Peter Parker / Spider-Man
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[Opening narration] It's me, Peter Parker. Your friendly neighborhood–you know. I've come a long way since I was the boy bit by a spider. Back then, nothing seemed to go right for me. Now people really like me. The city is safe and sound. Guess I had a little something to do with that. My Uncle Ben would be proud. I still go to school. Top of my class. And I'm in love, with the girl of my dreams.
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[after symbiote transformation he slept, later awakens] Where am I? (
hangs upside down and turns over the mirror of his new suit) What is this? I feel. Wow. This feels good. (
trys out his new suit) This is something else.
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[Hearing the news that Sandman finally appeared] Marko.
[Goes to his closets and gets his Spider-Man suit, but realizing his suit would get damage; he opens the chest and takes his new black suit instead].
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[narrating, last lines] Whatever comes our way... whatever battle is raging inside us, we always have a choice. My friend Harry taught me that. He chose to be the best of himself. It’s the choices that make us what we are... and we can always choose to do what's right.
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[end of PS3 game, closing narration] This should be a happy ending. I beat the villain, brought a family back together, and got the girl. But it's not that easy. Being Spider-Man always comes with a price, and today that price was a steep one. What keeps me going are my Uncle Ben's words: "With great power comes great responsibility." In the end, people need heroes. As tough as it gets some days, I have to fight on. Maybe the best way to honor the people I love... is to never stop being your friendly neighborhood Spider-Man.
Mary Jane Watson
Harry Osborn
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[When corrupt Peter appears in his mansion] Would you like a drink? Tsk, I'm sorry. What was I thinking? Bad for the public image, right, Mr. Key To The City?
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[Before him and corrupt Peter fight in his mansion] When she kissed me... it was just like she used to kiss me... that taste...
[inhales deeply] Strawberries!
Flint Marko / Sandman
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[Saying goodbye to his sick daughter] I missed you, Penny... I promise, I will make you healthy again, no matter what it takes, I'll get the money.
Eddie Brock / Venom
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[When corrupt Peter finds out that the news story he wrote about Spider-Man being thief is false] Parker, you are such a boy scout! When are you gonna give a guy a break?
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[To Sandman] I want him dead too, Flint. That's why I've been looking for you. Oh yeah, I know all about you. Like the fact that Spider-Man
[reveals his identity] won't let you help your poor daughter. That just doesn't seem right to me. Look,
I want to kill the Spider,
you want to kill the Spider...together, he doesn't stand a chance.
[turns back into Venom] Interested?
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[When Spider-Man offers to help him sort things out] You are
so right. I'm thinking...humiliation. Kinda like how you humiliated me. Do you remember? Do you remember what you did to me?
[looks over to see that Mary Jane is close to falling] You made me lose my girl, now I'm going to make you lose yours. How's that sound, Tiger?
May Parker
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Uncle Ben meant the world to us. But he wouldn't want us living one second with revenge in our hearts. It's like a poison. It can – It can take you over. Before you know it, turn us into something ugly.
Stan Lee
Dialogue
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Mary Jane Watson: Tell me again. Was I really good? I was so nervous, my knees were shaking.
Peter: Your knees were fine.
Mary Jane: The applause wasn't very loud.
Peter: Yes, it was. Well, it's the acoustics. It's all about diffusion. It keeps the sound waves from grouping. You see when the sound waves, they propogate, then it–
M.J.: You are such a nerd.
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Emma Marko: You can't hide here, Flint.
Flint Marko: I'm just here to see my daughter.
Emma Marko: You're an escaped conflict. The Cops are looking for you. You're not getting near her. You're nothing, but a...convict thief. You maybe even killed a man?
Flint Marko: It wasn't like that. Wasn't. I had a good reason for what I was doing. And that's the truth.
Emma Marko: You and the truth, sitting in prison, having three meals a day together. I live in the presence of great truth, and that is the truth that you left behind
right there in that bedroom.
[Their daughter Penny walks out of her bedroom; Flint walks up to her.]
Flint: Penny, I missed you.
Penny Marko: I miss you too, Daddy.
Flint Marko: I promise I'll make you healthy again. Whatever it takes, I'll get the money.
