Waste Land (Lixo Extraordinário) est un film documentaire brésilien écrit et réalisé par Lucy Walker, João Jardim et Karen Harley en 2010.
Il a été présenté au festival de Sundance 2010, où il a remporté le Prix du public international, et a été nominé pour l'Oscar du meilleur film documentaire en 2011.
Synopsis
Le film traite du travail de l'artiste brésilien Vik Muniz, qui crée ses œuvres grâce à des déchets recyclables issus de Jardim Gramacho , la plus grande décharge du monde pour la ville de Rio de Janeiro au Brésil.
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, 1h25 OrigineEtats-Unis GenresDrame, Comédie, Documentaire ThèmesL'environnement, Sport, Documentaire sur le sport, Documentaire sur l'environnement, Documentaire sur une personnalité ActeursAlicia Ika Note74% The film emulates the 1968 trip made by Yvon Chouinard and Doug Tompkins to Patagonia, but rather than by land, Jeff Johnson travels by sea from Mexico and south along the west coast of Chile. The film opens with original home movie footage as taken by Chouinard and Tompkins, and then continues with Johnson's own footage, in which he includes surfing, sailing and climbing as the film follows Johnson signing on with a small boat heading for Chile, his being delayed for several weeks on Easter Island, his meeting travel partner Makohe, and in his reaching Patagonia, Johnson meeting with Chouinard and Tompkins. The film concludes with his attempt to climb Cerro Corcovado (the Corcovado volcano), an attempt that was halted 200 feet from the summit out of concerns for safety.
Paths of lives are crossed in one village in the West Bank. Along the broken water pipelines, villagers walk on their courses towards an indefinite future. Israel that controls the water, supplies only a small amount of water, and when the water streams are not certain nothing can evolve. The control over the water pressure not only dominates every aspect of life but also dominates the spirit. Bil-in, without spring water, is one of the first villages of the West Bank where a modern water infrastructure was set up. Many villagers took it as a sign of progress, others as a source of bitterness. The pipe-water was used to influence the people so they would co-operate with Israel’s intelligence. The rip tore down the village. Returning to the ancient technique of collecting rainwater-using pits could be the villagers’ way to express independence but the relations between people will doubtfully be healed.