati born and brought up in Calcutta, falls in love with Mahamaya (Swastika Mukherjee) and tries to woo her. Since he can just barely utter a few Bengali words (and that too in the wrong places), Mahamaya throws him a hurdle to cross - if he can write a song with correct Bengali lyrics and sing it without any accent or mistake, she would think of a possible relationship. Rohit accepts the challenge and goes to Portugal to study colonial history.
গুরু শিষ্য
Réalisé par Swapan Saha
Genres Drame, Romance
Acteurs Prosenjit Chatterjee, Rituparna Sengupta, Soumitra Chatterjee, Subhendu Chatterjee, Subhasish Mukhopadhyay
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It is the story of a music lover named Kishore (Prosenjit Chatterjee), he belonged to a poor family. He wanted to learn music from a person named Shankar Maharaj (Soumitra Chatterjee), who stopped teaching music because his students ditched him after learning music and violated his instructions. His daughter Ontora (Rituparna Sengupta) helped Kishore to learn music by employing him as a maid in their house. They fell in love with each other. When Shankar Maharaj, came to know about the fact, he asked Kishore to break this relation as a token of his teaching. After sometime, the student who violated the instruction of Shankar Maharaj released an audio cassette & she hired Kishore as the music teacher. In the felicitation ceremony Shankar Maharaj was terribly humiliated a girl student, that he can't sing & knows nothing about songs. To prove her wrong, he started singing but fell ill in the midst of the song. Then Kishore came & completed the song & gave his required token as a teacher. Kishore & Shankar Maharaj's son become united again.
Handa and Bhonda
Genres Drame, Comédie
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Handa (Mithun) is a simple, sincere and hardworking person, but his honesty even lands him in trouble sometimes, created by his not-so-perfect colleagues and his own boss (Biswajit). Handa's son, Bhonda (Aritra), is exactly opposite to his father's character isn't. He is a brat. He steals his father's money, flunks his unit tests, gets punished every day in school, also copies his father's signature in the progress report card, bunks classes and even hits on his most beautiful classmate, Medha. Both hate their life as it is troubled and they are looking for a miracle to happen. Handa wishes if he could become a kid again to help teach Bhonda what education could do to an individual. Bhonda, wishes to grow up to teach his father a lesson. Both their wishes come true false story film in the story.Bhonda (Ayush) is a real person living in the kiraya of Shantanu and Sagar's house.
মায়ার বাঁধন
Réalisé par Swapan Saha
Genres Drame
Acteurs Prosenjit Chatterjee, Rituparna Sengupta, Abhishek Chatterjee, Subhendu Chatterjee, Rabi Ghosh, Anuradha Ray

Sagar Mukherjee(Prosenjit) is a tea taster in profession. He lives beside the house of Shipra(Rituparna Sengupta), his neighbour. Prasad Halder is the boss of Sagar’s company and her also lives beside them. Sagar and Shipra fall in love and go for registrary marriage without informing Shipra’s parents. Prasad(Robi Ghosh) helps them. Shipra starts living with Sagar. Shipra’s father does not accept this relationship. Shipra becomes pregnant. She has to be admitted in a hospital. There she meets with Krishna(Satabdi Roy) who is also pregnant. Shipra and Krishna give birth to girls on the same day, but suddenly fire catches in the hospital,and the girls are exchanged. Only the doctor and the nurse knows this. Shipra and Sagar’s daughter Maya(Srabanti Chatterjee), Nirmal and Krishna’s daughter Trishna grows up. One day Shipra dies due to cardiac failure. So, taking Maya, Sagar shifts to a tea-garden. There he meets Nirmal and Krishna with their son Kushal(Soham Chakraborty) and daughter Trishna. One day it is revealed that Trishna has a heart problem. The nurse accidentally comes to know about the Krishna’s present status in the city and her girl’s problem. In a major operation Trishna dies. The nurse reveals the incident of exchange of the babies to Krishna. Krishna and Nirmal came to know about Maya’s origin, but Sagar does not want to handover Maya to them. By law, Nirmal and Krishna get the charge of Maya. But Maya doesnot want to live with them. Sagar(Prosenjit) breaks down. Kushal does not want to recognise Maya as his sister. Maya runs away with Kushal and unites with her father sagar. Krishna and Nirmal accept it.