Emma: You get out of here now.
Flint:
[exits through the window] I'm not a bad person. I just had bad luck.
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Peter: Harry.
Harry: You knew this was coming, Pete.
[tries to punch at Peter, who quickly moves out of the way, and gets his arm stuck in the wall]
Peter: Listen to me, I didn't kill your father!
[quickly avoids another punch from Harry] He was trying to kill me, he killed himself!
Harry:
[yells] Shut up! Partager la citation sur facebook
[Eddie takes a picture of a dangling Gwen with the zoom on his camera]
Eddie Brock: Oh my Gosh, that's Gwen.
Captain Stacy: What?
[takes the camera from Eddie, and sees his daughter] What's she doing up there?
Eddie: I don't know, I just saw her last night. She said she had a modeling gig.
Captain Stacy: Who're you?
Brock: It's Brock, sir. Edward Brock Jr. I work at Daily Bugle. And, uh, I'm dating your daughter.
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Jameson:
[grows impatient with Hoffman proposing a new slogan for the Daily Bugle] Get on with it, you moron!
[the buzzer on his intercom blares loudly] What?!
Brant: Your blood pressure, Mr. Jameson. Your wife told me to tell you to watch the anger.
Jameson:
[furiously] You tell my life...!
[calmly; pushes his intercom] Thank you.
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Jameson:
[To Eddie] You want a staff job,
[to Peter] you want a staff job. Doesn't anybody care about what I want?
Hoffman:
[briefly entering] I do.
Jameson: Shut up. Get out. I want the public to see Spider-Man for the two-bit criminal he really is. He's a fake, he's full of sticcum. Catch him in the act; Spider-Man with his hand in a cookie jar. Whoever brings me that photo gets a job. Well, what are you waiting for? Chinese New Year? Go, go, go!
Eddie: I'm on it, boss!
Peter:
[after they both leave Jameson's office] You'll never get that shot.
Eddie: Oh, we'll see.
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Spider-Man: Jig's up, pal.
Sandman: I don't wanna hurt you. Leave, now.
Spider-Man: I guess you haven't heard. I'm the sheriff around these parts.
Sandman: Okay.
[fight ensues, however Sandman easily beats Spider-Man, before saving two man, as Sandman sees and flees]
Spider-Man: Where do all these guys come from?
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Peter: What do you think?
Dr. Connors: I've never seen anything like it. I'm a physicist, not a biologist, but I'll look at it in the morning and run some tests.
Peter: Can we do that now?
Connors:
[The specimen being looked at escapes and starts moving towards Peter who, surprised, traps it in a glass] Seems to like you. Don't let any of that get on you.
Peter: Why not?
Connors: It has the characteristics of a symbiote, which needs to bond to a host to survive. And sometimes, these things in Nature, when they bind, they can be hard to unbind.
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Eddie: Whoa. Buddy, love the new outfit. This is exactly what I need to scoop Parker. Give me uh...give me some of that web action.
[Spider-Man's web swing and crushes Eddie's camera]
Spider-Man: See ya, chump.
[jumps into sewers to face Sandman]
Eddie: What the
HELL?!
[gets another camera from his coat, taking photos, as police arrives]
Spider-Man: Flint Marko.
Sandman: What do you want from me?
Spider-Man: [playful to aggressive] Remember Ben Parker?!
THE OLD MAN YOU SHOT DOWN IN COLD-BLOOD?!?
Sandman: [visibly upset by the question, angrily responds] What does it matter to you, anyway?!
Spider-Man: [going over the passing train and yells] EVERYTHING!!!!!! Partager la citation sur facebook
[after regaining his memories, Harry meets the spirit of his father, Norman]
Norman Osborn: Harry. Remember me?
Harry Osborn: Yes, Father. I remember.
Norman: I was right about her. About Peter. About everything.
Green Goblin:
[offscreen] You know what you must do. Make him suffer. Make him wish he were dead. First, we attack his heart!
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Mr. Ditkovich: Having trouble with the phone?
Peter: No, no. I was just trying to figure out what to say.
Mr. Ditkovich: If it is woman you are calling then you say "You are a good woman. I am good man." Hm?
