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Les films ayant le thème "Documentaire sur les films", triés par recette
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, 1h37Origine Etats-Unis
Genres Documentaire
Thèmes Film traitant du cinéma, Documentaire sur le monde des affaires, Documentaire sur le cinéma, Documentaire sur les films
Acteurs Fairuza Balk, Richard Stanley, Robert Shaye, Michael Gingold, Edward R. Pressman, Marco Hofschneider
In Lost Soul Gregory looks at the filming of The Island of Dr. Moreau, specifically the period during which director Richard Stanley spent on the project. Stanley was brought on to the project early but was fired only a few days after principal photography began and was replaced by John Frankenheimer. The documentary looks into Stanley's vision for the film, as he had spent years working on the movie's script and had intended for Bruce Willis to star as Edward, a role that was later given to Val Kilmer- a move that Stanley viewed as a mistake. Lost Soul features interviews with several people involved with the movie's production and focuses on various aspects of the film, including numerous changes to the script and reports that Kilmer was difficult to deal with on set.
Birth of the Living Dead (2013)
, 1h16Origine Etats-Unis
Genres Documentaire
Thèmes Film traitant du cinéma, Maladie, Film post-apocalyptique, Le futur, Documentaire sur le monde des affaires, Documentaire sur le cinéma, Zombie, Épidémie, Documentaire sur les films, Film catastrophe
Acteurs George A. Romero, Gale Anne Hurd, Larry Fessenden
Rob Kuhns interviews a range of authors, critics, and filmmakers about the impact, legacy, and enduring popularity of Night of the Living Dead. Romero describes the film's background, production, and distribution, including how it accidentally fell into the public domain. Fessenden describes Night of the Living Dead 's aspects of postmodernist film, including an early commentary on horror films inside of a horror film – Johnny's taunting of his sister, Barbra, in the opening graveyard scene. Hurd cites the film as an influence on her own work as executive producer of The Walking Dead. Mitchell, among other things, describes how the film presents a strong Black male as the protagonist of a film without resorting to racial commentary. The final scene, in which Duane Jones' character, Ben, is killed by a posse is compared to historical footage of 1960s lynch mobs and police brutality, and scenes of violent zombie attacks are compared to footage from Vietnam broadcast on television.