Anarchism in America is a 1983 documentary, directed by Steven Fischler and Joel Sucher, and produced by Pacific Street Films. It has been re-released by AK Press to DVD. The film begins by explaining the filmmakers' interest in anarchism based on their involvement in the group Transcendental Students while in film school at NYU. The film includes interviews with influential anarchists Murray Bookchin, Paul Avrich, Jello Biafra, Mollie Steimer and Karl Hess, and with poet Kenneth Rexroth. It also discusses the Spanish Civil War, the Russian Revolution, the influence of Emma Goldman and the case of executed anarchists Sacco and Vanzetti.
The film labels anarchism as the only ideology that is staunchly anti-authoritarian, and discusses how anarchist ideals align with the revolutionary, independent spirit of America from rural communities to urban zones.
Suggestions de films similaires à Anarchism in America
Il y a 12 films ayant les mêmes acteurs, 8860 ayant les mêmes genres cinématographiques, 8199 films qui ont les mêmes thèmes (dont 7 films qui ont les mêmes 4 thèmes que Anarchism in America), pour avoir au final 70 suggestions de films similaires.
Si vous avez aimé Anarchism in America, vous aimerez sûrement les films similaires suivants :
, 1h18 OrigineEtats-Unis GenresDocumentaire ThèmesFilm libertaire, Politique, Documentaire sur la guerre, Documentaire historique, Documentaire sur la politique, Documentaire sur l'anarchisme, Politique Note69% Tourné sur cinq continents durant plus de deux ans, The Fourth World War fait l’inventaire des nombreux mouvements citoyens qui ont pris naissance un peu partout sur la planète, comme pour écrire une nouvelle page d’histoire composée d’actes de résistance au néo-libéralisme. Filmé simultanément aux premières lignes des conflits au Mexique, en Argentine, en Afrique du Sud, en Palestine, en Corée, en Afghanistan et en Irak, mais aussi lors des grands rassemblements de Seattle, de Gênes et de Québec, ce film engagé témoigne des luttes que mènent des hommes et des femmes contre l’oppression, l’injustice et la violence qui leur sont imposées. The Fourth World War traite de cette guerre sournoise que les États, en concomitance avec les grands groupes financiers et industriels, livrent contre les intérêts et les besoins des citoyens du monde.
OrigineUruguay GenresDocumentaire ThèmesDocumentaire historique, Documentaire sur la politique, Documentaire sur l'anarchisme, Politique Note72% The documentary covers two cities, Montevideo and Buenos Aires, primarily in the 1920s and 1930s, and the men of action who migrated in from Spain, Germany, Russia and elsewhere during this time. These romantic gunmen committed their acts, not for personal gain but to fight against a regime they perceived as oppressive and repressive.
Réalisé parMorgan Spurlock OrigineEtats-Unis GenresDocumentaire ThèmesLe terrorisme, Documentaire sur le droit, Documentaire sur la guerre, Documentaire historique, Documentaire sur la politique, Documentaire sur le terrorisme, Politique ActeursMorgan Spurlock Note64% After some comical animations involving Al-Qaeda leader Osama bin Laden, the film shows Spurlock visiting various countries associated with or affected by Bin Laden. The film contains short interviews with many people about Bin Laden and Islamic fundamentalism, and about the US and its war on terror. Supposedly Spurlock searches for Bin Laden, and he even asks people at random in the street where he is. The film is intercut with images of Spurlock's wife in the late stages of her pregnancy. Much of Spurlock's commentary is based on the concerns of a new father.
, 1h20 OrigineEtats-Unis GenresGuerre, Documentaire, Historique ThèmesLa famille, Documentaire sur la guerre, Documentaire historique, Documentaire sur une personnalité, Documentaire sur la politique, Politique, Uchronie Note69% VIRTUAL JFK investigates one of the most debated "what if" scenarios in the history of U.S. foreign policy: What would President John F. Kennedy have done in Vietnam if he had not been assassinated in 1963, and had he been re-elected in 1964? The film employs what Harvard historian Niall Ferguson calls "virtual history," assessing the plausibility of counterfactuals - "what ifs" - and the outcomes they might have produced. The heart of the film deals with the question: Does it matter who is president on issues of war and peace?