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Harry:
[when corrupt Peter arrives at his mansion] Would you like a drink? Tsk, I'm sorry. What was I thinking? Bad for the public image, right, Mr. Key to the City?
Peter: What did you do to her?
Harry: I did what you failed to do. I was there for her. Mary Jane and I, we understand each other.
Peter: She doesn't know what you are.
Harry: Peter, she knows me very well. And when she kissed me, it was just like she used to kiss me. The taste...
[sucks in, rolls fingertips over his lips] ...Strawberries.
[Peter punches him, the battle ensues.]
Harry: How ya like that, Spidey?
Peter: That all you got?
Peter: [after punching Harry through a window] Stings, doesn't it?
Harry: I protected you in high school, now I'm gonna kick your little ass.
Peter: [mockingly] Ooh!
Harry: [after getting hit in the face with his glider and accidentally getting thrown by Peter at a glass shelf full of pumpkin bombs] You gonna kill me like you killed my father?
Peter: I'm done trying to convince you.
Harry: You took him from me. He loved me.
Peter: No. He despised you. You were an embarrassment to him.
[sees tears in Harry's eyes] Oh, look at little Goblin Jr. You gonna cry?
[Peter knocks Harry unconscious on the wall shelf and walks away. Harry tries to throw a pumpkin bomb at Peter, but Peter throws it back at Harry's face, disfiguring it.] Partager la citation sur facebook
Eddie:
[to corrupt Peter, during his promotion party in his staff position] Well, good morning. It's a beautiful day, huh? What was that you said? I'd never get that picture?
[points to his picture of Spider-Man robbing a bank] There's your hero.
Peter: Huh. I never thought he'd really do that!
Eddie: See? Right there. You made a judgment call. You gotta see it as it is.
Peter: It's funny you should say that, because I was looking through some old photos and it looks very, uh...
[straightens his collar] similar.
Eddie:
[chuckling] Okay. Well, I gotta get back to work.
Peter: You're trash, Brock.
Eddie: Excuse me?
Peter:
[hurling original picture with Brock's re-edit] You're picture's a fake
.
Eddie: Parker, you are such a boy scout. When are you gonna give a guy a break?
Peter:
[angrily shoves him against the picture shattering the glass] You want forgiveness? Get religion.
Robbie Robertson: What's going on here?
Betty Brant: Are you guys alright?
Eddie:
[fake chuckling] Yeah, we're just horsing around.
[quietly to Peter] Look, I'm begging you: if you do this, I will lose everything. There won't be a paper in town that'll hire me.
Peter: You should've thought of that earlier.
[lets go of Eddie and walks towards Robbie]
Robbie: What are you doing, Peter?
Peter:
[hands photos to Robbie] Show this to your editor. Tell him to check his source next time.
[Jameson looks at the fake photo Brock made and the original he faked it from]
Robbie:
[To Jameson] It's a fake. Empire State Photographic Department confirms it.
Jameson:
[To Brock, angrily] Pack your things. Get out of my building.
Eddie: I was just–
Jameson: You're
FIRED!
Robbie:
[To Jameson, as Eddie leaves] You know we're gonna have to print a retraction now.
Jameson: I haven't printed a retraction in
twenty years! Partager la citation sur facebook
Betty: Your shots are so good.
Peter: I'd love to shoot you sometime.
Brant:
[aroused] Peter Parker. Peter...
Jameson: Parker! Miss Brant, that's not the position I hired you for.
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Jazz Club Manager: Are you alright, Mary Jane?
M.J.: I'm fine.
Jazz Club Manager: Okay.
Peter: Hey.
M.J.: What's wrong with you?
Peter Parker: You.
Jazz Club Manager: Can I help you sir?
Peter: No.
Jazz Club Bouncer: Everything okay here Paul?
Peter: Yeah, everything okay here Paul?
Manager: Take him out of here.
Bouncer:
[grabbing Peter's arm gently] Let's go sir.
Peter: Take your hand off me.
Jazz Club Bouncer:
[grabbing Peter's arm tight] Now.
Peter:
[angrily fights the two guys and the Jazz Club Bouncer and punches him few times]
M.J.: Peter, stop it!
[Peter screams and hits Mary Jane in the face causing her fell to the ground; Peter is shocked at what he's just did] Who are you?
Peter: I don't know.
[reveals his black suit in his dress suit to Mary Jane but he covers it and leaves the jazz club] Partager la citation sur facebook
Flint:
[grabs Venom in mid-swing, thinking he's Spider-Man] End of the line, Spider-Man.
[Venom screeches in his face; Flint sees it's not Spider-Man, tosses him aside]
Venom: I want him dead too, Flint. That's why I've been looking for you. Oh yeah, I know all about you. Like the fact that Spider-Man...
[reveals his identity] ...Won't let you help your poor daughter. That just doesn't seem right to me. Look,
I want to kill the Spider,
you want to kill the Spider... together, he doesn't stand a chance.
[turns back into Venom] Interested?
Flint: Yeah.
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Spider-Man: Harry, I need your help. I can't take them both, not by myself.
Harry:
[shows disfiguration on half of his face] You don't deserve my help.
Spider-Man: Harry, she needs us.
Harry: Get out.
Bernard:
[to Harry, upon his refusal to aid Peter] If I may, sir. I've seen things in this house I've never spoke of.
Harry: What are you trying to tell me?
Bernard: The night your father died, I... I cleaned his wound. The blade that pierced his body came from his Glider. I-I know you're trying to defend your father's honor, but there is no question that he died by his own hand. I loved your father, as I've loved you, Harry. As your friends love you.
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Mary Jane: Peter! They're gonna kill us both.
Spider-Man: I'm gonna get you out of this.
Mary Jane: Watch out!
Eddie Brock: Hey, Parker.
Spider-Man: My God, Eddie!
Eddie Brock: Ooh, my Spider-Sense's tingling.
[grabbing Mary Jane] If you know what I'm talking about.
[knocks Spider-Man down into a black web and binds his wrists to it]
Peter Parker: We can find a way to settle this.
Eddie Brock: You're
so right. I'm thinking humiliation. Kinda like
how you humiliated me. Do you remember? Do you remember what you did to me? You made me lose my girl. Now I'm gonna make you lose yours. How's that sound, tiger?
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Spider-Man: You came.
Harry Osborn: Looks like just in the nick of time.
Spider-Man: A couple minutes ago wouldn't have been so bad either.
Harry Osborn: What're you gonna do?
[Venom screeches as both Spider-Man and Harry turning around at Venom and Sandman, respectively]
Spider-Man: I may need some help over here!
Harry Osborn: I'm a little busy right now! Give me your hand!
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Jameson:
[witnessing the battle between Spider-Man, Venom, Sandman and Goblin; searching for Parker] Parker! Parker, where–? I need a photographer.
[notices a little girl with a camera beside him] Hey kid, want a job?
Little Girl: Why would I want a job? I'm just a kid.
Jameson: Alright, how much for the camera?
Little Girl: $100!
Jameson: $100?! Alright, you little crook, here.
[buys the little girl's camera, gives his money to her and clicks the camera, but it doesn't seem to work] What the?
[opens the camera to find that there's no film in it, and looks back at the little girl]
Little Girl: The film's extra.
[Jameson reaches for his wallet and snarls at her.] Partager la citation sur facebook
Eddie Brock: Never wound. (Eddie's face revealed) What you can't kill.
Peter: Eddie, the suit! You gotta take it off!
Eddie Brock: Oh, you'd like that, wouldn't you?
Peter: I know what it feels like. It feels good, the power, everything, but you'll lose yourself. Let it go.
[The suit slowly grasps Venom's face, as if holding onto him]
Eddie Brock: I like being bad. It makes me
happy.
[The suit covers his face at once, as he prepares to deliver a fatal blow] Partager la citation sur facebook
[He activates a pumpkin grenade from Harry's glider to finish the symbiote]
Eddie Brock: Peter! What are you doing?!
[Peter hurls a pumpkin grenade at a symbiote] NO!
[Eddie jumps in to save symbiote]
Peter Parker: Eddie!
[Runs to stop Eddie, but a pumpkin grenade explodes, killing Eddie and finally symbiote]
[Sandman was too late to aid Venom after Spider-Man kills him]
Mary Jane: Harry.
Harry: Mary Jane.
Mary Jane: I'm gonna get help.
Harry: No. Stay.
Sandman:
[To Peter, after discovering he's Spider-Man] I didn't want this. But I had no choice.
Peter Parker:
[hostilely] We always have a choice. You had a choice when you killed my uncle.
Sandman: My daughter was dying. I needed money. I was scared. I told your uncle all I wanted was the car. And he said to me, "Why don't you just put down the gun and go home?" I realize now he was just trying to help me. Then I saw my partner running over with the cash, and the gun was in my hand. Did a terrible thing to you. I spent a lot of nights wishing I could take it back. I'm not asking you to forgive me. I just want you to understand.
Peter Parker: I've done terrible things too.
Sandman:
[looking down at the police cars and people cheering below] I didn't choose to be this.
[looks at his locket] The only thing left in me now... is my daughter.
Peter Parker: I forgive you.
[Touched, Sandman turns into sand and peacefully flies away through the city; Peter approaches MJ and injured Harry.]
Peter Parker: Hi, pal. How you doing?
Harry: Been better.
Peter Parker: We'll get you through this.
Harry: No.
Peter Parker: I should never have hurt you. Said those things.
Harry: None of that matters, Peter. You're my friend.
Peter Parker: Best friend.
[Harry then succumbs] Partager la citation sur facebook
[Alternate cut of Harry's Mansion scene.]
Harry: What took you so long?
[turns to find Peter just casually chilling on the couch]
Peter: That was quite a performance today.
Harry:
[chuckles] Well, it wasn't all a show. She did come to me.
Peter:
[rises up from the couch] Oh, yeah, I got the story. I'm really gonna enjoy this.
Harry: Not as much as I enjoyed it when Mary Jane kissed me.
Taglines
About Spider-Man 3
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The great failing of "Spider-Man 3" is that it failed to distract me from what a sap Peter Parker is. It lingers so long over the dopey romance between Peter and the long-suffering Mary Jane that I found myself asking the question: Could a whole movie about the relationship between these two twentysomethings be made? And my answer was: No, because today's audiences would never accept a hero so clueless and a heroine so docile. And isn't it a little unusual to propose marriage after sharing only one kiss, and that one in the previous movie, and upside-down?
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We know that Spider-Man's powers do not reside in his red suit, which lies in a suitcase under his bed. So how do fake Spideys like Venom gain their powers when they are covered with the black substance? And how does a microorganism from outer space know how to replicate the intricate patternwork of the Spidey costume, right down to the chest decoration? And to what purpose from an evolutionary point of view? And what good luck that the microorganism gets Peter's rival photographer, Eddie Grace, to infect, so that he becomes Venom! And how does Eddie know who he has become?
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"Spider-Man 3" is, in short, a mess. Too many villains, too many pale plot strands, too many romantic misunderstandings, too many conversations, too many street crowds looking high into the air and shouting "oooh!" this way, then swiveling and shouting "aaah!" that way. And saints deliver us from another dinner date like the one where Peter plans to propose to Mary Jane. You know a movie is in trouble when the climactic romantic scene of the entire series is stolen by the waiter (Bruce Campbell).
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Raimi: So we decided that’s the journey Peter Parker has to go on. Then we said, what villain will best represent the conflict that can dramatize his journey? If the hero runs into this conflict, how can he learn forgiveness? We’ll make the villain piece someone who is absolutely unforgivable in Peter’s eyes to really take him to a place where the audience understands his desire for vengeance and they feel it so that the kids will think ‘Yes, bring the Sandman down, Spider-Man.’ And then by the end of the piece, you want the kids to go on this journey with Spider-Man so that they’d say, ‘No, actually as my hero, the best thing that you could do right now, the thing I’d rather have you do is forgive this man.’ We thought that would be a worthwhile summer picture and a good story for the kids if we could incorporate that.
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Wild About Movies: You seemed to have a lot of fun with Peter Parker embracing his darker side. Can you talk about creating that aspect of the movie?
The Parker Family
The Marko Family